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Strawbs - Ghosts CD (album) cover

GHOSTS

Strawbs

 

Prog Folk

4.03 | 159 ratings

From Progarchives.com, the ultimate progressive rock music website

BrufordFreak
5 stars Often overlooked as outside of the "classic" period of Strawbs "masterpieces," this album is so well produced, the sound so good, and the song-writing so tight and mature I find it hard to not consider one of the finest achievements of Prog Folk. As a matter of fact, as highly touted and revered former Strawbs' keyboard contributor Rick Wakeman is, I prefer the work of John Hawken. I love ways in which he combines the harpsichord, organs, piano and Mellotron better than those of Maestro Wakeman.

1. "Ghosts" (8:31) From the opening weave of multiple guitars (some 12-stringed!) and harpsichord, the amazing vocal dynamics, awesome lyrics, and excellent keyboard layering into the jam-on adrenaline bursting "Night Light" middle section of the title song, this is a prog masterpiece. (10/10)

2. "Lemon Pie" (4:02) seems to follow the format of previous Strawbs albums in that a socially-significant pop- oriented anthemic tune is second on the album, following the opening "epic"--and "Lemon Pie" does not disappoint. It delivers with it all of the zest and vigor one would expect of Dave Cousins' best efforts--with some delightfully playful lyrics. (9/10)

3. "Starshine/Angel Wine" (5:14) opens with two minutes of nice folk rock before an almost-"Layla" electric guitar riff opens up the heavier, more dynamic second section. (8/10)

4. "Where Do You Go (When You Need a Hole to Crawl in)" (3:04) has a kind of CAT STEVENS "Peace Train/Another Saturday Night" calypso feel to it. Upbeat and bar-room appropriate. (7/10)

5. "The Life Auction" (6:52) opens with some cool piano effects which is gradually joined by a low PETER GABRIEL- like half-spoken poetic story telling before the song bursts into a full blown bombastic Very Trespass-era, "Knife" or "White Mountain"-like--complete with defiant affect and flange effects on the vocals and electric guitar "power chords." Very cool song! (10/10)

6. "Don't Try to Change Me" (4:29) takes the listener back to a pleasant, innocent time like the Flower Child 1960s--at least until the shock of the emphatic first chorus at the one minute mark. now wide awake, we travel through the rest of the song on the nice verses fully expecting and ready for the rather abrasive shout of the chorus repeats. (8/10)

7. "Remembering" (0:59) (10/10) is a beautiful little interlude of electronic keyboard and cymbal play that turns out to be the introduction to the next song, my favorite song of theirs,

8. "You and I (When We Were Young)" (3:59) is a Cousins-Hawken collaboration which is pure perfection to these ears and, lyrically, to my mind as well. Pop music doesn't get better than this. (10/10)

The album's finale, and a John Hawken song, 9. "Grace Darling" (3:57), is another gorgeous song founded on a rock combo with the lovely accompaniment of a full chorus throughout and, later, from an awesome church organ. (10/10)

Side 2 makes up my favorite single side of Strawbs songs and Side 1 is not too bad either. A masterpiece and, in my opinion, an exemplary representative of the best of what Prog Folk has to offer.

BrufordFreak | 5/5 |

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