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Unbeltipo Pheasantism album cover
3.88 | 5 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2007

Songs / Tracks Listing

1. Dash Freesing (8:00)
2. The Tape Eater (6:42)
3. The Grid Of The Wind (10:13)
4. Secom Man Walking (7:52)
5. Back Stage Moss (5:48)
6. Oil On The Pan On Canvas (9:38)
7. Pheasantism (8:57)

Total Time 57:10

Line-up / Musicians

- Tsuneo Imahori / guitar, programming
- Mitsuru Nasuno / bass
- Yasuo Sano / drums

Releases information

CD KBS-DDCO-1010 (2007)

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UNBELTIPO Pheasantism ratings distribution

(5 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(60%)
Good, but non-essential (20%)
Collectors/fans only (20%)
Poor. Only for completionists (0%)

UNBELTIPO Pheasantism reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by DamoXt7942
FORUM & SITE ADMIN GROUP Avant/Cross/Neo/Post Teams
4 stars Quite suitable to call them kinda multirhythmic art. UNBELTIPO, one of offshoots of TIPOGRAPHICA, have been founded mainly by an ex-Tipo guitarist Tsuneo IMAHORI for incarnation of his musical conception and inspiration. He's recruited a splendidly talented rhythm section Mitsuru NASUNO (bass) and Yasuo SANO (drums), each of whom had experienced enough in Japanese underground rock scene. I've met Mitsuru several times in some venues and felt he's a gentleman with frank appearance but on the contrary his bass play on stage is incredibly impressive, intensive, and innovative. Just as upon stage, they play such a complicated rhythmic world so perfectly and (sounds) pleasantly.

From the very beginning an improvisation-like persistent phrase is launched through their brilliant instruments and powerful inner mind. Magnificent impression and psychic addiction are certificated for the audience. Such a mystic enthusiasm could be heard obviously via Tsuneo's paranoiac invasion created with soundscape of the perfect trio. Ethnic essence, metallic bullets, metaphoric acoustic shots, or avantgarde funky chops ... each of them is complexly merged, crossed, and interplayed with other. And the rhythm section strictly support his superb guitar play (and sometimes get excessively superior to his lol). Although no cool speciality nor apparent originality can be heard, their musical unification and combo regulation is awesome really.

Another tough point is that their creation should be too complex for the audience to dance or headbang together yeah!

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