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Vytas Brenner - La Ofrenda de Vytas Brenner CD (album) cover

LA OFRENDA DE VYTAS BRENNER

Vytas Brenner

 

Eclectic Prog

4.22 | 30 ratings

From Progarchives.com, the ultimate progressive rock music website

Chus
Prog Reviewer
5 stars Vytas Brenner is one of those rare gems that, despite being one of venezuelan's first progressive icons, is rarely mentioned even in his own country. He was german but never had any contact with his german roots, so he was just another venezuelan, and maybe one of the unfortunate examples that foreigners appreciate more our culture than natives.

His music is rich with images from venezuelan's culture, and applying to them the european symphonic progressive layers to develop the fusion. Rich also in instrumentation it is, from the main instruments of venezuelan folk (cuatro, harp, maracas) and incorporating electric guitars, synths, organ and symphonic instruments to complete the pack. His music also adds influences from afro-venezuelan ethnic music and latin american rhythms; examples of these rhythms may be heard in songs like "Morrocoy" and "La Sabana", with the later having extensive use of atmospherics and percusions, while the former also includes "joropo" rhytms from venezuelan plains, which is also featured in "La Ofrenda de Miguel", with it's blues flavoured bridge; "Canto del Pilon" in a more symphonic surrounding and a drum solo spot; and, in a more pure form in "La Tormenta de Barlovento". "Frailejon" seems to borrow more from western culture. "Tragavenado" and "Araguaney" could be seen as one song, with a certain margaritean feel to them; the latter features the best piano display from Vytas.

Vytas did not only portrayed the venezuelan tradition in the music, but the song titles make references to national symbols from flora, fauna and geography. A well crafted, well produced and well executed album, which, and whilst borrowing from the symphonic movement, sounds nothing like Genesis, Yes or other brittish progressive pillars; it is a pillar on it's own which, unfortunately, made less influence than it's contemporaries. It also fails to be pompous or overblown, making it a light listening experience. 4.5 stars, rounded to 5. A masterpiece of Venezuelan Symphonic Folk music.

Chus | 5/5 |

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