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Topic ClosedWhat makes a good Prog song?

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SteveG View Drop Down
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Direct Link To This Post Topic: What makes a good Prog song?
    Posted: March 27 2015 at 10:58
A very subjective question, but I surmise that many members will  express similar views. So, what elements, in your opinion, are needed in order to make a make a good Prog song? Feel free to talk about music, musicianship, lyrics, concepts, recording techniques or whatever you feel is necessary from the artist.

Edited by SteveG - March 30 2015 at 11:34
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Direct Link To This Post Posted: March 27 2015 at 11:28
In no particular order:
 
Virtuosity.  I like to hear great musician play well.  This even goes back before I truly discovered Prog when Ritchie Blackmore was like a god to me.
 
Complex structures.  Changes in tempo, key, time-signature, tone, chords, and instrumentation always catch my attention.
 
Intelligent lyrics.  Words that convey meaning and insight, preferably with a good melody.
 
Listenability.  While I appreciate chaos and dissonance, too much of it becomes a distraction.  If I cannot distinguish the music from random sounds, I don't care much for it.
 
Cohesion.  A piece of music, whether a vocal song or instrumental, must come as a whole.  This is especially challenging with multi-part epics.  All the elements must hold together and serve one another.  This also applies to albums as a whole and not just individual tracks.  There is an art to pacing.
 
Ying YangYing YangYing YangYing YangYing Yang
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Direct Link To This Post Posted: March 27 2015 at 11:43
Steve Hogarth, Steven Rothery, Mark Kelly, Ian Moseley, Pete Trewavas.

Next......
Enhance your life. Get down to www.lazland.org
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Direct Link To This Post Posted: March 27 2015 at 11:47
Originally posted by lazland lazland wrote:

Steve Hogarth, Steven Rothery, Mark Kelly, Ian Moseley, Pete Trewavas.

Next......

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Direct Link To This Post Posted: March 27 2015 at 11:50
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Direct Link To This Post Posted: March 27 2015 at 11:50
Stacks of analog synthesizers (and Rhodes), a beefy bass guitar tone, and percussion.
 
Everything else is optional!
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Direct Link To This Post Posted: March 27 2015 at 12:12
Colorful yet tasteful drumming; interesting "events" one after another; the undeniable creation of a mental image or feeling; the sense that this particular musical situation can only be found here in this song/album, yet the music itself isn't a chore to listen to. 
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Direct Link To This Post Posted: March 27 2015 at 16:08
Originally posted by lazland lazland wrote:

Steve Hogarth, Steven Rothery, Mark Kelly, Ian Moseley, Pete Trewavas.

Next......
LOL
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Direct Link To This Post Posted: March 27 2015 at 16:08
Originally posted by Horizons Horizons wrote:

Originally posted by lazland lazland wrote:

Steve Hogarth, Steven Rothery, Mark Kelly, Ian Moseley, Pete Trewavas.

Next......

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Direct Link To This Post Posted: March 27 2015 at 18:18
Complexity, with a balance of melody and dissonance in the music and sufficient dynamics to appreciate both.
Structure that extends at least a little beyond verse-chorus-verse
Intelligent lyrics - interesting concepts are a bonus.  I prefer my lyrics at least somewhat connected to real life experience or philosophy.  Go easy on stories about elves and fairies. LOL
Virtuosity, especially with guitar.  Yet, with instruments beyond just guitar/bass/drums or effects that make up for the lack of diverse instruments.
More heavy prog, please!
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Direct Link To This Post Posted: March 27 2015 at 19:10
On the side of all mentioned above, and despite of prog instrumentals, I think that a way of singing is tremendously important issue.


Edited by Svetonio - March 27 2015 at 19:33
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Direct Link To This Post Posted: March 27 2015 at 19:20
Something that is a departure from habitual time honoured song structures e.g intro/verse 1/chorus/verse 2/middle eight/chorus/guitar solo etc In short, a good Prog song shouldn't really resemble a conventional song at all (otherwise it's just a long winded pop songUnhappy)

Oh, and also sparkly costumes...
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Direct Link To This Post Posted: March 27 2015 at 19:46
Originally posted by ExittheLemming ExittheLemming wrote:

sparkly costumes...
nail on the head
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Direct Link To This Post Posted: March 27 2015 at 20:09
Music that doesn't suck.
...a vigorous circular motion hitherto unknown to the people of this area, but destined
to take the place of the mud shark in your mythology...
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Direct Link To This Post Posted: March 27 2015 at 21:27
Originally posted by verslibre verslibre wrote:

Stacks of analog synthesizers (and Rhodes), a beefy bass guitar tone, and percussion.
 
Everything else is optional!

Nay.  Mellotrons in Prog are never optional.  

A good prog song should be drenched in 8 voice choir, strings, flute, etc. On Mellotron.  
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Direct Link To This Post Posted: March 27 2015 at 22:10
Originally posted by The Sloth The Sloth wrote:

Colorful yet tasteful drumming; interesting "events" one after another; the undeniable creation of a mental image or feeling; the sense that this particular musical situation can only be found here in this song/album, yet the music itself isn't a chore to listen to. 


I like this. Especially the "Interesting events" bit.
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Direct Link To This Post Posted: March 28 2015 at 00:16
Unusual timbre.
Odd time signatures and unpredictable metrical characteristics in general.
Arrangements with lots of transitions.
Merging of other styles with rock.
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Direct Link To This Post Posted: March 28 2015 at 01:15
Originally posted by cstack3 cstack3 wrote:

Originally posted by verslibre verslibre wrote:

Stacks of analog synthesizers (and Rhodes), a beefy bass guitar tone, and percussion.
 
Everything else is optional!

Nay.  Mellotrons in Prog are never optional.  

A good prog song should be drenched in 8 voice choir, strings, flute, etc. On Mellotron.  
 
Okay, throw in 'Tron sounds because I do love 'em, I just don't want the 'Tron to become a crutch. WinkLOL
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Direct Link To This Post Posted: March 28 2015 at 01:43
guitars, guitar tunes! Hug
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Direct Link To This Post Posted: March 28 2015 at 03:36
Originally posted by cstack3 cstack3 wrote:

Originally posted by verslibre verslibre wrote:

Stacks of analog synthesizers (and Rhodes), a beefy bass guitar tone, and percussion.
 
Everything else is optional!

Nay.  Mellotrons in Prog are never optional.  

A good prog song should be drenched in 8 voice choir, strings, flute, etc. On Mellotron.  
 
So that's where Keith Emerson went wrong ( I know I am going to open a hornets nest with this commentLOL)
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