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Topic ClosedClassical Adaptations

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Poll Question: Which is your favorite?
Poll Choice Votes Poll Statistics
2 [3.23%]
1 [1.61%]
5 [8.06%]
6 [9.68%]
17 [27.42%]
11 [17.74%]
5 [8.06%]
5 [8.06%]
5 [8.06%]
5 [8.06%]
This topic is closed, no new votes accepted

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dwill123 View Drop Down
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Direct Link To This Post Posted: May 26 2015 at 17:56
What???  No Don Sebesky???
 
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Direct Link To This Post Posted: May 26 2015 at 18:04
Originally posted by Moogtron III Moogtron III wrote:

The Barbarian, although the original Bartok piece (Allegro Barbaro) is already good in itself.
 
Indeed, I love Bartok's piece as well, it's essentially a must have for every fan of the ELP's piece. But The Barbarian took its sheer strength to new hights... and in the piano section, as well as Bartok, Emerson also managed to introduce his own touches of wild force to that freaking amazing melody lines of the mid-section. The Barbarian is easily the only classical adaptation that so brilliantly enhanced the original genuine virtues of a classical piece.
 
 


Edited by Rick Robson - May 26 2015 at 18:26


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Direct Link To This Post Posted: May 26 2015 at 18:07
I like 'Horizons' but I do find others in Hackett's discography that I love pretty much over it... just an example: his 'Variation On A Theme By Chopin', is it a REAL adaptation? Well, it is even better than that - it is a real classical 'Variation' for acoustic guitar, just amazing!
 
 


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Direct Link To This Post Posted: May 26 2015 at 18:10
So, The Barbarian wins this poll by a loose margin, PAAE following behind (I love 'Promenade', and 'The Great Gates Of Kiev' too!), very close to the sheer beauty of Fanfare and the greatness and originality of ELP's Toccata.
 
 


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Direct Link To This Post Posted: May 26 2015 at 18:13
Originally posted by presdoug presdoug wrote:

From the list, ELP's Pictures At An Exhibition

others not mentioned that I love

Pell Mell-Toccata
Triumvirat-The Abduction From The Seraglio Overture
The Pink Mice-Pathetique sonata
 
Hey Doug, this is very interesting indeed, a classical adaptation made by Triumvirat! Never heard of it at all, very hard to find it I guess... From which composer is the adaptation?
 
Damn right! Pell Mell's adaptation from Bach's would be a very good contender to ELP's Toccata, no doubt at all.
 
 


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Direct Link To This Post Posted: May 26 2015 at 19:42
Originally posted by A_Flower A_Flower wrote:

Theme One for me
Same here!
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Direct Link To This Post Posted: May 26 2015 at 20:23
Hoedown is so light and giddy, it's impossible for me not to vote for it. Still waiting for Horizons to choose his vote. Will I be let down? Or will everything work out.
There is no dark side in the moon, really... Matter of fact, it's all dark...
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Direct Link To This Post Posted: May 26 2015 at 21:23
Theme One over Bouree.
Dig me...But don't...Bury me
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Direct Link To This Post Posted: May 27 2015 at 11:52
Originally posted by Rick Robson Rick Robson wrote:

Originally posted by presdoug presdoug wrote:

From the list, ELP's Pictures At An Exhibition

others not mentioned that I love

Pell Mell-Toccata
Triumvirat-The Abduction From The Seraglio Overture
The Pink Mice-Pathetique sonata
 
Hey Doug, this is very interesting indeed, a classical adaptation made by Triumvirat! Never heard of it at all, very hard to find it I guess... From which composer is the adaptation?
 
Damn right! Pell Mell's adaptation from Bach's would be a very good contender to ELP's Toccata, no doubt at all.
 
 
The piece is from a Mozart opera. It is actually the first few minutes-and last few minutes- of the "Across The Waters" suite, Side one, of Mediterranean Tales. The band label the beginning section as "Overture" and the end part "Underture", and the sections are directly transcribed from the Mozart overture.
  
           And nice to see some love for Pell Mell, thanks, Ric!Thumbs Up


Edited by presdoug - May 27 2015 at 12:07
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Direct Link To This Post Posted: May 27 2015 at 13:30
Can't pick between Hoedown and Fanfare.
But I enjoy even more classically-inspired originals: Emerson's Piano Concerto; Howe's Double Rondo; Parsons & Woolfson's The Fall of the House of Usher; Hackett's Kim in particular. 
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Direct Link To This Post Posted: May 27 2015 at 14:56
Pictures at an Exhibition for me...it's my fave ELP album Wink
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Direct Link To This Post Posted: May 27 2015 at 17:52
Originally posted by A_Flower A_Flower wrote:

Originally posted by zravkapt zravkapt wrote:

Didn't George Martin write "Theme One"? Voted 'Toccata'.


I don't know... I've just heard multiple versions of it with orchestra and all. He might of wrote it, but there are classical versions. Also, i find George Martin as a semi-classical composer anyway... I also really love that song at the moment
George Martin wrote it for the BBC as the theme music for the newly launched pop music radio station Radio One (hence the title). Originally it was a piece of music for electronic organ and was orchestrated later, so in reality the orchestral version of Theme One is the adaptation. 

