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WHITE NOISE III - RE-ENTRY

White Noise

Progressive Electronic


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White Noise White Noise III - Re-Entry album cover
3.29 | 5 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 1980

Songs / Tracks Listing

1. Countdown (1:00)
2. Lift Off (1:43)
3. Afterburn (1:11)
4. Burn 2 (1:34)
5. Orbit (2:41)
6. Leaving Song (1:36)
7. Deep Space Drift (2:21)
8. Meteor Storm (2:07)
9. Disorientation (1:20)
10. Time Traveller (4:20)
11. Space Warp (2:37)
12. Voices (0:59)
13. Heavy Breathing (1:07)
14. Black Hole Blues (2:27)
15. Nine Dimensions (5:23)
16. Nebulous Meets Nebula (2:28)
17. The Cygnus Constellation (5:02)

Total time 39:56

Bonus tracks on 1995 reissue:
18. Splashdown 1 (1:40)
19. Splashdown 2 (3:08)
20. Splashdown 3 (1:34)

Line-up / Musicians

- David Vorhaus / synthesizers (The Kaleidophon, MANIAC, Prophet 5, Oberheim SEM, Yamaha, EMS VCS3 & Fairlight CMI), effects, production

With:
- Pete Brown / vocals (6)
- David Vorhaus / vocals (14)
- Linda Hayes / vocals (14)
- Dino Ferari / drums (un-confirmed)

Releases information

Artwork: Soya Bezor

LP Pulse ‎- PULSE 002 (1980, UK)

CD AMP Records ‎- AMP-CD 031 (1995, UK) With 3 bonus tracks

Thanks to philippe for the addition
and to Quinino for the last updates
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WHITE NOISE White Noise III - Re-Entry ratings distribution


3.29
(5 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(80%)
80%
Good, but non-essential (20%)
20%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

WHITE NOISE White Noise III - Re-Entry reviews


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Collaborators/Experts Reviews

Review by Mirakaze
SPECIAL COLLABORATOR Eclectic Prog & JR/F/Canterbury Teams
3 stars Some very tasty melodies are scattered throughout this record, and "Black Hole Blues" is a hilarious tune that almost makes the whole experience worth it. Almost, because most of this album is dedicated to Vorhaus mindlessly scraping some "cosmic" noodlings out of his analog synthesizer that were dated and no longer impressive even at the time this was recorded. Any actual groove that gets started on this album gets way too little time to establish itself. You have to admire the mere fact that this album exists and was released as late as 1980, but taken on its own, despite the gorgeous album cover, this is kind of a letdown after its inventive and intelligently written predecessors.

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