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Maurizio Bianchi

Progressive Electronic

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Maurizio Bianchi Blut Und Nebel album cover
3.00 | 1 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2006

Songs / Tracks Listing

1. Genocide - Symphonic Holocaust
2. Womenses - Instrumental Secretion
3. Neuro Moerder - Concrete Anamnesis
4. Regole - Physiologic Musicality
5. Mecptyo - Acoustic Contamination
6. Testamento - Electrophonic Ultimatum
7. Endometrium - Hematic Cacophony
8. Carcynosis - Minimal Metastasis
9. Truth - Mutant Sonorities
10. Har-Maghedon - Apocalyptic Dissonance

Line-up / Musicians

- Maurizio Bianchi / instruments, electronics

Releases information

Ten martyrized electronic tracks for a forbidden progress

CD Slaughter Productions (2006)

Thanks to PROGMAN for the addition
and to NotAProghead for the last updates
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MAURIZIO BIANCHI Blut Und Nebel ratings distribution

(1 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(0%)
Good, but non-essential (100%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

MAURIZIO BIANCHI Blut Und Nebel reviews

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Collaborators/Experts Reviews

Review by philippe
SPECIAL COLLABORATOR Honorary Collaborator
3 stars Maurizio Bianchi was one of the earliest proponents of industrial electronic music back at the end of the 70's. After the rawest-noisy electronic injections of his first manifests (notably under the pseudonym Sacher Pelz), he launched the so called trancey-industrial drone ambient scene (with pionnering works such as The Plain Truth, 1983). Today his releases include composite synthetic timbres, various rotative loops and complex meditative ambiences (A.MB iehn tale, 2005; Valley of deep shadows, 2008) to name a few. Published during the last years Blut Und Nebel is a rare collection of re-issued (remixed) pieces taken from M.B early electronics. It includes various taped materials with a wide ranging collage sounds. The textural ambiences are impressively corrosive-abrasive punctuated by vivid echoing sounds, abstract metallic harmonies. A few pieces include continuous sound form experiments. The sonic content is evident and the atmosphere is evocative, exploring informal interactive spheres. A difficult listening but a must have for fans of low-powered-suspended electronic music.

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