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TEMPLE OF RED

Wetwork

Tech/Extreme Prog Metal


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Wetwork Temple of Red album cover
2.46 | 3 ratings | 2 reviews | 0% 5 stars

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Studio Album, released in 1998

Songs / Tracks Listing

1. Dog Psychology (0:36)
2. Staining the Shine (3:31)
3. Metropolitan Horror (0:29)
4. I Caught an Angel by the Wings (2:55)
5. The Manufacturer of Dispair (0:25)
6. Crisis Fiction (2:35)
7. Evangelize (0:48)
8. Presence Disstilled (4:08)
9. The Transition of Leyton's Soul (0:18)
10. Hunting Humans (2:45)
11. Postal Mortem (0:28)
12. Temple of Red (4:38)
13. God Psychology (0:36 )
14. The Executioners Song (3:44)

Total Playing Time - 27:56

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Kristen 'Doc' Parker - Lead Vocals
- Bryan Mallon - Guitar, vocals
- Rose - Bass
- Chris Mezzabotta - Drums

Releases information

CD Musty Music Productions 1998

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WETWORK Temple of Red ratings distribution


2.46
(3 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(0%)
0%
Good, but non-essential (33%)
33%
Collectors/fans only (33%)
33%
Poor. Only for completionists (33%)
33%

WETWORK Temple of Red reviews


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Collaborators/Experts Reviews

Review by Conor Fynes
PROG REVIEWER
2 stars 'Temple Of Red' - Wetwork (3/10)

Before becoming the female-fronted death metal band that they as best known as, Wetwork was something quite different; a cross of grunge rock and thrash. 'Temple Of Red' is the debut album from this Canadian band, and being one those who first heard the band on their latest album 'Synod', it came as something of a surprise to hear the band playing such a different style of music. As I was expecting though, the music is roughly made and lacks much in the way of tact or aim, a weakness that the band has suffered from over the course of their three albums. A very loose concept piece, 'Temple Of Red' is an attack on deistic faith and religion that ultimately bores, and feels like a lukewarm rehash of other bands' ideas, rather than something new.

Although there are fourteen tracks here, half of these consist of interludes, pieces of dialogue that Wetwork have sampled in order to get some sort of running narrative going. Most of these dialogue pieces are from Christian evangelicals, and from what I can tell, I think that Wetwork is trying to underline their hypocrisy, or something. Really, the band's attack on religion feels superficial more than anything, and- need I even say- the whole 'religious criticism' thing has gone a little overboard by this point with metal. All the same, it does create a sense of flow to the album, and it makes it a little better than a mere collection of songs.

When it comes to the music itself, I was surprised, yet very underwhelmed. Parts of this (particularly the track 'Staining The Shine') gave me a Soundgarden vibe, while much of the rest had a distinct Megadeth feel to it, circa their 'Countdown To Extinction' album. The vocalist here (a male, not female) sounds like he's trying to emulate Dave Mustaine's nasal attitude-heavy voice, and while he does it well enough for a listener to easily draw the comparison, the actual singing here is lacking. It takes until the fourth track for there to even be a semblance of metal here, and when there is something 'metal' sounding, it's very poorly produced, and the distorted guitars suffer from a very muffled sound, as if they were jamming a room away from the actual recording equipment. Instrumentally, the most interesting thing here are the clean guitars, which are plain, but functional, and Wetwork uses these cleaner tones alot here. For anyone thinking they were receiving a heavy album here, think again; 'Temple Of Red' probably has more to do with alternative rock music than metal, and uninspired alt rock at that.

Wetwork give a disappointing introduction here, although it is interesting that they made such a drastic change in their sound. All the same, this is quite a weak release, and it fails to strike me in any particularly positive way.

Review by UMUR
SPECIAL COLLABORATOR Honorary Collaborator
3 stars "Temple of Red" is the debut full-length studio album by Canadian metal act Wetwork. The album was released through Musty Music Productions in 1998. After this album Wetwork would change musical style to a technical death metal style, but that's not at all what "Temple of Red" is about.

On this album we're presented to an adventurous mix of thrash metal, alternative metal and a couple of semi-progressive elements too. While there are heavier moments on the album, there are as many sections on the album featuring clean guitars. Those sections occasionally cast a nod towards goth rock acts like The Mission and the Sisters of Mercy. The vocalist has a voice and singing style that is so close to the voice and singing style of Dave Mustaine (Megadeth) that it's almost eerie and therefore a Megadeth mention is inevitable.

"Temple of Red" is a concept album featuring 14 tracks and a total playing time of 27:56 minutes. Half the tracks are shorter interludes with narration that explains the storyline, which features an anti-religion theme. While the story is as such rather banale and the narration occasionally sounds a bit forced, it's like the concept part of the album has grown on me the more I listen to the album. The relatively amaturish sound production brings my enthusiasm down again, but there is something charming about the album's atmosphere and the musicianship is decent too.

On many parameters "Temple of Red" is an imature and amaturish release and the fact that the band didn't continue down this musical path, is probably further proof, that they weren't very successful with the album. But I'll go against the grain here and say that I personally really enjoy the album. There's something about the dark atmosphere, and the adventurous approach to writing music that's refreshing and interesting. You can't really pin down what genre tags would be the right ones for "Temple of Red". For that it's too diverse. That's of course not a quality on it's own, but there's something irresistibly charming about the unique sound of the album that I greatly enjoy. A 3 - 3.5 star (65%) rating is warranted.

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