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Genesis - Wind & Wuthering CD (album) cover

WIND & WUTHERING

Genesis

 

Symphonic Prog

4.11 | 2232 ratings

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jsixtvf
5 stars An album with a better production that albums like "the lamb". It has more ideas and varied stiles. For me Wind and Wuthering, Trespass and Nursery Crime are best albums. It sounds different that Peter Gabriel albums, it was an arrival of new ideas, and way of mixing, and compose songs. Your own special way is the only song that I considering isn't inspirate. Unquiet the slumbers for the sleepers/afterglow in that quiet earth is marvelous and vibrating, unpredictable. Afterglow has a mitical chorus for me One for the vine has more sections or movements "well united" that many Peter Gabriel era songs.

"All in a night mouse" sounds amazing with those aaaah.... aaaah, incredible, as original as "middle pause "cappela". Exist in this song a "tempo harmony", non-abrupt sense of composing, unique. The way wich melody slow down softly is prodigious. Synths are mystical, unachievable, strange, No-exists a synth section like this in any album. You feel that it's fullness. I don't have words.

Blood of the rooftops is autumnal in the same way to lovely cover of disc, I think that this intro acoustic guitar is the nearly best guitar moment of all Genesis works, It is as good as Anthony Phillips work in Trespass. Tony Banks mellotron in this song is own of a "maestro"

Phil Collins voice is velvety in general, a perfect company for romantic piano and mellotron that dominates the album.

Eleventh earl of mar and Wott Gorila are typical great sound of Genesis. "Eleventh earl of mar ending and piano intervention is very nice and inspirated.

An album tremendously well-composed. In this moment I listening H to he Who am the only one and don't seem to me as original and varied as it.

jsixtvf | 5/5 |

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