I'M IN YOUR MIND FUZZ

While King Gizzard and the Lizard Wizard are known for the various genres and styles that they've taken on, it's generally I'm In Your Mind Fuzz that's considered the band's first truly great album where their style and sound was realised. This is a statement I completely agree with, as while the band had a few good tracks beforehand, this album is consistent in its quality, while also being one of the more eclectic albums in their career, having a decent mix of faster garage and krautrock influence, while also knowing when to tone down the energy to allow for some slower, prettier moments. With the fact that this is what I consider to be the true star of the band's core sound, it's about what you could expect from later albums to some degree, with a prominent focus on jamming and repetition shining through, but as is usually the case for the band, these qualities are utilised to a great degree of quality.

As is often the norm with these albums, it really starts off with a bang, this case in the form of an energetic 4-part suite that is what I consider to be one of the most representative of heavier side of the band as a whole, with kraurock inspired drumming backed up by rowdy garage rock and a whole lot of harmonica. I love the way this song is divided up so smoothly, transitions feeling absolutely perfect in relation to the structure of the song, especially the transition into the 3 minute guitar solo of I'm Not In Your Mind, a solo which I consider to be extremely fun to listen to, especially since the pace never drops for even a second thanks to that very consistent rhythm section. I love how the suite eventually comes around full circle on the final part of it to really hammer home the feeling of these first 4 tracks being one big song, especially since it does so much right, overall making this a go to song for me. Empty is a good way to follow up such an energetic song, being far more melodic and accessible, the flutes adding a nice layer of depth to everything, but I still do find it to likely be the weakest link here, getting a bit repetitive by the end. I feel that this would be more problematic if not for how the outro feels as if it is slowly collapsing in on itself, almost sounding as if some sort of tape recording is being worn out and coming to an untimely halt, which really nicely transitions into another quieter track. Hot Water is likely another one of the tracks I consider to be on the weaker side on the album, but that's only because there are some true masterpieces to be found here, and the relatively quick, consistent pace here is welcome as always.

Am I In Heaven? is one of the true stars of the show however, likely being King Gizzard at their most furiously noisy and wild, the opening acoustic opening quickly shifting into a wall of distortion with some yells being heard amongst the thunderous guitar and the equally intense drumming, despite the pinpoint consistency that it holds for the most part. This song just feels like a nonstop thrill ride and definitely is one of the songs that warrants this album being held in such regard by me, as it manages to progress nicely without sacrificing any of the insanity put on display to creat a truly infectious song that amazes me every time I put it on. The incredible constrast between this song and the 2 slow jams at the end of the album further solidify my love for the album, acting as both a great calm down period after such a massive high, and also for being as darn beautiful as they are, the melodies being absolutely amazing. Slow Jam 2 (Her and I) is able to end this album absolutely perfectly, containing the same verses multiple times, but having the fact be negligible with the way each repetition sounds more powerful and heartfelt than the last to the point where breathtaking doesn't even begin to describe the song. This song is undoubtedly what I consider to be the pinnacle of the band's slower, prettier work for how sincere and pure it sounds in its melody and lyricism without sacrificing the compelling instrumentation of the band.

Overall, this is definitely one of my favourite albums by a band who has a number of exceptional albums, having a great mix of energy and beauty while never letting one side of their sound to be the dominant force. Of course this would all mean nothing if the songs weren't well written, but this is definitely some of their best songwriting coming through as well, with almost half an hour of material that I'd consider an absolute masterpiece, and the rest being full of great stuff as well. I know that this is the album that made a lot of people fall in love with King Gizz, and I cannot blame them for a second, because this is some seriously great music.

Best tracks: I'm In Your Mind Fuzz suite, Am I In Heaven?, Slow Jam 2 (Her and I)

Weakest tracks: Empty

Verdict: I cannot think of a better starting point to get into the fuzzy, psychedelic world of King Gizzard and the Lizard Wizard, containing a great balance of their various core sounds while also containing a handful of the band's absolute best songs. Definitely an album I'll heavily recommend to those who like garage or psychedelic rock, because this is without a doubt a great album in my mind.

