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lostrom View Drop Down
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Direct Link To This Post Posted: December 25 2017 at 16:18
Just beware of brick walled CD's, the loudness war has ruined soooo much.
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Hrychu View Drop Down
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Direct Link To This Post Posted: December 25 2017 at 16:23
Anything mixed by Roine.
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Quinino View Drop Down
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Direct Link To This Post Posted: December 25 2017 at 16:26
^ Any example ?
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Direct Link To This Post Posted: December 25 2017 at 16:31
Originally posted by Quinino Quinino wrote:

^ Any example ?
Stardust We Are, Humanizzimo and the entirety of Back in the World of Adventures all sound very crisp. Great bass, awesome drum sound, lots of clarity.
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Direct Link To This Post Posted: December 25 2017 at 16:52
^ There you are - totally agree !  (thought you were thinking any other band but FK...)
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Direct Link To This Post Posted: December 26 2017 at 05:56
Albums by other bands like Dårskapens Monotoni (Kaipa DC) or Entering the Spectra (Karmakanic) also apply.
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Direct Link To This Post Posted: December 29 2017 at 14:36
As far as original issues some have been mentioned already like Supertramp~CotC, Steely Dan~Aja, PF~DSOtM. My original copy of Marillion~Misplaced Childhood is excellent, also The Cars~Candy-O and Yes~Fragile.
Since pretty much all new recordings are saved as 24bit digital masters now, the downstream processing plays a vital role in a new issue sounding "excellent". Whether the format is CD, digital hi-rez file or vinyl...The CD has easily become the lower SQ of all formats today. I have done countless A/B comparisons with CD and Vinyl in my system and CD loses each time....again on my system, YMMV.

For new vinyl issues I'd suggest:
Peter Gabriel's I-IV, plus So and Us. Absolutely steller productions, remixing and cut as 45RPM...
Steven Wilson's The Raven and Insurgentes, crazy dynamics and resolution.
The reissues of Can's Tago Mago and Ege Bamyasi are magical. The bass notes are deep and clean, nothing muddy about the mix, these are all done from the original tapes.
Porcupine Tree, pretty much all of them......Deadwing is finally getting redone for Feb release as well as In Absentia. I have both on pre-order, I have In Absentia original issue and it is already an excellent one, but has been out of print for awhile. Dot3 is fantastic for testing detail of bass notes on ur system.....

There are many others by Riverside, Haken and Marillion. Brave is magical, out of print though, I could get $300 bucks for it prolly....never sell!

Also it does matter your system whether you will be able to hear these records in all their glory, another subject though.
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Guldbamsen View Drop Down
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Direct Link To This Post Posted: December 29 2017 at 15:44
Disregarding the whole 'which edition/remaster/mix is better' here are some personal faves in terms of production:

Dead Can Dance - Toward The Within
Lucio Battisti - Anima Latina
Steven Wilson - Insurgents
Ryley Walker - Primrose Green
Ange - Emile Jacotey
Hooffoot - s/t
Jon Hassell w Brian Eno - Fourth World: Possible Musics vol.1
Klaus Schulze - X
Sigur Ros - Ágætis Byrjun
David Axelrod - Songs of Innocence
Kayo Dot - Coffins on Io
Paatos - Timeloss
Björn J:Son Lindh - Från Storstad til Grodspad
The Enid - The Seed & The Sower (more specifically the monumental track Reverberations)
Genesis - A Trick of the Tail
Alan Goraguer - La Planete Sauvage
Pink Floyd - Delicate Sound of Thunder
King Crimson - Disciplin
“The Guide says there is an art to flying or rather a knack. The knack lies in learning how to throw yourself at the ground and miss.”

- Douglas Adams
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siLLy puPPy View Drop Down
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Direct Link To This Post Posted: December 29 2017 at 21:42
Personally i find electronic artists to have some of the most sophisticated production techniques

My favorites include (but not limited to....)

Infected Mushroom 
Shpongle
Air
Coil
Tangerine Dream
Klaus Schulze

it has to do how carefully each sound is mixed, recorded, etc
the newer releases are obviously more stellar on newer recording systems

https://rateyourmusic.com/~siLLy_puPPy
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