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ARGUMENT WITH EAGERNESS

Nooumena

RIO/Avant-Prog


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Nooumena Argument With Eagerness album cover
4.00 | 3 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2011

Songs / Tracks Listing

1. Nameless Reward (7:35)
2. Decadence (7:28)
3. Bygone Ages (6:49)
4. Le Plouc (6:59)
5. Lucidity (6:44)
6. Cold Comfort (2:24)
7. Somehow (5:10)
8. Taedium Vitae (11:05)

Total Time 54:14

Line-up / Musicians

- Pierre Blin / drums, percussion, programming
- Thibault Geay / voices, guitars, lyrics, design
- Maxime Métais / guitars
- Simon Toralba / bass, double bass

Guests musicians:
- Samuel Frin / saxophone
- Étienne Briand / trombone
- Simon Deslandes / trumpet
- Jocelyn Debart / violin
- Xavier Sichel / viola
- Marc Euvrie / cello

Releases information

CD / MP3 Antithetic Records 171859 (2011)

Thanks to DamoXt7942 for the addition
and to NotAProghead for the last updates
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NOOUMENA Argument With Eagerness ratings distribution


4.00
(3 ratings)
Essential: a masterpiece of progressive rock music(0%)
0%
Excellent addition to any prog rock music collection(100%)
100%
Good, but non-essential (0%)
0%
Collectors/fans only (0%)
0%
Poor. Only for completionists (0%)
0%

NOOUMENA Argument With Eagerness reviews


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Collaborators/Experts Reviews

Review by DamoXt7942
FORUM & SITE ADMIN GROUP Avant/Cross/Neo/Post Teams
4 stars What have NOOUMENA tossed to us musically and mentally? With some essence of King Crimson, they might try to talk fully with their own (musical) words of beauty, I imagine?

No pic of them nor their detailed information has been found (even via Antithetic Records that has released this album as their official debut one), and I guess this obscurity like a dark nebula (also with their horrible sleeve pictures) should let us anticipate their music weirdness. All through this "Argument With Eagerness" we can hear mellow, transcendentally meditative, vertiginous psychedelia seasoned with heavy dips like Larks' Tongue and ethnic chops like Discipline Crimson.

Flooded with uneasy appearance and poisonous celluloid, they go ahead playing inorganically and cruelly as though they would jeer at us listeners. Sometimes aggressive instrumental quarrels are showed, sometimes lazy bandy ornamental scented balls are launched, and sometimes strict explosive cocktails are splashed (especially in "Le Plouc", with dramatic symphony and heavily structural rock).

Contrary to such a complexity, "Lucidity" is a poppy melancholic fantasy against cynic like them (fully reminds us something of Larks' Tongue In Aspic Part III, a theatrical but cynically tense one). The last "Taedium Vitae" can be mentioned as themselves compiled of all their complex structure, weird darkness and especially tortuous music discussion. Able to enjoy tremendous RIO-flavoured dark psychedelia with stoner hints. Let me say we're inexperienced in this line.

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