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Richard Pinhas

Progressive Electronic

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Richard Pinhas Welcome...  ... In The Void (with Yoshida Tatsuya) album cover
2.95 | 2 ratings | 1 reviews | 0% 5 stars

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Studio Album, released in 2014

Songs / Tracks Listing

1. Part One - Intro
2. Part Two - Core Trax


Search RICHARD PINHAS Welcome... ... In The Void (with Yoshida Tatsuya) lyrics

Music tabs (tablatures)

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Line-up / Musicians

- Richard Pinhas / stereo loop guitar, loop stereo guitar
- Yoshida Tatsuya / drums, percussion

Releases information

Label: Cuneiform Records
May 27, 2014

Thanks to mbzr48 for the addition
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RICHARD PINHAS Welcome... ... In The Void (with Yoshida Tatsuya) ratings distribution

(2 ratings)
Essential: a masterpiece of progressive rock music(0%)
Excellent addition to any prog rock music collection(0%)
Good, but non-essential (50%)
Collectors/fans only (50%)
Poor. Only for completionists (0%)

RICHARD PINHAS Welcome... ... In The Void (with Yoshida Tatsuya) reviews

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Collaborators/Experts Reviews

Review by admireArt
3 stars Thunder and lightning! But then again....

My first encounter with Tatsuya Yoshida, who co-composes, "Welcome... ... In The Void", 2014, alongside Richard Pinhas, is through this same record.

Drummer Yoshida finally was the one to subdue a bit, Pinhas' frantic obsession with Robert Fripp's self-named "Frippertronics". I mean, he uses them more than Fripp himself, who now constructs a more refined kind, named "Soundscapes".

But no matter how much I appreciate and still want to appreciate Richard Pinhas own guitar language, it is always surrounded by this "cloudy aura" of sounding like a Robert Fripp's involuntary (?) clone.

Well, as told, Yoshida's thunderous and creative drumming kind of balances and keeps Richard, most of the time, busy doing what he does best, the daring and whirling guitar soloings mixed with an ever changing palette of strumming colors, like his great Heldon or his best early solo efforts. But although owning his own style, he falls off the wagon more than once. Damn! the Void, consist of 2, 30 min long each, non-stop, progressive psychedelic electronics. There are extraordinary sections, of tumultuous and deep, dynamic inspiration, when both musicians form a perfectly balanced communion of excesses, going both ways of their performing skills.

But inevitably, I can not keep my mind off, the constant and alien apparition of Pinhas' "Frippertronics".

Therefore, ***3, "Good! One way trip" PA stars.

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