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lastdodobird View Drop Down
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Direct Link To This Post Topic: Unnecessary: Last 9min of KC's Moonchild
    Posted: May 22 2006 at 03:24
I've been listening to King Crimson's ITCOTCK and for me, its a great example of classic prog - or music for that matter - regardless of genre... ...all but around 9 to 10 minutes of it. That 9 or so minutes is the tail-end (that one huge tailend. hehe.) of track #4 - "Moonchild".

I've listened to a lot of complex music for sometime: Math Rock, Post-Rock, a bit of ambient and the like, so I'd like to think that I have an appreciation for this type of music, but I just find "Moonchild" very unnecessary... all but the first 2 and half minutes.

It's like weak and uninspired jam caught on tape... For me, just random bits that doesn't add up to very much.

This thread was started not to bash, but rather to try and get your comments so I could see what I'm missing. I know music is an exclusively subjective meduim, but it's also nice to hear other peoples thoughts in the journey that is music appreciation. Peace!

Edited by lastdodobird - May 22 2006 at 22:27
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Direct Link To This Post Posted: May 22 2006 at 03:28
Only 21 century on ITCOCK is a masterpiece. The rest is boring. I prefer Larks tonguesin aspic, Red, and Islands to ITCOCK
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Direct Link To This Post Posted: May 22 2006 at 03:31
I have to disagree, the 9-10 minute noodling works beautifully on the album and it would not be the same without it.....compare it to say The Waiting Room on the Lamb!
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Direct Link To This Post Posted: May 22 2006 at 03:37
I love all of Moonchild, and also all of Providence and the very quiet portions of Larks' part one. To me, the minimal improvised dabbling is an essential part of the Crimso sound.
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Direct Link To This Post Posted: May 22 2006 at 03:50
I have always enjoyed this part of the album, and think it makes an unique atmosphere. It works great as a "quiet before the storm" kind of thing. And by the way, I feel that the first 2.5 minutes of this song is extremely underappreciated. In fact it is some of the most beautiful music they ever wrote !
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Direct Link To This Post Posted: May 22 2006 at 04:00
I love this part too, I've never had an issue with it.  It's quite amusing sometimes when I have passengers in the car and that part is on and suddenly the next comes on and it deafens them, haha.  The same works for Larks' Tongues of course.

I love those quiet moments, before the loudness comes.

Am I correct in saying that I hear a typewriter within that part?


Edited by Geck0 - May 22 2006 at 04:03
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Direct Link To This Post Posted: May 22 2006 at 04:01
I disagree. it's necessary and reminiscent of many things to come
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Direct Link To This Post Posted: May 22 2006 at 04:03
Originally posted by pero pero wrote:

Only 21 century on ITCOCK is a masterpiece. The rest is boring. I prefer Larks tonguesin aspic, Red, and Islands to ITCOCK


Well I would have to disagree with this since I consider most of ITCOCK to be quite great. It may not have my favorite KC song on it (Fallen Angel - so far), but it's a solid prog album, except for that which I pointed out.

Originally posted by Chris Stacey Chris Stacey wrote:

I have to disagree, the 9-10 minute noodling works beautifully on the album and it would not be the same without it.....compare it to say The Waiting Room on the Lamb!

Originally posted by laplace laplace wrote:

I love all of Moonchild, and also all of Providence and the very quiet portions of Larks' part one. To me, the minimal improvised dabbling is an essential part of the Crimso sound.


Well, I really don't see what's so great about it. I get that at times bands just let it all hang out and let the music take control, which can lead to awesome work. I just didn't see that as the case here.

Originally posted by erlenst erlenst wrote:

I have always enjoyed this part of the album, and think it makes an unique atmosphere. It works great as a "quiet before the storm" kind of thing. And by the way, I feel that the first 2.5 minutes of this song is extremely underappreciated. In fact it is some of the most beautiful music they ever wrote !


I agree that the first part of "Moonchild" is a really beautiful piece of work,it's what follows that I didn't dig. It's like a piece that's a continuous cycle of building up and holding back, but never quite took off.
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Direct Link To This Post Posted: May 22 2006 at 04:06
Originally posted by erlenst erlenst wrote:

I have always enjoyed this part of the album, and think it makes an unique atmosphere. It works great as a "quiet before the storm" kind of thing. And by the way, I feel that the first 2.5 minutes of this song is extremely underappreciated. In fact it is some of the most beautiful music they ever wrote !



   

Exactly right.

The whole of Moonchild is perfect from start to finish not only in itself, but in the scheme of the album; It needs to be that length to give the overall structure its shape.

