Header
Cardiacs - Heaven Born And Ever Bright  CD (album) cover

HEAVEN BORN AND EVER BRIGHT

Cardiacs

 

RIO/Avant-Prog

3.68 | 41 ratings

From Progarchives.com, the ultimate progressive rock music website

octopus-4
Special Collaborator
RIO/Avant/Zeuhl Team
4 stars I have liked the punk ! Even being a Pink Floyd and Yes addict I didn't feel the need to separate the two things and choosing just one. Punk was not mainstream as well as Tales from Topographic Oceans. Then the post-punk came bringing some actually good things. The best of them for me are the DEVO.

What makes me enjoy the Cardiacs a lot is that they are the only inheriters of that crazy band in a musical sense. This album is full of punk rhythms with post-punk sounds and absoulutely non-trivial and unusual sequences of chords. For my pleasure there are songs like "Goodbye Grace" and "Everything I Can't Eat" which sound both punk but together with more avant-prog things like She Is Hiding Behind The Shed" and the excellent "Helen And Heaven" which is not punk but it's for me the best album's track.

The sequence of the tracks has been chosen very carefully, I think. The fact that a song like Helen And Heaven is followed by "Bodysbad" which is very close to the DEVO of 15 years before means that the listener can't relax thinking to listen to a numebr of songs of the same kind. The change is big but not too much. There's a good balance in the list.

Of course the Cardiacs are better player than most of the artists of the punk era and even when they use rhythms and sounds from the punk age they are arranged very skillfully and some passages are light years over the technical possibilities of any punk rocker.

Another band whose I can hear some influences is the CARS. Don't get me wrong, I know that they were an electronic mainstream rock band, but some of their more "experimental" songs, especially those in wich they were produced by Andy Warhol, are not too distant from "Core" even if Cardiacs are clearly a British band with a British sound.

This album in particular is less experimental than its great predecessors but very far from being mainstream. In any case it's not too difficult and is approachable by everybody, unless one is used to listen to Charles Aznavour only.

A special mention to the album closer which is also the longest track. It contains a bit of everything, starting from the keyboard after the initial crescendo which can remind even to YES and the vocals coming just after which remind me the WHO of Tommy without losing the band's identity. This is Cardiacs! A great song which values the price for the whole album.

Excellent.

octopus-4 | 4/5 |

MEMBERS LOGIN ZONE

As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums.

You are not logged, please complete authentication before continuing (use forum credentials).

Forum user
Forum password

WARNING: Forum software upgrade in progress, login function maybe affected for some users during that time.

Share this CARDIACS review

>

Review related links

Copyright Prog Archives, All rights reserved. | Legal Notice | Privacy Policy | Advertise | RSS + syndications

Other sites in the MAC network: JazzMusicArchives.com — the ultimate jazz music virtual community | MetalMusicArchives.com — the ultimate metal music virtual community


Server processing time: 0.02 seconds