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UPHILL WORK

Crossover Prog • Russia


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Uphill Work biography
Moscow based UPHILL WORK started out as an experimental duo in the winter of 2002, consisting of Konstantin Benyumov and Lev Gankine. They issued an instrumental album the same year, "Cock-a-Doodle-Do", of which few traces remains these days. Around 2005 the band started expanding with the addition of Evgeny Semiletov as a permanent member, and one year later Konstantin Provorov joined the ranks as well.

This revitalized and expanded version of the band soon set out to create a new album, and in 2008 the sophomore effort of Uphill Work saw the light of day, issued as "Counterclockwise." In 2010 they released their 3rd and most full realized work to date, "Dribs/Drabs." Keyboardist Gankine lists Procol Harum, Gentle Giant, Supersister, Caravan, Curved Air, and Cardiacs amongst his influences.

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UPHILL WORK discography


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UPHILL WORK top albums (CD, LP, MC, SACD, DVD-A, Digital Media Download)

3.51 | 7 ratings
Counterclockwise
2008
3.88 | 5 ratings
Dribs/Drabs
2010

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UPHILL WORK Reviews


Showing last 10 reviews only
 Counterclockwise by UPHILL WORK album cover Studio Album, 2008
3.51 | 7 ratings

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Counterclockwise
Uphill Work Crossover Prog

Review by apps79
Special Collaborator Neo Prog Team

3 stars This Russian group from Moscow started originally as a duo in 2002 with Konstantin Benyumov on guitars and Lev Gankine on keyboards, both have been playing formerly in a band called Rush Hour, and an early document of their efforts was the ''Cock-a-Doodle-Do'' CD-R from the same year.Tired of a sound full of guitar/keyboard interplays, they came with the idea of forming a regular combo and thus bassist Evgeny Semiletov and drummer Konstantin Provorov joined them around mid-00's.Their new attempt was taped in the album ''Counterclockwise'', recorded at PXL Studio during a 9-month period with some pieces dating back from the early phase of Uphill Work, and released in 2008 on the Russian label Soyuz Music.

What these guys are playing here is a mix of Progressive Rock and Fusion, but not the type of jazzy Prog/Fusion rather than something between the quirky stylings of SAMLA MAMMAS MANNA and the dense musicianship of THE MUFFINS minus the Canterbury edge.The focus in this album is displayed in the numerous electric guitars and piano battles with intricate interplays, numerous scale changes and efficient breaks with influences ranging from Jazz Rock, Classical Music and a touch of Avant Garde.The atmosphere ranges from grandiose and orchestral to pretty dramatic with things softened through the irritating English vocals.These have a quite sarcastic approach and I can see many listeners having a hard time to listening to them.However the music is pretty great with an impressive balance between pleasant textures and adventuruous exercises.Gankine appears to be the main composer of the vast majority of the presented material, which also includes some (sampled?) Mellotron passages with a strong retro vibe.This group has been impressive on shifting between romantic soundscapes and angular, strictly progressive workouts, my only complaint being the insisting use of piano lines instead of a wider keyboard sound palette.

Pretty nice album by these young Russian musicians.Quirky Progressive Rock with Fusion and orchestral overtones, which can get occasionally quite atmospheric.Vocals are an X factor really, but the music is of high class.Warmly recommended.

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 Dribs/Drabs by UPHILL WORK album cover Studio Album, 2010
3.88 | 5 ratings

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Dribs/Drabs
Uphill Work Crossover Prog

Review by Finnforest
Special Collaborator Honorary Collaborator

4 stars No uphill battle to dig this!

Uphill Work is a band from Moscow who began around 2002 and 'Dribs/Drabs' is their third album officially, although their debut is now largely unavailable. They began as a duo but are a four piece in 2011 featuring Lev Gankine (keyboards, vocals), Konstantin Benyumov (guitars), Evgeny Semiletov (bass), and Konstantin Provorov (drums). Keyboardist Gankine lists Procol Harum, Gentle Giant, Supersister, Caravan, Curved Air, and Cardiacs amongst his influences. He says Moscow is a good place for bands but that Uphill Work sometime suffer from being 'too complex and weird for the indie crowd, too pop for proggers.' Well I like both prog and indie rock and I had no trouble getting into this band.