I'm In Your Mind Fuzz was the record that really put King Gizzard on the map and in my opinion, it stands as one of the best rock albums of the 2010s. This album is much more in the psychedelic vein, yet it still satisfies the progger in me. Its full of fuzz, distortion, psychedelia, and memorable hooks and melodies. The production is mind blowing to me, the amount of detail, texture and brilliant modern production technique is top notch. It truly captures the essence of a band playing together rather than a bunch of squeaky clean sounding instruments edited together. We open with this continuous and very steady and driving suite of songs opening with "I'm in Your Mind." Immediately i'm fired up as the rhythm section kicks things off bringing us into a nasty riff. We hit the song Cellophane which is one of my favorite tracks with its headbanging playing and nasty harmonica solo. The title track ends this very strong and driving suite and we head into Empty which is just pure psychedelic (with a touch of surf rock) bliss. Hot Water is another great song with an infectious melodic flute-led hook. That closes off side one, off to a great start, but to me side two is near perfect. Am I in Heaven starts off with some nice acoustic playing with some vocals on top of it, however, this is just a false sense of security as the song quickly shifts into a chaotic garage rock esque jam. The song has a beautiful flow covered with just indescribable psychedelic noise, but whatever it is, its good. Slow Jam 1 takes things down a notch into a slower paced stoner vibe with a really nice "feel" to the playing. The album closes with the two best tracks for my money: Satan Speeds Up and Her and I. The former opens with a really filthy low-fi riff which just melts into a beautiful meditative verse. The riff comes back with more "Wah" than I thought humanly possible. Her and I brings back that surf-rock touch with some more vintage psychedelia vibes to it. It's just a trip.

I think this album is a masterpiece. For a fan of 70s prog, this may not be for you as it's more of a modern psychedelic rock album, but I think any music fan can appreciate the production value. For fans of psychedelic rock and neo-psychedelia, its a must. Not long after this release, these guys would explore further into their progressive tendencies and take progressive rock into new and unexplored directions throughout the 2010s, but i'll cover that more in depth in future reviews. This is King Gizzards first earth shattering release to me, and I'm giving it 5 stars without a shadow of a doubt.

The first of the string of highly acclaimed KG&TLW albums after breaking into the music scene just two years before.

1. "I'm in Your Mind" (3:34) almost a post punk rhythm track over which early-WHO-sounding vocal sings (in a high- pitched male voice.) (8.25/10)

2. "I'm Not in Your Mind" (2:58) quick switch using pretty much the same pace with a slightly altered bass line, stereotypic Egyptian melodies, DICK DALE-like twin guitars set the beach-psychedelic sound for some dueling wailing animal guitars. Interesting. Wish there was a little more variety of pace and punk-like rhythm tracks. (8.25/10)

3. "Cellophane" (3:11) moving without break like a train out of control, the rhythm section charges on as if nothing has changed. Lyrics, singing style, and guitar play have changed. (8.25/10)

4. "I'm in Your Mind Fuzz" (2:52) again, drums and bass flowing straight from the previous song, we re-enter that WHO-like domain of energetic 1960s psychedelic rock. This one, however, has a little more substance and pizzazz riding over the top of the rhythm track. (4.25/5)

5. "Empty (4:11) Finally, a new rhythm track?a whole new sound?with a GEDDY LEE-like voice singing over some hypnotic-yet-swirling psychedelic folk music?with a very uncharacteristic sound and stylistic switch for the last 30 seconds. (8.75/10)

6. "Hot Water" (3:24) opens with a fade in of a steady punk-rock drum beat over which flutes, bass, and vocals disperse their little intricacies. Interesting. (8.75/10)

7. "Am I in Heaven?" (7:06) a little SYD ARTHUR here! Then more to The WHO. This is listenable! And enjoyable! Nice Led Zeppelin-like harmonica play and mandolin interlude in the middle. An extended hard-drivin' instrumental passage is underwhelming but we are rescued at the end by a return to the vocals. (13/15)

8. "Slow Jam 1" (2:55) I couldn't agree more: You need to slow your mind down! Cuz when you do, like on this song, it works?and the band can produce interesting music. A near-rasta/reggae rhythm track is embellished with all kinds of alien space sounds. (4.5/5)

9. "Satan Speeds Up" (3:39) an interesting if familiar and repetitive intro turns mellow for the speed-flanged singing sections but then returns to the intro for the instrumental codas between verses. Flutes and guitars sounding as if they were canned in the 1960s and then the whole master pressed onto a sun-warped vinyl album. It is interesting and kind of innovative! (8.75/10)

10. "Her and I (Slow Jam 2)" (8:15) more experimentation with warping tracks or time elements, there comes a Carlos SANTANA-like guitar play and solo in the instrumental parts?along with the jungle screaming synths?but the drum, bass, and drum rhythm track is very straightforward and simple. There is a shift in the sixth minute to calm before the breakout of the harmonica storm. In the next vocal section, moved up a key or two, there is a very strong DAVID BOWIE-like sound and feel. Interesting. (17.25/20)

Total Time 42:05

Side Two demonstrates the talent, diversity, and potential of this band while Side One is one horrifying display of monotonous brain-smashing adolescent hormones.

B/four stars.

