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Lunatic Soul - Under The Fragmented Sky CD (album) cover


Lunatic Soul


Crossover Prog

3.65 | 81 ratings

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3 stars LUNATIC SOUL Under the Fragmented Sky

Mariuz is experimenting with looping and sampling--especially with his voice.

1. "He av En" (4:05) looped vocal tracks with percussives, bass, and guitar. (8/10)

2. "Trials" (5:44) several vocal loops and keyboard and bass riffs over a simple metronomic computer snare track. I like the bass and synth line of the final two minutes--that's when the song finally comes to life. (8.5/10)

3. "Sorrow" (1:30) acoustic nylon string guitar with spacey synth noises and wordless, breathy, upper register vocal. (4/5)

4. "Under the Fragmented Sky" (5:03) Mariuz singing from the beginning with cadence support of the strumming of two (and later three) guitars. Second verse has a second, separate vocal woven within the melody and words of the first. At the end of the second chorus bass, piano, and synths thicken the soundscape while fuzzed guitar plays a slow, melodic solo. Then we return to the opening movement before a break lets in some odd vocalizations and bass line and piano. This plays out till the song's end as voices fade into the background and piano stays up front, alone. (9/10)

5. "Shadows" (4:31) heavy, spacey, atmospheric, synths and tuned percussives play at both ends of the audio spectrum before more of the same and bass join in to add some more filler to the middle ranges. Guitar joins in at the beginning of the second minute. There is an industrial, minimalist feel to this instrumental music. The sections cycle around in an A-B-A-C sequence with horn-like synth in the second "verse" section and twangy guitars filling the spacious final section. (7.5/10)

6. "Rinsing the Night" (3:56) acoustic guitars feel indie-folk, even southern folk-bluegrass. Household and synthesized percussives and bass join in in the second minute. Vocalise and other lines are one-by-one mixed into the weave. Picked acoustic guitar takes the lead in the final minute before returning to within the weave for the end. (8/10)

7. "The Art of Repairing" (7:54) keyboard activated vocal and industrial noise samples open this song, forming a bit of a Laurie Anderson-like weave. In the second minute, keys, cymbols, and multiple synths join in, changing the dynamics and feel. Once things settle down, a KRAFTWERK-like rhythm base has been established over which multiple vocal samples are activated, alternated, interwoven, and rotated. All of the sounds rotated into this piece (except the vocal samples) seem as if updated versions of old electronica sounds. I wonder if Mariuz has ever heard the albums by Jean-Michel Jarre and Claire Hammill, Zoolook from 1984 and Voices from 1986, respectively. They far accomplish more than what he's trying to do on this album. (8/10)

8. "Untamed" (3:24) opening like SEAL's "Crazy," this one evolves into a more straightforward prog pop song. A good song. More like this, please. (8.5/10)

3.5 stars; a fair addition to a prog rock lover's music collection--depending on whether or not you wish to put in for some conservative exploration of old technologies.

BrufordFreak | 3/5 |


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