Recorded live in the studio, the new album features a unique sound anchored by a relentlessly energetic grand piano fused to the rhythm section's solid bass and percussion, quite unusual indeed, almost recalling Italy's Festa Mobile in the importance and usage of the piano in the sound. Atop this is just a touch of post-punk and eclectic, light-hearted experimentalism. These guys are having fun here and it shows. Clever lyrics and numerous twists and turns in the song structures keep everything off kilter and intoxicating. The guitar work is brash as well, often heavily distorted and crunchy, while the leads are quite fluent. The mostly monotone, low-key vocals further the punkish feel, they remind me a bit of 'Ed from Ohio' of the legendary Firehose. In fact the band's combination of deep talent with a sense of playful humor is something Mike Watt would approve of very much, I can almost hear him guesting with these guys in my mind. They even pull in some accordion for a bit of folk at one point. In other places the piano will move out from the background and lead the songs with upbeat grandeur. While they keep things mostly structured and economical there are some tracks where they stretch out with interesting improvisational sections. There are so many plastic sounding bands out there these days, Uphill Work is one that sticks out for the right reasons: they have an authentic and discernable personality which is complex yet direct, and they seem to care more about pleasurable music than they do about grand concepts or impressing people. (For more about this group, search for the interview in the PA interview section of the forums.)

Highly recommended for art rock fans and those who love a shot of indie mischief in their prog rock. This band should get far more attention.

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 Counterclockwise by UPHILL WORK album cover Studio Album, 2008
3.51 | 7 ratings

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Counterclockwise
Uphill Work Crossover Prog

Review by avestin
Special Collaborator Honorary Collaborator

4 stars Some time ago Lev Gankine posted a link to his band's myspace at the Progressive Ears forum. Since Lev has a very wide knowledge of music (prog and otherwise) and since we seem to share a passion for similar styles of music I was intrigued and decided to take a listen to Uphill Work. On their myspace one can find 6 of the 9 songs of their album, Conuterclockwise. After posting my favourable impressions of the music on that thread that Lev opened, he suggested sending me their album for reviewing to which I gladly accepted and here it is.

Before going into the review, I'll briefly introduce this group. Uphill Work is a Moscow based group that started in 2002 as the instrumental duo of Konstantin Benyumov and Lev Gankine. They released their first album, Cock-a-Doodle-Do, in that same year. After lineup changes the music changed as well and in 2005 the band invited bassist Evgeny Semiletov and a year later with drummer Konstantin Provorov. The current album was recorded from August 2007 to May 2008 and released in that year.

What caught my attention at first and remained the hook of this band for me, is that they are backed up by a tight piano/keyboards and percussion section, this quartet plays very dynamic, upbeat and engaging rock with dominant vocals and lyrics. There is a punk-ish feel at times that is quite well combined into the overall sound. Most of all, what this album is, is fun! Just listen to Just Say Yes with its great melodic hook and wonderful playing. It's a short, to the point song, with nice interlude in the middle to keep things interesting.

Never Gonna Lose for instance does show that development I speak of. This song resembles the opening song with its dynamics, speed and energy levels. Within this short song the band plays with its structure a bit, whether by the keyboards "fooling around" or the short interlude in the middle where they deviate a little from the main theme of the song, and the drummer playing a different pattern for a while.

There are the more laid back songs like Shine In Your Hands. This song presents the more tame side of the band, their slower aspect. However, in this particular song, I'd have liked to hear more development in the end of the song where there's a rather repetitive part that could have either been shortened or developed into something else.

The vocals, sung by Lev, are straightforward and in my opinion fit the music well in their direct and punk-ish style. At times he reminds me of Phideaux's vocals, with their rawness and rasp sound. The vocals fit most the fast and dynamic songs. They are a little less suitable for songs like Keep The Yellow Intact or H.I.T.S which is a slightly slower song, and that has a wider place for the keyboards to play and so this song offers a bigger opportunity for vocals to shine in and they in fact would benefit from a different style of vocals here, perhaps even a female voice, but definitely something softer. I would also have liked to have that song end not so abruptly or in that way. Overall, I like the vocals and Lev does a good job and they fit the music, adding a harder edge to the music.

The rhythm section and its style serve as a connecting thread throughout the album, connecting all the pieces into one cohesive sounding piece. While each song has its own identity, they all bear the same spirit of the band, meaning one can speak of the Uphill Work sound. Regarding their sound, I'd have liked to point out the following: I'd like to hear more creativity from the drummer, Konstantin Provorov. He plays his material well and each song has a good and appropriate rhythm but there isn't much variety in each individual song. I'd also like to hear more from the guitar. Fiasco in 7/8 is one song where the electric guitar comes through to the front. I'd like to hear more of it and in particular an interplay between it and the keyboards and bass. There's good and efficient bass work from Evgeny Semiletov. The mix is mostly well balanced though and one can hear the instruments well.

If you're up for an energetic rock ride, with a dynamic rhythm section and hooking melodies, this is great music to listen to. Recommended!

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Thanks to windhawk for the artist addition. and to Finnforest for the last updates

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