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Hemina Night Echoes album cover
4.62 | 6 ratings | 3 reviews | 83% 5 stars

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Studio Album, released in 2019

Songs / Tracks Listing

1. The Only Way (5:27)
2. What's the Catch? (3:24)
3. We Will (4:04)
4. One Short (3:52)
5. Flat (5:39)
6. Everything Unsaid (1:39)
7. Nostalgia (5:57)
8. In Technicolour (9:33)
9. Flicker (6:07)

Total Time: 45:42

Line-up / Musicians

- Douglas Skene / vocals, guitar, keyboards, production & mixing
- Mitch Coull / guitar, vocals
- Jessica Martin / bass, vocals
- Nathan McMahon / drums, percussion, vocals

- Phill Eltakchi / vocals (4)
- Selin Akbaşoğulları / vocals (6)
- Tom de Wit, Shane Ian Leadbeater, Harrisen Walden, Mairead Walden, Lachlan Arvidson, Simon Bowles, Luke Delbridge, Radina Dimcheva, Jay Orr, Jevginiy Kasputin, Rico Kallirgos, Daniel Straka, Mark Ashby, Fernando Segundo, Bart Sluis and Aaron Austin / gang vocals
- Reece Denton / xylophone & ocarina (5), gang vocals
- Dean Bennison / slide guitar (9)
- Anthony Stewart / musical box (8), gang vocals

Releases information

Artwork: Dominique van Helsen

Self-Released on August 9, 2019

Available at

Thanks to black_diamond for the addition
and to TCat for the last updates
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Nightmare 2012
$10.26 (used)
Bird's Robe Records 2014
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JFK 2016

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HEMINA Night Echoes ratings distribution

(6 ratings)
Essential: a masterpiece of progressive rock music(83%)
Excellent addition to any prog rock music collection(17%)
Good, but non-essential (0%)
Collectors/fans only (0%)
Poor. Only for completionists (0%)

HEMINA Night Echoes reviews

Showing all collaborators reviews and last reviews preview | Show all reviews/ratings

Collaborators/Experts Reviews

Review by TCat
4 stars "Hemina" is a progressive metal band from Australia formed in 2008 by Douglas Skene. As of August of 2009, the have released 4 full length albums and a few EPs. In August of 2019, their fourth album "Night Echoes" was released. Skene (vocals, guitar, keyboards) remains with the band from the first album along with Mitch Coull (guitar and vocals) and Jessica Martin (bass, vocals). Joining them is Natahn McMahon on drums, percussion and vocals). There are several guests supplying "gang vocals" and a few other guests including past member Phill Eltakchi doing vocals for one of the tracks. The album is a concept album involving a story of a young man dealing with the death of his father while trying to get through adolescence. There are 9 tracks and the album has a total run time of over 45 minutes.

"The Only Way" (5:27) paves the way for the album with the complex, heavy, and guitar laden sound that you expect from a progressive metal band, the tempo upbeat and a nice complexity that isn't overbearing. The use of the "gang" vocals is a good addition as it really adds to the story well. The vocals are very good and emotional, with a section where they come near to screaming, but don't quite reach that point. "What's the Catch?" (3:24) continues this same sound, but is less complex and more straightforward, but the upbeat, heavy sound continues, while "We Will" (4:04) brings back more complexity and also adds a nice layer of synths. The vocals continue to be emotional and some shouting is involved in the heavier sections of the track.

"One Short" (3:02) features the vocals of past member Phill Eltakchi on the only track he is featured on in this album. This track has a poppier feel to it, but the layers of vocals are nice and I find that gang chorus that appears in several of the tracks a nice addition that really helps the story move along and really ties the tracks together. "Flat" (5:39) begins by taking out all of the heavy noise and simply using soft acoustic guitar, atmospheric percussion (mostly cymbal rolls, etc.) and softer vocals. A two minutes, the ballad style continues, but the full band comes in with added heaviness of guitars. The vocals reach an emotional high before the instrumental break adds in a nice guitar solo, then more of the gang chorus comes in before the music pulls back again to the softer sound. "Everything Unsaid" (1:39) features a guest vocalist adding harmony to the regular vocalist with accompanying acoustic guitar. It's a nice intermediary track.

"Nostalgia" (5:57) brings back some complexity to the melody, but stays away from full bore heaviness with the guitars content to just add riff driven back ground to the lyric heavy track. When it does reach an instrumental break, things stay pretty safe as a short guitar solo soon brings back the vocals. "In Technicolour" (9:33) starts with a soft keyboard passage which is soon interrupted with some heavier guitars and some nice development eventually bringing in the vocals. Jessica's vocals are quite apparent in certain sections as her vocals stand out in the chorus sections on this track, and that along with the gang vocal section adds some more depth to the album. "Flicker" (6:07) brings back some of the energy in the vocals and a bit more heaviness, but still seems somewhat lightweight for a metal sound. Jessica's vocals also stand out on this track at certain points and the track is a bit more progressive, but it lacks that "umph factor" that you would hope for in a ending track, and it kind of leaves you hanging.

