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Atavachron
Special Collaborator Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 64688 |
Posted: April 16 2007 at 01:42 | |
No, much if not most 'tech' is not prog-- but I was speaking more of influence.
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MikeEnRegalia
Special Collaborator Honorary Collaborator Joined: April 22 2005 Location: Sweden Status: Offline Points: 20667 |
Posted: April 16 2007 at 01:39 | |
^ but not all tech metal is necessarily prog. The distinction is very difficult and also quite subjective ...
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Atavachron
Special Collaborator Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 64688 |
Posted: April 16 2007 at 01:35 | |
I was going to mention both UFO and Michael Schenker Band early albums... plus - and I know this sounds nuts - Tom Scholz may have had a significant impact on the "tech/metal" movement, and perhaps Martin Barre as well.
Edited by Atavachron - April 16 2007 at 01:37 |
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MikeEnRegalia
Special Collaborator Honorary Collaborator Joined: April 22 2005 Location: Sweden Status: Offline Points: 20667 |
Posted: April 16 2007 at 01:26 | |
^ How so?
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BroSpence
Forum Senior Member Joined: March 05 2007 Status: Offline Points: 2614 |
Posted: April 16 2007 at 00:54 | |
Neat, but your post-rock dates are off.
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Tony K
Forum Newbie Joined: April 08 2007 Location: United States Status: Offline Points: 29 |
Posted: April 15 2007 at 12:28 | |
Very good.
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aprusso
Forum Senior Member Joined: June 16 2005 Status: Offline Points: 312 |
Posted: April 15 2007 at 12:27 | |
Nice but please define "modern prog"
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Certif1ed
Special Collaborator Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
Posted: April 15 2007 at 04:51 | |
Need to verify, by revisiting the music, but I found this article - which is interesting, because I was going to mention UFO, primarily because of Schenker - who was also in the Scorps with UJ Roth.
The Wikipedia article on shredding also reminds me of the Alvin Lee performance at Woodstock - which is a worthy contender for proto-shred. Edited by Certif1ed - April 15 2007 at 05:03 |
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The important thing is not to stop questioning.
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MikeEnRegalia
Special Collaborator Honorary Collaborator Joined: April 22 2005 Location: Sweden Status: Offline Points: 20667 |
Posted: April 15 2007 at 03:45 | |
^ nice!
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Certif1ed
Special Collaborator Honorary Collaborator Joined: April 08 2004 Location: England Status: Offline Points: 7559 |
Posted: April 15 2007 at 02:30 | |
The more I think about what "Technical" actually means, the further back it goes;
I think it's probably rooted in (early) Deep Purple, Colosseum II and Uriah Heep - but there's also a Led Zeppelin (and hence Yardbirds/Bluesbreakers) link, as Rush (later) indisputably brought technique to the forefront - so "Proto-prog metal" would fit these bands.
The technical approach progressed through bands like The Scorpions and arguably Focus (when Focus played heavy, it was very heavy, and very technically oriented), with Budgie worth consideration. It's quite hard to see how Krautrock fits in, despite the heavy moments, as nothing I've heard from this period is particularly technically-oriented - although Necronomicon's "Tips Zum Selbstmord" is very interesting, formally, and Eloy later developed their music in a more metal vein.
Of course, King Crimson are a constant, throughout their numerous changes, in terms of technique and heavy, riff-oriented music.
This covers 1969-1973.
Also indisputable is the root in "Glam" rock - Queen and Bowie providing the increasing technical slant. I'm currently investigating this period in greater depth, looking at bands like Man and Nazareth, and even the Sweet, in order to find the links - but more importantly, development of technique in heavy bands (AFAIK, the phrase "metal" wasn't really used until the late 1970s to describe the "second wave", but "heavy" has been in use since the late 1960s). Again, there's nothing in the Krautrock scene that jumps out to me as being technically outstanding, in relation to metal.
This covers 1973-1975.
Fairly obviously, Judas Priest dominate in terms of technique in the next stage - albeit rather clumsily at first - "Exciter" is the first piece of music in which I've heard the thrash (up and down picking) technique used, and it's extremely important in the development of technical metal. Rush, obviously fit in here, and it shouldn't be overlooked that Ritchie Blackmore brought a temporary "classical" approach to Rainbow.
This covers 1976-1978.
Raven's debut and follow-up, Rush (again) and Ozzy's new band (featuring ex-Heep Lee Kerslake and ex-Rainbow Bob Daisley, although, allegedly uncredited on Ozzy's 2nd album). Yup, that's right - no mention of Sabbath, whose influence on all things metal is a given, but Ozzy's band cited as an important influence. Well, that's thanks to Randy Rhoades, who used the thrash technique used by Priest on "Exciter" on "I Don't Know", also used more advanced classical techniques than Ritchie Blackmore, and, as far as I can tell, introduced the "shredding" style to metal - I'm still looking for earlier examples.
