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Cargo Cult Revival biography
The CARGO CULT REVIVAL are a four-piece instrumental heavy progressive rock band. They formed in Hertford, Connecticut during 2006 out of former members of other rock bands; SAVEFACE, BROKAW and VOLCANO. Consisting of Matthew FUTOMA (Drums), Jesse Van NOTE (Bass), Jeff WOODS (Guitar) and Jeff CHEN (Electric Cello), CCR draw on a variety of styles, from BLACK SABBATH influenced doom laden riffs complimented by hard edged, guitar driven rock with progressive overtones laced with intricate, experimental passages. These different styles are frequently overscored by classically trained cellist CHEN who employs sweeping harmonies and evocative melodies.

Professing that they are constantly evolving their sound, the Revival are said to rehearse a great deal and tour extensively, delivering energetic live performances. Out of these live appearances came their eponymous debut in 2007; a live 6 track EP produced at the Space Recording Studio in Poughkeepsie, New York. Using imaginative, original song titles such as 'Post War Martini Hour' and 'The El Paso Casket Co', the tracks often fused dark, bass-driven rhythms with haunting cello melodies, particularly evident in 'The Belltower Massacre' and 'Henry Morgan's Wake'. 2008 saw the release of their debut full-length studio CD, 'Snake Charmer', the title track being a 39-minute tour-de-force employing increasingly lush orchestration embedded into traditional guitar-oriented hard prog.

Although the CARGO CULT REVIVAL employ elements of doom, experimental math rock and even the occasional ambient backdrop, they are included in our Heavy Progressive section. At heart their music has a traditional, rhythmic guitar and bass legacy, and as such will certainly be enjoyed by fans of DEEP PURPLE, URIAH HEEP and BLACK SABBATH at their most forward moving.


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The Cargo Cult Revival


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 Snakecharmer by CARGO CULT REVIVAL album cover Studio Album, 2008
4.00 | 3 ratings

Cargo Cult Revival Heavy Prog

Review by avestin
Special Collaborator Honorary Collaborator

4 stars This album can truly charm snakes

This four piece instrumental band from CT, USA has released so far two albums, of the heavy brand with several underlying elements such as a spacey and psychedelic atmosphere, stoner-rock elements (listen to the last track on Snakecharmer), fusion segments emphasized by the bewitching cello and an overall encompassing and enveloping sound that takes me away while listening to far away places, surrounded by mountains of crushing riffs and deep evoking rhythms and the alternating uplifting or mesmerizing string instrument playing.

The music presents spacey segments and psychedelic elements ("Bastard Son", "Snakecharmer"), upbeat and energetic melodies ("Divine Machine"), heavy rock with long brooding riffs ("Bastard Son") and gripping themes ("Snakecharmer"). Their music involved starting with a fixed theme and then veering out from it into new directions, creating exciting new possibilities for it and occasionally coming back to the original idea.

The first track, "Divine Machine", starts off bouncy and happily with the guitar and electric cello at the front, playing a catchy melody, greatly enhanced by the rest of the lineup. The track has a propulsive rhythm to it, hard to not be gripped by. "Divine Machine" links uninterrupted and very naturally into the second piece, "Whiskey and Hookers", creating a great flow to the album as a whole. It continues with a lighthearted theme that seems to carry on the mood of the melody in the previous track. It does rock, however, as it gets heavier at parts with crunchy riffs surrounded by cello-fronting moments with its delightful charming and happy sound. This alternation between serious and heavy to more lighthearted and fun is another aspect of Cargo Cult Revival's special sound.

The title track, "Snakecharmer", is a 38 minute piece. At its core lies a simple slow spacey droning theme with long and heavy guitar riffs, that is the basis for the explorations and different directions the music takes off from and keeps coming back to. The "take-offs" plunge into more dynamic and quicker terrains, very different from one another; this creates the epic proportions of this track, as you get a variety of musical excursions all interconnected by this core theme. The "excursion" at around 26 minutes and the last one beginning at 30 minutes into the track are beautiful and catchy, hypnotic and even mesmerizing. The last one is the pinnacle of the album with the power it presents and the effect it has on me the listener; a simple, yet evocative melody and dominant line. Well worth the long way it took to get there. This part can indeed charm even snakes as the title of the piece says.

"Bastard Son" closes the album with a noisy, heavy, psychedelic dirty sound, which is moderate in pace but nonetheless energetic and powerful. Though I would prefer ending the album with the title track and not this one, it does fit as a closer as it manages to clear off a bit the effect of the long and hypnotic title track with its more crude and simplistic approach. This is a fun tune with its sludgy sound and the cello part mingles in effortlessly.

Snakecharmer is a highly enjoyable album, recommended if you like instrumental pieces, with a sense of adventure and an experimental edge. Looking forward to more from this band.

Thanks to atavachron for the artist addition.

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