The album has a certain amount of depth that helps to retain one's interest through the album, and the vocals are also well done, and that keeps the album moving along. Whether this interest carries through after repeated listenings is the question. While the album is definitely well written and contains some great music, it isn't highly progressive, though there are some progressive traits to it, only time will tell if it can continue to hold interest over a year or two of repeated plays. Both Prog and Metal lovers might end up wishing for a little bit of both aspects, yet those aspects are there. As for this album, it probably leans more in the Heavy Prog or Crossover Prog genres. Still, the biggest question is whether it has the staying power for most people. For now, it seems to fall around 3.5 stars, but can be rounded up to 4 because of the great production and the depth brought on by the gang vocal sections.

Review by Second Life Syndrome
5 stars 9/10: Originally written for

I have been following Hemina since their 2012 debut "Synthetic", and what a ride it has been! I honestly have a hard time believing it has been that long. The band is back with a stylish new album entitled "Night Echoes", and, even considering the quality of all their releases, this album is definitely going to be the one that I return to the most. The album releases on August 9th.

Hemina hails from Australia, and they are part of the lively prog scene down under. The line up includes Douglas Skene on vocals, guitars, and keyboards; Mitch Coull on guitars and vocals; Jessica Martin on bass and vocals; and Nathan McMahon on drums, percussion, and vocals. You will notice that all four members are credited with vocals, and we will explore that later.

The music here is progressive metal, though there are plenty of curve balls, too. Hemina has always offered a highly cinematic, highly melodic progressive metal with lush vocal harmonies. Some of their albums feel like films, complete with climaxes and loads of depth. This album continues that tradition, but feels even more influenced by pop, funk, soul, blues, and even electronic music. While the cover might make it seem like Hemina has gone 70s/80s on us, I would argue that they have already been there since the beginning, at least in the vocal melodies, but I would also point out that the 80s tropes you might expect are not present. This album is far more creative and masterfully crafted than to resort to clichés.

"Night Echoes", then, has plenty of riffs for the metalheads, and they are deep and dark riffs, too. But the album has so much more to offer than that. It is also catchy, quirky, and beautiful. It focuses less on mind-bending time signatures this time, and more on rich composition. You can hear the abundance of the melodies hanging in the air around you while you listen. The band often pairs these towering melodies with shadowy vox and dark riffs to fantastic effect, too.

Douglas proves once again that he is one of my favorite vocalists. His vocals are rich no matter the tone, and his high range is absolutely insane! However, like with their other albums but also somehow more noticeably here, the rest of the band sings and produces harmonies that really make this album what it is. Whether it is crowd singing, funk harmonies, or balladic duets, this album is made even more poetic and sophisticated by the interplay between the band's voices.

"Night Echoes" addresses the story of a boy who is living through his adolescent years after the suicidal death of his father. You can hear the pain, the memories, and the longing throughout the album, and I think the title is fitting. It is also their shortest album, to my knowledge, clocking in at about 44 minutes in length. I believe that is a good thing and makes this album even stronger.

There are many songs that deserve mention here. Some just have a fantastic chorus and are simply fun to hear. "The Only Way" and "We Will" are both great examples of that, as well as of the wonderful melodies the band is offering this time. Other songs have a distinct funk vibe to them, as Hemina has done somewhat in the past. "One Short" and "Nostalgia" fall into that category, and I love hearing them.

My favorites, though, are "Flat", "In Technicolour", and "Flicker". "Flat" starts as a gorgeous ballad that feels incredibly lush and melodic, and it transitions with some wonderful vocal fireworks into soulful solos and atmospheric synth. "In Technicolour" has a giant sound with myriad tones, fantastic atmosphere, and a bit of an 80s power ballad feeling to it. "Flicker" ends the album superbly. We get to hear a high-energy song that ends with Douglas' irresistible vocal musings that are both haunting and striking.

Overall, Hemina really went out on a limb with this one, and it pays off well. I absolutely love the melodies, the approachability, and the genius pairing of various textures and tones. Hemina has simultaneously become more accessible and also more complex and eclectic. It seems like the band is gelling more and more as time passes, and so I only expect even greater things from them in the future.

Latest members reviews

5 stars Another record from my favourite Australian group. I am always on the promo list which makes me excited as a little surprise every 2 years or so. This album cuts out some of the long prog epics which I am a bit sad about but it is replaced by an album with 3 distinct movements of upbeat prog met ... (read more)

Report this review (#2243517) | Posted by Toxteth Toaster | Tuesday, August 13, 2019 | Review Permanlink

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