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MADONNAWHORE

Toby Driver

RIO/Avant-Prog


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Toby Driver Madonnawhore album cover
3.83 | 47 ratings | 1 reviews | 18% 5 stars

Excellent addition to any
prog rock music collection


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Studio Album, released in 2017

Songs / Tracks Listing

1. The Scarlet Whore / Her Dealings With The Initiate (7:17)
2. Avignon (7:07)
3. The Deepest Hole (7:27)
4. Parsifal (4:57)
5. Craven's Dawn (9:21)
6. Boys On The Hill (7:39)

Total time 43:48

Line-up / Musicians

- Toby Driver / electric guitar, bass, organ, synth, vocals, composer & producer

With:
- Keith Abrams / drums, percussion
- Olivia Oyama / sampler & sound design (2)
- Ron Varod / performer (5)
- Daniel Means / performer (5)

Releases information

Artwork: Kevin Yuen with Gemma Fleming (photo)

CD Flenser Records ‎- FR73 (2017, US)

LP Flenser Records ‎- FR73 (2017, US)

Thanks to katatonia for the addition
and to Quinino for the last updates
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MadonnawhoreMadonnawhore
Flenser 2017
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TOBY DRIVER Madonnawhore ratings distribution


3.83
(47 ratings)
Essential: a masterpiece of progressive rock music(18%)
18%
Excellent addition to any prog rock music collection(30%)
30%
Good, but non-essential (32%)
32%
Collectors/fans only (14%)
14%
Poor. Only for completionists (7%)
7%

TOBY DRIVER Madonnawhore reviews


Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by Prog-jester
PROG REVIEWER
5 stars This must be Toby's best record since "Dowsing...", I kid you not. Intricate and gentle, filled with nuances, a kind of record where silence in between the chords and melodies means as much, if more. It flows naturally, creating this beaituful feeling of bliss with a hint of disturbia thrown in. Just enough to keep you awake.

Imagine later-day TALK TALK covering later-day SCOTT WALKER... wait, no, take KING CRIMSON's "Islands" and make it even more mellow AND creepy... wait, not exactly. Avant-AOR? Jazz-slowcore? Don't know, don't care - just a great and inspired material fromone of the most innovative musicians of our time. This is how pop music should be like in XXIth century

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