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Randone - Morte Di Un Amore CD (album) cover




Rock Progressivo Italiano

3.61 | 44 ratings

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The Crow
Prog Reviewer
2 stars I tried to like this album, but I obviously failed in the attempt!

The style of this album is like some kind of strange mixture between romantic Italian pop with some elements of progressive, symphonic and electronic rock. The production of the album is very good, and every instrument sound just fine. That what's my problem with this record? Let's talk about the songs.

Visione introduces the mood of the album, where the voice of Randone is the protagonist. The song contains good arrangements of keyboards, giving some symphonic feeling to the composition. I personally do not like the voice of Nicola, I find it just too strident and even annoying sometimes. He sings with passion his good lyrics, but I just can't bear his singing in this album! Sorry. The ending of the song has a fine atmospheric work with synthesizers, in the vein of Tangerine Dream but with tons of sound effects (wind, wolfs, cats?)

Il Pentimento Di Dio Dolo La Fine del Mondo is a reggae/ska song with not much to comment about beyond the weird vocals and ecclesiastical choirs. Tuttle le Mie Stelle is a romantic acoustic song with beautiful neo-prog keyboards after the chorus. Not really special, but one of the best tracks of the album nevertheless. L'Infinito is a bit darker, but pretty forgettable as well despite the fine guitar solo.

Un Cieco starts with the dolphin's cry, and it contains a good acoustic melody and strong and uplifting chorus. It's one of the most progressive songs of an album that's not really progressive, and also one of the stronger in songwriting. La Giostra is another dramatic song, which talks about the horrors of Auschwitz and contains one of the best instrumental works of the album, especially in the beautiful accordion section.

Strananoia is pure folk-rock with some influences of celtic music. It remembers me to the great Spanish band Celtas Cortos, but very far from their quality. Nevertheless, it contains an interesting final electronic-influenced section. Amore Bianco is another Italian pop-rock song with some fine guitars with slide, but which is not really interesting, leave alone progressive.

Morte di Un Amore is stronger since the beginning, containing some symphonic arrangements and good vocal melodies (despite the singing is so annoying as always) This time even the reggae is good, because it leads to a great electric guitar work and more instrumental and symphonic passages. This album is obviously better when Randone is not singing! And that's maybe the reason Morte di Un Amore is my favorite song of the album. Is the longest one and with the fewer proportion of sections with vocals. The long final atmospheric section bring back the melodies and the Tangerine Dream influences of Visione.

Conclusion: if you like romantic Italian pop, and acts like Franco Battiato, maybe you'll find Morte di Un Amore interesting. But don't expect something like Premiata Forneria Marconi or similar groups, because this album is not so progressive and it's also very far from the quality of this classics.

It's interesting and times, and I consider that Randone had tons of potential despite it's improvable singing. For this reason, I'm eager to hear more albums of this man. But I can't really recommend Morte di un Amore apart from Italian prog completionists!

Best Tracks: Un Cieco, La Giostra, Morte di un Amore.

My Rating: **

The Crow | 2/5 |


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