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Ghost - Overture: Live in Nippon Yusen Soko 2006 CD (album) cover

OVERTURE: LIVE IN NIPPON YUSEN SOKO 2006

Ghost

 

Psychedelic/Space Rock

4.93 | 5 ratings

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DamoXt7942
Forum & Site Admin Group
Moderator / Psych / Avant / Neo Teams
5 stars What a sacred, solemn, but weird atmosphere this is!

Please forget our long experience about psychedelic / space rock scene. When Jim Russell aka Finnforest introduce this band to me (THANKS JIM!), the name of this band could let me chill. At first, I think a Japanese GHOST should not be a phantom or a vision but a spirit itself. GHOST always reminds me the Japanese religious history, that we must believe and take care of the dead spirits. For the dead some of Japanese everyday read OKYO (a religious sutra) and believe that the dead spirits in another world should always support us now living here. This concert is not like a typical one but full of ANOTHER atmosphere.

Well look at the sleeve and you can find a monotone Great Buddha image (DAIBUTSU in Japanese). Now we should be knocked out by the spiritual sleeve and image. As ACID MOTHERS TEMPLE shows on their sleeves, a Great Buddha is a great symbol of all Buddhist and most of our (Japanese) minds. Please listen, and feel...basically awesome, solemn percussions can encircle us. About 5 minutes later, a shamisen (Japanese banjo), wabue (Japanese flute) and bells can make thier sounds heavier and deeper. In such a eccentric music, weird percussive sounds should be alive. Gradually our palpitation with the atmosphere should be greater and greater. Even electric guitars or keyboards, as everyone thinks as typical instruments for rock music, can be noise shooters or storytellers of GHOST. I consider totally this long track can't be called as a song but can be defined as an illusion. There are lots of Japanese instruments as above mentioned, in that especially wabue and various percussions should make this track serious and seraphic. And a piano coming here after 17 minutes can push this sounds toward an upper stage. Electric sounds should NOT be self-assertive or in front of all instruments. Here they should be only noises with adding some solemn flavour. In the middle part avantgarde and sharply noisy explosion can fly and blow over our head. In another world we can't realize what happen but can feel cold, keen-edged, and GHOSTLY wind. Over the noisy society GHOSTs can fly and dance elegantly...I always feel with listening to this track. Someone may say over 56 minute song should be boring. However, I can not think so. YES, this track is not a song but a wind or an air, and should make our heart palpitate as an earthquake, at least for me. Indeed there's no Mokugyo (Buddhistic percussion) or Rin (Buddhistic bell) but every percussion can play each religious part. Furthermore each instrument, without assertion, can support this track under the earth. (Even a saxophone or another horn can play on the background as one of their collaborators.) I'm sure everyone joining the concert should be happy with jumping and tripping over ANOTHER WORLD. Now I can a bit feel this fantastic and awesome atmosphere. I'm very happy. Really, really I can't breathe till the last piano vibrations...

This album is, I wanna say, exactly another Japanese psychedelic culture.

DamoXt7942 | 5/5 |

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