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LUNAR JETMAN

Pharaoh Overlord

Psychedelic/Space Rock


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Pharaoh Overlord Lunar Jetman album cover
3.48 | 8 ratings | 2 reviews | 0% 5 stars

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Studio Album, released in 2012

Songs / Tracks Listing

1. Rodent (10:43)
2. Palmyra Cali (13:29)
3. Cardinal (04:09)
4. Black Horse (16:37)
5. Cave of Hair (29:25)

Total Time 74:23

Lyrics

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Music tabs (tablatures)

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Line-up / Musicians

- Janne Westerlund / guitar
- Pekka Jääskeläinen / guitar,
- Tomi Leppänen / drums
- Hans-Joachim Irmler / keyboards
- Jussi Lehtosalo / bass
- Julius Jääskeläinen / guitar

Releases information

CD: Ektro Records ektro-070
vinyl: Sige SIGE 012

Thanks to Lynx33 for the addition
and to Eetu Pellonpää for the last updates
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Buy PHARAOH OVERLORD Lunar Jetman Music


Lunar JetmanLunar Jetman
Limited Edition
Sige 2012
Vinyl$149.99
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PHARAOH OVERLORD Lunar Jetman ratings distribution


3.48
(8 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(50%)
50%
Good, but non-essential (38%)
38%
Collectors/fans only (12%)
12%
Poor. Only for completionists (0%)
0%

PHARAOH OVERLORD Lunar Jetman reviews


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Collaborators/Experts Reviews

Review by Eetu Pellonpää
SPECIAL COLLABORATOR Honorary Collaborator
4 stars This album synthesis in quite interesting way the early acid rock drone minimalism, more sinister riff tones of the heavy metal experimentations, and also the industrial dirtiness of open wanderings of "Siluurikaudella" album. The tensions are built with devoted patience, allowing experiences of monolithic sanctity in abstract levels, allowing subjective meditation on emotional level. There are some calmer jazzy phases in the powerful maelstrom of sound, rolling with the power of nature's forces from the stereos. The conclusion on "Cave of Hair" certainly escapes to very divine levels of power. A wonderful highlight for me on the various discography of the band, which still contains clear curves of artistic development.

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Review by Matti
COLLABORATOR Neo-Prog Team
3 stars For me the finnish group PHARAOH OVERLORD is quite difficult to get into. Their instrumental and psychedelic stoner rock usually comes in long track forms, which together with a minimal progression within compositions may result as a boring and frustrated listening experience. This far I have listened to only three albums; in my opinion this one's clearly better than the heavier Horn, or the three-tracked Siluurikaudella.

'Rodent' (10:43) is more or less built on one riff, but the intensity grows gradually. The brighter sounding 'Palmyra Cali' reminds me of EKTROVERDE, which - just as Pharaoh Ovelord also (and several other acts, not all included in ProgArchives) - is blood-related to CIRCLE, one of the longest living of Finnish prog-minded bands and a household name in Finland's psychedelic field. Of these P. O. is the least suitable to my personal taste, being rather dryly and monotonously guitar dominated. On this album however there's Hans-Joachim Irmler (from the German legend FAUST) on keyboards, making the sound richer and more... cultivated, if you like.

'Cardinal' (4:09) is atypically not a second too long. It is spacey, dreamy, freely flowing (ie. non-rhythmical) music full of ambience. 'Black Horse' starts with a 4½-minute intro of hectic drumming and improvisational sound making that doesn't in itself seem to be going anywhere, followed by painfully overstretched slice of riff-based stoner rock. Interestingly the problem of getting bored is less present on the massive, nearly a half an hour closing track 'Cave of Hair'. Like 'Cardinal', it is free flowing, and very meditative. Once it takes the listener into a hypnotic state, the question of length becomes irrelevant. Here Irmler's contribution is at its most valuable while also the electric guitars play long spacey notes with a feeling. This is like vintage Kosmische Musik almost at its finest.

Pharaoh Overlord is not going to enter the long list of my regular listening, but I do believe that this particular album has much better chances to raise some interest among new listeners than P. O. music in general.

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