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Kepler62 View Drop Down
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Direct Link To This Post Posted: February 22 2017 at 19:11
There was only one really good track on The Wall. The one that gets played to death on classic rock radio stations. Why don't they play anything from Animals?
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Direct Link To This Post Posted: February 22 2017 at 19:34
I prefer the Tar Heels
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Direct Link To This Post Posted: February 22 2017 at 19:35
Originally posted by Kepler62 Kepler62 wrote:

Why don't they play anything from Animals?

Because FM radio only plays songs longer than ~6-7 minutes in very rare circumstances and the only songs on Animals that are less than 10 minutes long is Pigs On The Wing, which are far from the best things on the album.
when i was a kid a doller was worth ten dollers - now a doller couldnt even buy you fifty cents
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Direct Link To This Post Posted: February 22 2017 at 20:00
Yeah I know. Back in the seventies there were FM stations that would play full albums late at night plus live feeds. Some albums ran under 45 minutes such as Animals and some Gentle Giant records.I even remember hearing long songs like Supper's Ready but those glory days are gone Cry 
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Direct Link To This Post Posted: February 22 2017 at 21:29
For the most part I don't like it so much. Sort of bland, I guess, it's been a while since I have heard it. I do like Duchess, Man of our Times, and Duke's Travels a lot, though.
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Direct Link To This Post Posted: March 02 2017 at 08:38
Duke's Travels/Dukes End are proggy, but they've never really done anything for me.  They're prog, but not necessarily good prog.

Misunderstanding is truly wretched.  It's not even one of their better pop songs.  It amazes me that a drummer could write a song so rhythmically static.

Whether the rest of the album is prog depends, I guess, on your definition of progressive.  Carefully crafted songs that relay a story--or meaning deeper than cloying love songs for a teenage audience--are progressive in my mind.  Behind the Lines is a wonderful prog anthem, and Man of Our times and Cul-De-Sac contain some great instrumental playing.  I'm also partial to Turn it on Again.  What can I say: I have soft spot for drummers counting out time at the beginning of a song.

I think the reason why so many progheads dislike Duke is the slick 80s sound of the album and not the songwriting itself.  I certainly like Phil's actual playing over the drum machine, but it doesn't necessarily ruin songs for me.  Tony's synthesizers sound thin, but he has always explored new keyboard sounds.  Going back through the Genesis catalogue, I'm struck by how relatively little accoustic piano playing is found on their albums--the opening of a Firth of Fifth notwithstanding. 
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Direct Link To This Post Posted: March 02 2017 at 09:57
^What? No thoughts on Heathaze?
"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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Direct Link To This Post Posted: March 02 2017 at 20:43
Well, I don't care for Phil's vocal stylings on Heathaze.  The emotions he pours into some of the verses don't seem to match the lyrics--at least in my head.  For example, what's that bit about feeding the ducks instead supposed to mean?  Phil tries to pack an emotional punch into that line, but it just falls flat to me.


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Direct Link To This Post Posted: March 02 2017 at 22:29
Beware the fisherman who's casting out his line
Into a dried up river bed,
But don't try to tell him 'cos he won't believe you.
Throw some bread to the ducks instead, it's easier that way.
I feel like an alien, a stranger in an alien place.

I don't know - not one of the more vague Genesis tunes out there.
"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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Direct Link To This Post Posted: March 03 2017 at 11:51
Ok, this is entirely subjective, but here's my analysis

Beware the fisherman who's casting out his line
Into a dried up river bed,
Ok, these lines make sense. Love is like fishing.  Watch out for someone who casts his line (looks for love) in a place where there are no fish (lovers, or or only one particular lover who is not interested)

But don't try to tell him 'cos he won't believe you.

The lover won't believe you that his/her love is unrequited.

Throw some bread to the ducks instead, it's easier that way.
Now the metaphor becomes mixed.  We're no longer fishing, we're throwing bread to ducks.  Who is supposed to throw the bread: the person who is without love or the person giving the advice?  What is the bread supposed to represent?  Are the ducks potential lovers?  Of a different species?  Maybe he's talking about prostitutes: when you're this careless about metaphors, anything is possible.
 
I feel like an alien, a stranger in an alien place.

Now we're on to metaphor number three.  Again, who is the alien, the lover or the person giving advice?

I wouldn't be so bothered by these lines if Phil didn't deliver them as if his life depended on them.
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Direct Link To This Post Posted: March 03 2017 at 13:04
^The "bread to ducks" part meant, I think, that one can't tell a forlorn loser in love what to do about the situation, so make it simple on everyone and don't try. Duke was partially Collins' disclosure that he had been recently jilted by his then wife for another suitor, and between it and Face Value enough sentiment was expressed to justify the notion other than what Collins stated publically at the time.
"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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Direct Link To This Post Posted: March 03 2017 at 13:42
I see your point.  The lyrics don't work for me, personally, because of the way they  mix realistic writing and metaphors and because of the shifting perspectives.  It sounds clumsy to me, but that doesn't mean it's objectively flawed.

Heathaze was written by Banks, which might explain the shifting perspectives.
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Direct Link To This Post Posted: March 03 2017 at 15:28
I like the "Duke Suite" songs, but the rest of the album doesn't really do anything for me.
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Direct Link To This Post Posted: March 09 2017 at 07:42
One of my personal favorites. Awesome production and atmosphere for the time IMO.
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Direct Link To This Post Posted: March 09 2017 at 08:19
Duke has moments of intense greatness. The production was very trebly and thin but it's overall a very good album. The last Genesis album I love. (Although I like them all.)
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Direct Link To This Post Posted: March 09 2017 at 12:01
I'm hoping my copy of Duke will be in tomorrow's post.
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Direct Link To This Post Posted: March 14 2017 at 13:16
A couple of listens in, and I'm loving Duke! Certain tracks wouldn't be out of place on the Gabriel-era albums, they just have that kind of sound to them. And then you have the Duke Suite tying everything together. Fantastic music!
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Direct Link To This Post Posted: March 14 2017 at 16:35
I like "Misunderstanding". The video is funny with them in Hawaiian shirts. Goofy and funny at the same time.
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Direct Link To This Post Posted: March 14 2017 at 16:41
^And shot for a few shekels up in Hollywood.
"It just has none of the qualities of your work that I find interesting. Abandon [?] it." - Eno
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Direct Link To This Post Posted: March 14 2017 at 16:52
Originally posted by Rednight Rednight wrote:

^And shot for a few shekels up in Hollywood.


With impressive rain special effects!
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