Header
Fates Warning - Disconnected CD (album) cover

DISCONNECTED

Fates Warning

 

Progressive Metal

4.12 | 256 ratings

From Progarchives.com, the ultimate progressive rock music website

Mellotron Storm
Prog Reviewer
5 stars This record's theme is about being disconnected from people and society and so the feeling of being lonely and abandoned runs throughout this album. Therefore you shouldn't expect a lot of joy and happiness either lyrically or musically when you listen to this recording. Jim Matheos has sort of put doing guitar solos in the past for now as he concentrates on playing dense riffs and a heavy rhythmic guitar (grinding away). There is a lot of atmosphere on this disc as well as heaviness. Of course having Kevin Moore on board is great when you need to create atmosphere. Zonder and Vera sure know how to bring lots of bottom end. Good to see Terry Brown co-producing this record along with the band. They thank former member Bernie Versailles and his and Ray's present band mate with REDEMPTION Nick Van Dyk.

"Disconnected (Part 1)" features Matheos playing a single bended note on his guitar several times that recalls the PINK FLOYD song "Welcome To the Machine".The synths answer the machine in this short gloomy opener. The machine comes back at the end of the album. "One" has an uptempo intro. Zonder ! The guy is incredible. Tempo changes throughout this song. Adler can sure hold a note as witnessed 3 minutes in. Some intricate guitar work as well. Adler wrote this song. The next song "So" has been described as DREAM THEATER meets TOOL. Eerie synths to open as heavy drums and bass come in. The synths sound fantastic and Adler is in fine form. The chorus is heavy and aggressive. It's the Zonder and Matheos show 4 minutes in. An atmospheric passage 5 minutes in contrasts well with the heaviness before and after. "Pieces Of Me" really rocks out. Blistering guitar to open as Zonder does his thing. Adler comes in as drums pound steadily and Matheos grinds away on his guitar. Matheos tears it up 4 minutes in. "Something From Nothing" was also written by Adler and it opens with acoustic guitar and bass. There is a lot of atmosphere as Ray sings slowly. An industrial sound comes and goes. It becomes FLOYD-like 4 minutes in as the sound becomes eerie and dark. There is actually a sinister feeling that raises it's head once in a while throughout this tune. 5 minutes in Matheos turns it up a notch and so does everybody else. Adler is really impressive right now. This is my second favourite song on this album.

"Still Remains" is not only my favourite on this record but it may just be the best song they have ever done, it's that good. A 16 minute journey that starts with a slow pace with lots of atmosphere for 2 1/2 minutes. Then it starts to rise out of it's slumber,synths are prominant and we can hear some odd metered drumming and piano. Vera shines on this song especially after 11 minutes,but earlier too. This is a must hear song for all metal fans. The final song "Disconnected (Part 2)" recalls Kevin's song with DREAM THEATER "Space Dye Vest". The FATES WARNING machine is back ! That bended note with atmospheric keys answering back to the machine's wail.

This album is pure heaven for me. It blends all the elements that I love about music. I am a huge Jim Matheos fan, he wrote all the music for this record and shared with Adler in the lyrics.

Mellotron Storm | 5/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Share this FATES WARNING review

>

Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | GeoIP Services by MaxMind | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.03 seconds