FILTH

The debut album by SWANS is a full-on no wave experience which was a splinter from the punk culture in New York City in the late 70s and early 80s. It was in contrast to the new wave movement that it was specifically in reaction against which threw out melody and added healthy doses of abrasive atonal sounds, hypnotic repetition of rhythms with the emphasis on musical texture.

I have also heard it referred to as a branch of noise rock and that does have validity to it since there seems to be regular rhythmic drumming that is the canvass for all kinds of chaotic sounds to flow around creating strange swells of sound. The fact is that despite being called no wave this reminds me of the waves in the ocean in a way where they come ashore in regular intervals but each one has its own chaos embedded in its regularities. Swirling in eddies and irregular patterns until they crash violently against the land.

SWANS takes the no wave approach into new arenas. They were one of the few no wave bands to actually stick around long enough to develop their own sound and this debut album has been described as "the ideal soundtrack for mass suicides or nuclear holocausts." Hardcore it is with it's depression inducing stridency and total lack of anything remotely melodic with the distortion of heavy psych and the screamed vocals that remind me a bit of the sludge metal band Neurosis. Also in the mix are industrial type sounds that add yet another layer of bleakness and robotic detachment from finding that happy space. This is dark and sinister sounding. Despite having little melody the undulating sonic waves are strangely addicting making this unique experience a very interesting debut album.