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PRE-FLIGHT

Room

Heavy Prog


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Room Pre-Flight album cover
3.37 | 18 ratings | 3 reviews | 28% 5 stars

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Studio Album, released in 1970

Songs / Tracks Listing

1. Preflight (8:56)
2. Where Did I Go Wrong (5:27)
3. No Warmth In My Life (4:34)
4. Big John Blues (2:33)
5. Andromeda (5:07)
6. War (4:33)
7. Cemetery Junction (8:32)

Total Time 38:22

Lyrics

Search ROOM Pre-Flight lyrics

Music tabs (tablatures)

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Line-up / Musicians

- Steve Edge / lead and rhythm guitar
- Chris Williams / lead guitars
- Bob Jenkins / drums, congas, percussion
- Jane Kevern / vocals, tambourine
- Roy Putt / bass, artistic design




Releases information

Decca

reissued 2008 on Esoteric/Cherry Red

Thanks to Atavachron for the addition
and to Snow Dog for the last updates
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Buy ROOM Pre-Flight Music


Pre Flight [Vinyl]Pre Flight [Vinyl]
Import
Akarma Italy 2007
Vinyl$37.48
$40.00 (used)
Right Now on Ebay (logo)
CD pre-flight ~ USD $16.01
LP preflight ~ USD $23.45


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ROOM Pre-Flight ratings distribution


3.37
(18 ratings)
Essential: a masterpiece of progressive rock music(28%)
28%
Excellent addition to any prog rock music collection(28%)
28%
Good, but non-essential (44%)
44%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

ROOM Pre-Flight reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Atavachron
SPECIAL COLLABORATOR Honorary Collaborator
3 stars A very worthy ensemble from Dorset, England, Room slipped under the radar in 1970 but made full use of the new possibilities in rock on their only album, utilizing the brass and strings of an orchestra to enhance their already big and booming psycho-symphonic sound. Jane Kevern's unique voice is supported by lead guitarist Steve Edge, Roy Putt's bass, percussionist Bob Jenkins and guitarist Chris Williams. The two-part title cut is unusually sophisticated for a lesser art band in 1970 and is entirely progressive with rock, jazz, symphonic and folk fully integrated and quite compelling, a sound echoing Julie Driscoll and perhaps Affinity . Decent if monotonous slow blues is 'Where Did I Go Wrong?' and at over 5 minutes could've been bumped back a few, but 'No Warmth in My Life' is humid and seductive, highlighting Jane Kevern's airy mezzo-soprano and the well-crafted arrangements of horns, acoustic & electric guitars and voices. 'Big John Blues' is practically an R'nB festival tune and is more a dancer than listener but it passes quickly and we get 'Andromeda', an astral journey of blues, orchestra, acid trance and Kevern's soulful lead. 'War' continues in this vein but gets heavy with notable dual guitar work from Williams & Edge and transitions into 'Cemetery Junction pt. 1&2', a melting pot of epic strings and hot rock-fusion rhythms, and a highpoint of the album.

Perhaps not everyone's cuppa, but a rare antique find lovingly dug-up and reissued by the prog treasure seekers at Cherry Red. Worth looking into.

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Send comments to Atavachron (BETA) | Report this review (#202640) | Review Permalink
Posted Friday, February 13, 2009

Review by ClemofNazareth
SPECIAL COLLABORATOR Prog Folk Researcher
3 stars This is a moderately decent album from the short-lived Room (aka The Room aka The Way), released during those pivotal days after the Summer of Love and Woodstock but before rock music had become completely dominated by slick, commercially-minded types. The band was from some rural area of Britain (Blandford Forum) and the music was mostly blues-based with the occasional foray just inside the lines of heavy progressive rock and even a little modern jazz.

The band Affinity comes to mind immediately when listening to these guys, and maybe Babe Ruth a little as well. All three groups had female lead singers, although Room’s Jane Kevern’s rather sharp alto is much closer to Babe Ruth’s Juanita Hahn than Affinity’s Linda Hoyle. The song arrangements fit her singing style quite well, but I can’t imagine she had the range or depth to have been very successful outside this group like Hoyle was, not does she dominate the music in quite the way Hahn did with Babe Ruth.

Several tracks here (“Pre-Flight”, “No Warmth in my Life”) have that same sort of slightly jazzy groove that made Affinity so appealing, but without the keyboards and with a very heavy reliance on twin guitars (one bluesy lead and the other a sort of tame rock rhythm). Throw in some catchy but mostly unimpressive bass and drums and you’ve got the whole package. The rest are mostly straightforward blues rock, including “Where Did I Go Wrong”, “Big John Blues” and the funky, hard-driving “War”.

I suspect the only thing that earned these guys a ‘prog rock’ label are the slightly psych and shifting “Andromeda”, and the ambitious two-part mini-epic “Cemetery Junction” with its violin-inspired guitar work and various sound effects including brass, strings and some sort of heavy bells. In the end though this one also falls back on traditional blues rock patterns, albeit pretty heavy ones at times.

I’m not overly impressed with this album. I read several reviews that seemed to suggest this was a lost classic ‘finally reissued’ on CD for all to rediscover and enjoy. We progressive rock fans live for albums like that. this isn’t one of them, but it is decent and holds up over time a little better than many of the other one-shot and forgot bands of the same era. Three stars mostly for “Andromeda” and the opening track, and only mildly recommended.

peace

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Send comments to ClemofNazareth (BETA) | Report this review (#278243) | Review Permalink
Posted Friday, April 16, 2010

Latest members reviews

4 stars With a very mysterious "English" allure one-album-wonder Room recorded this avant garde psychedelic blues rooted album on the DECCA subsidiary label DERAM after winning second place in a NME battle-of-the-bands competition in 1969. Active in and around the Bournemouth popular music scene betwe ... (read more)

Report this review (#427806) | Posted by Vibrationbaby | Tuesday, April 05, 2011 | Review Permanlink

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