Well I've decided to focus on Psychedelic music for a couple of months then continue with that but get back to the 2018 to 2022 albums I haven't reviewed yet as well, then back to psychedelia after that. I change my plans a lot, just sayin'. My first KING GIZZARD review! I remember well the buzz over these guys and the discussions on the site here. I remember thinking with a name like that and hearing they play garage Rock that I'll pass. Then of course they started to change their style to the point that they are no longer that garage band anymore. They are a seven piece band with Stu leading the charge and he apparently wanted to call the band GIZZARD GIZZARD but in the end he combined the suggestions of other band members with his. This particular album released in 2014 seems to be the one fans point to as being their first great record and I agree.

Unusual to have two drummers plus we get three guitarists, bass and harmonica. Stu one of the guitarists sings and adds flute and keyboards. The only song that wasn't completely composed by Stu is "Hot Water" where Joey one of the other guitarists helped out. This isn't exactly the style of psychedelia that I'm into. High energy for the most part with processed vocals reminding me of "On The Sunday Of Life" at times by PT. Lots of distortion and man I just love how the first four songs of the album are like one long song over 12 minutes long as these tracks blend into each other not missing a beat and keeping it in the same style. Common lyrics too just make side one a lot of fun. Love the song titles as we get "I'm In Your Mind" followed by "I'm Not In Your Mind" followed by "Cellophane" and "I'm In Your Mind Fuzz". I don't ever remember singing about cellophane before although I do have an album from 1970 by DAY OF PHOENIX that has a song called "Cellophane #1 & 2". Anyway those first four songs would be awesome live. I like the next one "Empty" quite a bit as they slow it down a notch and add flute. Nice guitar work before 3 minutes. Interesting how they change this one late.

"Hot Water" is energetic with high pitched vocals. Again a lot of fun with flute or vocals leading the way. "Am I In Heaven?" reminds me of early HAWKWIND where they were kind of folky with the acoustic guitar and that bluesy/psychedelia. Then it kicks in dramatically with blues harp and much more. On fire! "Slow Jam 1" is relaxed with laid back vocals. Nice bass before a minute. Sounds echo as it trips along. "Satan Speeds Up" opens with distortion as other sounds are added including flute and beats. Vocals around a minute and they are high pitched. The guitar is cool. "Her And I(Slow Jam 2)" ends it and we get synths on this one after the opening samples, strummed guitar and vocals. Catchy and mid paced. Sounds echo and we get fuzz as vocals come and go. Nice trippy sound before 5 minutes. Blues harp at 5 1/2 minutes and the vocals cry out after 6 minutes.

For sure 4 stars and I'm just getting started with an interesting adventure with these young Australians.

This album is a trip. People say this is their first quality product. I can't tell, because I haven't listened to those earlier records at this point. But it is certainly the oldest record I listened to and it is up there with their best records.

The first 4 tracks are basically one long track (I'm in your mind, I'm not in your mind, Cellophane, I'm into your mind fuzz). They are the perfect opener for this album. You are into the experience immediately. You hear hints of microtonality in Cellophane, you hear all kinds of things they will expand upon later. For instance the Dripping Tap from 2022. It's awesome 8.5/10

Empty - This track starts off more or less straightforward, but turns into a psychedelic experience about halfway. And you get lost in the sauce in the last 40 seconds 8/10

Hot Water - picks up the pace again. As a reprise of Empty. The flute is simply amazing. 8/10

Am I in Heaven - starts off quite folky, but after 45 seconds, the energy goes to 11. This is an awesome jam session. At 3.12 the folk returns, together with a flute. But not for long! 8.5/10

Slow Jam I - Tells it like it is. This track slows our minds down. Awesome and trippy. 8/10

Satan Speeds Up - doesn't speed up things. It does distort, that's for sure. I like this 8/10

Her & I (Slow Jam ii) - Closes the album. It's such a jam. I get Santana vibes from the guitar solo. This is a perfect closer. 9/10

4 stars. Great album. I can't call it a masterpiece. But it is fun, energetic, playful, creative and very very good.

I just relistened to this album for the first time in a while, and I enjoyed it a lot more! I think the psyche-garage aesthetic on other albums of theirs has rubbed off on me, and I found myself smiling at a bunch of the pieces. Considering its so early in their development as a band, its cool to see that this one was the one to put them on the map. It's generally a pretty high energy album with hints of what is now known as their kind of style (such as the first 4 songs fading into one another), and I definitely appreciate it for what it is. It's a really solid album on its own and it sounds like the band had a good time recording it.

Not my favourite but its not bad! I think it's a little too unjustifiably tedious for me at some junctions, but there's some really compositional work here. Would be a good entry point for people if they're looking for a way into the "Gizz-verse".