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the Ceyleib People - Tanyet CD (album) cover

TANYET

the Ceyleib People

 

Indo-Prog/Raga Rock

3.72 | 10 ratings

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Kazuhiro
Prog Reviewer
3 stars Some moments of opening might have existed from one involving to face it in the 70's in the main current and the 60's as time and details from which this album was announced.

It is thought that the time of 1968 when this album was announced as a result is time when the fashion and the absorption of the culture appeared remarkably especially. Some bands and musicians' parts that touched the culture of shape, India, and Africa where they were promoted further and music might have been remarkable each other.

If the respect is considered, one attempt will be able to be discovered as directionality of the musician who participated in the recording of this album and music. Perhaps, this The Ceylieb People can be guessed that the shade of meaning of not the band but the session has come out strongly. It might be true that his music character certainly influences this album like being a few around Sitar player's Lybuk Hyd. However, they also have signs advanced by no simple session it.

A lot of parts of the Orient intention might certainly have been derivative at this time in various places. And, there is a part in which it doesn't stay in the route of simple Raga Rock except that the charm of Sitar is demonstrated enough in this album. The musician who participated in the recording of this album will become a musician known in the west coast if it thinks now. Existence of Larry Knechtel, Joe Osborn, and Jim Gordon. And, there is a part that stands out a little if the existence of Ry Cooder considers this album and the meaning. As for this album, the absorption for World Music might be remarkably expressed from the route of the session and psychedelic for Ry Cooder.

The flavor as the atmosphere of Raga Rock in close relation to the route of a few psychedelic and the united session drifts as a collective impression. And, this album exists as one history to the tension derived from the frame established as a simple session and the music character. This album can be caught as an unusual album that takes the age and the culture even if it considers it from the respect.

Rick Griffin of which it takes charge as Cover Art is known well on business of Cover Art of the poster and Grateful Dead of psychedelic. And, Mike Deasy appointed as Producer works with Beach Boys, Byrds, Monkees, and relations. Flavors of psychedelic and Raga Rock might be indeed united well as a composition and atmosphere of the tune. If the item of a musical history, psychedelic, and Raga Rock is traced, the existence of The Ceylieb People can be caught as important existence.

"Aton 1" consists of the composition of six. Part of rhythm and guitar that produces Groove enough. The melody that Sitar is good twines at once. The anacatesthesia and the relief recollect the traditional music of complete India. Good flow of flute and Sitar. And, the melody with expression of feelings is contained from Groove visited again and it goes to flow chaotically. The production of the tension to unite while making psychedelic and Raga Rock exist together well might be splendid. The part of classics that appear with Coda also gives the listener the impression of diversity as an idea.

"Aton 2" consists of the composition of six as well as "Aton 1". Part of rhythm and Groove that exists as flavor of psychedelic. It shifts from the parts of a few sessions to the part of the harmony of Sitar. The construction of a bright melody is created as much as possible. The band continues the flavor of the session while continuing the melody that Sitar is good.

It is a music character in the sense of unity and the sense of relief that the player weaves that unites the flavor of Raga well. Or, this album that exists as an expression of the flow being united for produced age and culture is a valuable album that contains diversity enough.

Kazuhiro | 3/5 |

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