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BOUND TO THE WHEEL

Long Live Death

Prog Folk


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Long Live Death Bound To The Wheel album cover
3.00 | 2 ratings | 2 reviews | 0% 5 stars

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Studio Album, released in 2005

Songs / Tracks Listing

1. Awaken 4:07
2. Ribbons 5:16
3. Two Voices 5:33
4. Join Us 2:30
5. Bound To The Wheel 1:21
6. We Are Defeated 3:34
7. Seven 1:02
8. Praise 4:12
9. Of One 7:51

Total Time: 35:26

Line-up / Musicians

- Daniel Janssen (aka US Romance) / voice, flute, Roland 307, percussion
- Justin Eckland Levy / guitar
- Anna Messing / cello
- Christopher Freeland / The Big Drum, gong , bells
- James Sarssgaurd / saw, melodica
- "Lord" Nathaniel Fowler (RIP) / accordion
- Solar World / violin, flute

Releases information

CD Secret Eye records (2005)

Thanks to Sean Trane for the addition
and to ProgLucky for the last updates
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To Do More Than God... To DieTo Do More Than God... To Die
none 2011
$12.00
Bound to the WheelBound to the Wheel
Secret Eye 2010
$15.99
$11.00 (used)


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LONG LIVE DEATH Bound To The Wheel ratings distribution


3.00
(2 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (100%)
100%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

LONG LIVE DEATH Bound To The Wheel reviews


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Collaborators/Experts Reviews

Review by Sean Trane
SPECIAL COLLABORATOR Prog Folk
3 stars 3.5 stars really!!

LLD's second album received a greater critical attention than their debut album, but IMHO, this didn't really help the group, because Bound To The Wheel lacks much of the charming spookiness of TDMTG.TD. Although the very worthy successor of TOMTG, the surprise is gone and there is a sense of déjà-vu, and the wiser artwork (on the outside only, though) is just not as inspiring. Actually the album is much more optimistic in its mood, almost happy and seemingly calling out for hope.

Through the excellent Awaken, calling us to feel our deep, inner, long-forgotten beliefs, then the clunky Ribbons, then onto the enthralling stirring Two Voices, with a good catchy verse-chorus and ending in a good drawn out percussive passage, before reaching the very different second part, this album starts well enough. The shameless Join Us was probably designed as the sing- along track during their concerts, at least in its first part.

The second half of the album is less interesting (especially the short title track and the childish Seven), with the exception of We Are Defeated, which benefits from a superb saw and cello layer bed, before going wild in its middle section. Indeed, Praise is another shameless sing-along track, but it was probably a public favourite, but is overly simple to these ears! The closing track Of One is spiritually very close to Espers or Woven Hand , the slow descending line helps out a lot, before gradually speeding up to its apex, just before its end.

Review by ClemofNazareth
SPECIAL COLLABORATOR Prog Folk Researcher
3 stars The second and final CD from Long Live Death is just as mysterious as their first. The band offers few clues as to their influences, inspirations or agenda in the sparse liner notes that don't include much except the names and pictures of the band members and a photo of the rotting corpse of a housecat on the inside cover. Weird.

The vocals are more mature here than on their first EP 'To Do More Than God.. To Die', and Anna Messing's cello work is decidedly more developed. There are no credits so I'm not sure who is doing the singing, but his voice is very much in the indie mode and is punctuated at times by a female I assume to be Messing since she is the only woman in the band photo.

I don't recall piano on the first record but there is some here and it makes for a nice complement to the accordion and drone that is either coming from a theremin, musical saw or both. The themes seem to be mostly about death such as on "Ribbons" ('ribbons made of our skin, we walk with Him') and "Two Voices" ("enjoy the parade marching into our doom, walk now we must we are vanity and dust"). The arrangements are more focused than their earlier work with crisp percussion along with synthesized sounds and guitar that serves a purpose rather than appearing haphazard as with their debut record.

Most of these songs are very short, two or three minutes and not quite fully developed, particularly the title track, "Seven" and the séance-like "Join Us". And speaking séances, "Praise" presents a weird, mellow acid folk rendition of a tribal chant that has all the makings of a cult worship hymn save for the lyrics that speak once again of chaos and death. A could see this one ending up on a b-list horror movie soundtrack someday.

Like the first record this one closes with a longer, rambling and musically ranging piece ("Of One") that seems more like a guitar-driven post-rock song than a progressive folk one except that the requisite crescendos aren't really here. The rolling drum cacophony toward the end blends with frenzied strummed guitar and builds to what seems like it will explode but instead ends rather abruptly with a gong and fade to silence.

I actually like their first record more than this one overall, but this one gets three out of five stars the same as that one in my mind simply because there is a bit more material here and the group has jelled and moved beyond improvisational jabber and into a place where they seem to have a cohesive message, albeit a depressing one.

Recommended to most any prog folk fan, but this band probably has limited appeal beyond that narrow band of interest.

peace

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