This period also includes Van Halen and Iron Maiden, whose foundational contributions are legendary.
So now I'm up to 1980, and I'll have to revisit, as I've run out of time today... any comments or glaring omissions?
Edited by Certif1ed - April 15 2007 at 03:07 |
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The important thing is not to stop questioning.
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Kotro
Prog Reviewer Joined: August 16 2004 Location: Portugal Status: Offline Points: 2809 |
Posted: April 14 2007 at 17:12 | |
Good job, but some say Prog-Metal started around 73/74 with KC.
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Bigger on the inside.
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kickflipthecat
Forum Newbie Joined: February 01 2007 Location: United States Status: Offline Points: 18 |
Posted: April 14 2007 at 17:06 | |
I don't like the naming of "nu prog," since it makes it like it's drawing a parallel to nu metal, which is just a good concept simplified and made formulaic. Also, I tend to think prog is a lot more musical than metal, so it really can't be simplified and "punk-ized." Also, The Mars Volta is not punk prog.
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Moogtron III
Prog Reviewer Joined: April 26 2005 Location: Belgium Status: Offline Points: 10616 |
Posted: April 14 2007 at 17:02 | |
I must say I like your time line a lot, even when some things like Canterbury are missing |
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Angelo
Special Collaborator Honorary Collaborator / Retired Admin Joined: May 07 2006 Location: Italy Status: Offline Points: 13240 |
Posted: April 14 2007 at 16:57 | |
Mike,
Nice first shot - although I get rashes from the moniker Nu-Prog, like I got a couple of years ago with Nu-Metal. Oh well.... Are you picking the genres from Progtology or common use, or are you naming them specifically for this chart? |
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Joren
Special Collaborator Honorary Collaborator Joined: February 07 2004 Location: Netherlands Status: Offline Points: 6667 |
Posted: April 14 2007 at 16:19 | |
Moreover, I have seen Rush frequently categorized as both heavy metal and progressive rock (and rightly so, IMO, since they fused elements of both styles), so isn't it fair to say that - if not full-blown prog metal as we know it now - they are at least proto-prog metal? Interesting chart though, if a little "crowded". On the other hand, at least that's a good way to show nay-sayers that prog is still "alive" in the 21st century! |
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Uroboros
Forum Senior Member Joined: February 25 2006 Location: Oxford Status: Offline Points: 912 |
Posted: April 14 2007 at 08:47 | |
I suspect what you mean by power prog, but the term was used initially to desribe bands like Savatage and Crimson Glory in the eighties/early nineties, so saying it's a post-'95 affair is not really exact. Then again, I realise you have a totally different style in mind, but think about where the said bands would fit in that case. |
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Tous les chemins
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micky
Special Collaborator Honorary Collaborator Joined: October 02 2005 Location: . Status: Offline Points: 46828 |
Posted: April 14 2007 at 08:09 | |
'classic prog' if I ever heard it.. unless it is just a synonym for the same old hat symhonic stuff |
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The Pedro and Micky Experience - When one no longer requires psychotropics to trip
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coleio
Forum Senior Member Joined: February 06 2006 Location: United Kingdom Status: Offline Points: 272 |
Posted: April 14 2007 at 08:04 | |
Canterbury Scene missing too?
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Eat heartily at breakfast, for tonight, we dine in Hell!!
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Atavachron
Special Collaborator Honorary Collaborator Joined: September 30 2006 Location: Pearland Status: Offline Points: 64688 |
Posted: April 14 2007 at 07:19 | |
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Dick Heath
Special Collaborator Jazz-Rock Specialist Joined: April 19 2004 Location: England Status: Offline Points: 12804 |
Posted: April 14 2007 at 06:52 | |
Excellent!
However, my usual comment: careful with that word 'fusion'! Indo jazz fusion from 1965 (e.g. Harriott-Mayer Indo-Jazz Fusion Double Quintet) - which allows you bring in Indo-prog...... US proto jazz rock from 1966 (e.g. Free Spirits) UK proto jazz rock from 1963 (e.g. Graham Bond, Georgie Fame) First distinct jazz rock album Emergency by Lifetime - possibly - 1968. Soft Machine Volume 2 clearly shows the cross over from psychedelic to jazz rock fusion In fact Mike you have inspired me to make a more detailed time-line for jazz fusion, bringing in acid jazz, fuzac, (god forbid) smooth jazz, and that more exciting and often cutting edge jazz fusion dating from the 90's: nu.fusion, drum'n'bass jazz, rap jazz, nu.jazz, etc. Edited by Dick Heath - April 14 2007 at 06:56 |
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