Still, Van der Graaf's version of Theme One is the best thing listed here so it gets my vote.
What?
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Direct Link To This Post Posted: May 28 2015 at 00:52
Pictures by a wide margin for me.  I love Bouree--it was the first classical adaption I heard in Prog--but JT really just re-arranged the Bach piece for different instruments.  PAAE was audacious and ambitious--not entirely a successful adaption--but bold for the time.  I went to the original work after hearing this and discovered the music of Mussorgsky and a suite of music I love greatly, both the original piano work and the adaptation for orchestra.
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Direct Link To This Post Posted: May 28 2015 at 10:21
Fingals Cave from Bram Stoker

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Direct Link To This Post Posted: May 28 2015 at 10:34
Let's not forget Minuetto Allegretto by the Wombles based on Mozart Symphony 41 and Peter and the Wolf by Jack Lancaster.
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Direct Link To This Post Posted: May 28 2015 at 18:00
Originally posted by Bitterblogger Bitterblogger wrote:

Can't pick between Hoedown and Fanfare.
But I enjoy even more classically-inspired originals: Emerson's Piano Concerto; Howe's Double Rondo; Parsons & Woolfson's The Fall of the House of Usher; Hackett's Kim in particular
 
Ermm I thought some Hackett fan would mention the album 'Sketches of Satie', outstanding classical adaptation of Erik Satie's great classical piano compositions - Hackett and his brother made such a brilliant work using just acoustic guitar and flutes! There is a stunning Hackett composition, the short piece Kim (off Please Don't Touch) aforementioned, which has pretty much that Satie's atmosphere and is for me at the very same league, no doubt that Steve Hackett composed it inspired in Erik Satie's music.
 



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Direct Link To This Post Posted: May 28 2015 at 19:01
Originally posted by presdoug presdoug wrote:

Originally posted by Rick Robson Rick Robson wrote:

Originally posted by presdoug presdoug wrote:

From the list, ELP's Pictures At An Exhibition

others not mentioned that I love

Pell Mell-Toccata
Triumvirat-The Abduction From The Seraglio Overture
The Pink Mice-Pathetique sonata
 
Hey Doug, this is very interesting indeed, a classical adaptation made by Triumvirat! Never heard of it at all, very hard to find it I guess... From which composer is the adaptation?
 
Damn right! Pell Mell's adaptation from Bach's would be a very good contender to ELP's Toccata, no doubt at all.
 
 
The piece is from a Mozart opera. It is actually the first few minutes-and last few minutes- of the "Across The Waters" suite, Side one, of Mediterranean Tales. The band label the beginning section as "Overture" and the end part "Underture", and the sections are directly transcribed from the Mozart overture.
  
           And nice to see some love for Pell Mell, thanks, Ric!Thumbs Up
 
So good indeed, and I already knew 'Across The Waters' but frankly never gave the deserved attention to the entire suite, it is damn good man, btw 'Be Home For Tea' used to be my fave section off it, but giving today two subsequent spins to the whole piece - sincerely, easily the most delightful! - curiously now I realize better what a bombastic and exhilarating frenzy music is this track! Smile
 

 


Edited by Rick Robson - May 28 2015 at 19:03


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Direct Link To This Post Posted: May 28 2015 at 19:15
Originally posted by Rick Robson Rick Robson wrote:

Originally posted by presdoug presdoug wrote:

Originally posted by Rick Robson Rick Robson wrote:

Originally posted by presdoug presdoug wrote:

From the list, ELP's Pictures At An Exhibition

others not mentioned that I love

Pell Mell-Toccata
Triumvirat-The Abduction From The Seraglio Overture
The Pink Mice-Pathetique sonata
 
Hey Doug, this is very interesting indeed, a classical adaptation made by Triumvirat! Never heard of it at all, very hard to find it I guess... From which composer is the adaptation?
 
Damn right! Pell Mell's adaptation from Bach's would be a very good contender to ELP's Toccata, no doubt at all.
 
 
The piece is from a Mozart opera. It is actually the first few minutes-and last few minutes- of the "Across The Waters" suite, Side one, of Mediterranean Tales. The band label the beginning section as "Overture" and the end part "Underture", and the sections are directly transcribed from the Mozart overture.
  
           And nice to see some love for Pell Mell, thanks, Ric!Thumbs Up
 
So good indeed, and I already knew 'Across The Waters' but frankly never gave the deserved attention to the entire suite, it is damn good man, btw 'Be Home For Tea' used to be my fave section off it, but giving today two subsequent spins to the whole piece - sincerely, easily the most delightful! - curiously now I realize better what a bombastic and exhilarating frenzy music is this track! Smile
 

 
You put it so well, thanks!
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Direct Link To This Post Posted: May 30 2015 at 17:36
As curiously I saw absolutely no RPI band listed in this poll selection nor mentioned (exception made for Messaggio 73), Le Orme did some interesting 'adaptations' - Mozart's Blue Rondo A La Turka and Bach's Concerto n.3, both in "L'Aurora Delle Orme (1970)".
 
But the adaptation by a RPI band that I enjoyed the most so far was made by the band Buon Vecchio Charlie in the track 'Venite Giu Al Fiume' - an enjoyable 'one minute' intro quoting Edvard Grieg's 'Peer Gynt', which is repeated in the midsection and during the last minute of this exciting music, by the way the first I'm pleased to knowing from BVC, interesting band who released one album only, that I recently found posted in PA's Wink.
 


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Direct Link To This Post Posted: May 30 2015 at 18:21
Curiosity killed a cat, Schroedinger only half.
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