ITCOTCK is not simply an album to be digested piece by piece, you need to get to grips with the whole form to understand the components and how they fit in.

The important thing is not to stop questioning.
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Direct Link To This Post Posted: May 22 2006 at 09:11
Originally posted by lastdodobird lastdodobird wrote:

It's like weak and uninspired jam caught on tape... For me, just random bits that doesn't add up to very much.


Agreed.  They could have done something more with this.  You keep expecting it to go somewhere, but it never does.  Just way too low-key, for way too long.
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Direct Link To This Post Posted: May 22 2006 at 09:21
I used to dislike it, but always played it anyway. I am now rather fond of it and wouldn't have it any other way.
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Direct Link To This Post Posted: May 22 2006 at 09:51
That's the thing about KC - you can't write "I think track X from album Y is great/crap" & expect to see 53 versions of the "I agree !!" post.......
 
(I understand there are even some people, hard as it is to envision, who don't think that the track Starless, from Red, is the greatest bit of music ever....Shocked )
 
Personally, I think the noodling bit of Moonchild is an experiment that didn't come off - and I agree with comments I've read in the past, that it's a shame the vocals on Moonchild & I Talk to the Wind weren't recut - but it's a feeling I get about many KC albums, that they're unfinished; or at least unpolished.
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Direct Link To This Post Posted: May 22 2006 at 12:26
Red seems uninspired to my ears (the track, not the album) and just seems to make me want to listen to it less often.  Starless and Bible Black is a better album in my opinion.
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Direct Link To This Post Posted: May 22 2006 at 14:01
That part of the song HAD to be in the album. It's a part of the whole concept behind In the court of the crimson king and the first 4 albums of them.

It's all in the head of the genious Peter Sinfield.

And I don't find it bad at all.

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Direct Link To This Post Posted: May 22 2006 at 14:07

Robert fripp hates that jam, in fact when he decided to remaster some of the tracks of ITCOTCK for a boxset (I don't remember which) he included every song but he abridged Moonchild erasing that final jam because he thought that it was the only uninspired jam in his career.

 

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Direct Link To This Post Posted: May 22 2006 at 17:12
Originally posted by moonlapse moonlapse wrote:

Originally posted by lastdodobird lastdodobird wrote:

It's like weak and uninspired jam caught on tape...
For me, just random bits that doesn't add up to very much.


Agreed.  They could have done something more with this.  You
keep expecting it to go somewhere, but it never does.  Just way
too low-key, for way too long.


Indeed.

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Direct Link To This Post Posted: May 22 2006 at 22:24
Originally posted by eddietrooper eddietrooper wrote:

Robert fripp hates that jam, in fact when he decided to remaster some of the tracks of ITCOTCK for a boxset (I don't remember which) he included every song but he abridged Moonchild erasing that final jam because he thought that it was the only uninspired jam in his career.


Wow. Is this true? If it is, then that sounds VERY interesting...

Originally posted by Geck0 Geck0 wrote:

Red seems uninspired to my ears (the track, not the album) and just seems to make me want to listen to it less often.  Starless and Bible Black is a better album in my opinion.


I can't give an overall impression for the album yet, but the moment "Fallen Angel" hit my ears, I knew it was a thing of beauty... and I still do... more than any KC song I've heard.

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Direct Link To This Post Posted: May 22 2006 at 23:14
Originally posted by Chris Stacey Chris Stacey wrote:

I have to disagree, the 9-10 minute noodling works beautifully on the album and it would not be the same without it.....compare it to say The Waiting Room on the Lamb!


But... The Waiting Room was GOOD. That's the difference...
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Direct Link To This Post Posted: May 22 2006 at 23:46
Originally posted by erlenst erlenst wrote:

I have always enjoyed this part of the album, and think it makes an unique atmosphere. It works great as a "quiet before the storm" kind of thing. And by the way, I feel that the first 2.5 minutes of this song is extremely underappreciated. In fact it is some of the most beautiful music they ever wrote !
 
Clap - I could not imagine the album without "Moonchild". It's trippy, spacey and quiet - a nice intelude between two "bombastic" tracks and it leads beautifully into ITCOTCK.

"Music is the Wine that fills the cup of Silence"
- Robert Fripp


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Direct Link To This Post Posted: May 23 2006 at 01:18
hahahha.... I used to compare listening to that 'jam' on Moonchild to suffering uncontrollable bleeding of the ears.  Over time.. my attitude has softened.. slightly.  It has a charm all it's own.  It's King Crimson for heaven's sake... if you want pretty music.. listen to YEs or Genesis.
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