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Joren View Drop Down
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Direct Link To This Post Posted: April 05 2004 at 06:37
Originally posted by Glass-Prison Glass-Prison wrote:

Originally posted by Peter Rideout Peter Rideout wrote:

Originally posted by Glass-Prison Glass-Prison wrote:

That reminds me, subjectivity offends me more than anything else.

 More than child molestation and terrorism? How about people who refuse to recycle?Wink

Let me put things in perspective...

Most evil thing: Hitler

2nd:child molesters

3rd: osama, saddam, bush, and other terrorists

4th: subjectivity

5th: Communism

6th: static electricity

7th: organized religion

8th: Rap

9th: Spam

10th:Genocide

there, that's roughly the 10 evilest things ever

Steeling someone's beer or NACHO'S is quite evil too!

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Direct Link To This Post Posted: April 05 2004 at 07:12

Alright. 90% was a little harsh. Let's go with 84.2%

 

    

That 10% talent is about 9.99% more than your typical radio music band.

It was merely my opinion. And it's basically Emerson. He is good, but he, despite what he thinks, is not Mozart incarnate. Now, Wakeman however...



It's the same guy. Great minds think alike.
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Direct Link To This Post Posted: April 05 2004 at 07:18
Originally posted by Stormcrow Stormcrow wrote:

PROOF, Philippe!  We want to see the PROOF!

Enquiring minds want to know!

Ok...but ask me your question, and I will see next...I thought it was clear!

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Direct Link To This Post Posted: April 05 2004 at 15:25
Originally posted by philippe philippe wrote:

Originally posted by lucas lucas wrote:

so the question is : do you like prog in general or are you just a lover of the experimental side of prog?

...you are not enterily wrong. It's true that I prefer by far the most experimental side of prog music...but I began to listen to prog with the same bands as you listen to...and I must recognize that there are great stuffs, but please not the common Asia...

OK, ASIA is  and I don't regard them as a prog band. About Canterbury/jazz-fusion, I really like National Health, Caravan (with Sinclair on vocals), Happy The Man, the first Gong album (yes, Camemebert Electrique is a canterbury album and not a space-rock one), the only Soft Machine album with Daevid Allen (I don't remember its name, it began with 'jet propeled...'). I once owned the two Hatfield records but despite some good moments, I must admit that it is no more something that grabs me. I have the same feeling about the post-Allen Soft Machine : too much improvisations and less written music. But you don't have to share my views on these records and I respect your tastes.

"Magma was the very first gothic rock band" (Didier Lockwood)
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Direct Link To This Post Posted: April 08 2004 at 18:29
Rush
Saga
Genesis
Marillion

Aaron
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raggy View Drop Down
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Direct Link To This Post Posted: April 09 2004 at 17:03

Most neoprog bands sucked in the 80s, as did most old school prog bands as they desperately tried to appeal to the pop crouds.

 Marrillion, attempting to fill the void left by the demise of a decent Genesis with pseudoprofound quasipomp, found a gap in the market in the form of thousands of middle class spotty faced, pretentious, dungen and dragon playing, Tolkien reading, girlfriendless teenaged boys. I know, I was there, and as my mates all ran off to buy the latest Twelthe Night/Pallas/Pendragon/Marrillion c**p I was off to stonehenge to see Roy Harper, the Enid and Hawkwind play in the Summer Solstice.

ELP were occasionally good but mostly not! Never enjoyed the vocals. Anything good they ever did was cancelled out by the trully awfull Love Beach. What the hell was that about??

Asia, like Kansas, Journey etc, are (fake)American stadium pop.

Roger Walters is probably THE most overrated progger, not least of all by himself. His ego is bigger than Fish's arse.

(God I'm enjoying this now.... maybe I should stop before I offend someone. oops, too late.........)

Now is tomorrow afternoon
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Direct Link To This Post Posted: April 09 2004 at 17:06
DOH!
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Direct Link To This Post Posted: April 09 2004 at 18:14

Originally posted by raggy raggy wrote:

Asia, like Kansas, Journey etc, are (fake)American stadium pop.

OH?

You just went past the Point Of Know Return there!

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Direct Link To This Post Posted: April 09 2004 at 18:23

Kansas rocks!!!!!!!!!!!!!!

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Direct Link To This Post Posted: April 09 2004 at 18:40
Originally posted by Stormcrow Stormcrow wrote:

Originally posted by raggy raggy wrote:

Asia, like Kansas, Journey etc, are (fake)American stadium pop.

OH?

You just went past the Point Of Know Return there!

Sorry SC, I know they had their moments, and probably don't deserve being mentioned in the same breath as Asia (who, to my knowledge have NEVER ONCE had their moments). Nevertheless, there's still a faint odour of Toto/REO Speedwagon/Foriegner lingering around most of their later stuff, becoming ever stronger as time went by.

Now is tomorrow afternoon
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Direct Link To This Post Posted: April 09 2004 at 18:50

And from a strictly (non-prog) rock standpoint, what was so wrong with REO SPEEDWAGON?

   <SMILIE>

I wouldn't argue for a second that KANSAS didn't lose a lot of steam after "Monolith".  And I'll live just fine if I never hear "Dust In The Wind" again.  But to lump their entire catalog into "arena rock" or "stadium pop" is neither fair nor correct.



Edited by Stormcrow
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Direct Link To This Post Posted: April 09 2004 at 19:02
Originally posted by Stormcrow Stormcrow wrote:

And from a strictly (non-prog) rock standpoint, what was so wrong with REO SPEEDWAGON?

   <SMILIE>

"Riding the StormCrow Out", Yeah. REO had their moment as a very good rock and roll outfit, before "Tuna Piano, Tuna Fish." One of the best Live rock bands around. Fame has it's way of ing bands up. They change direction and TRY to write HITS, ugh. The p$**y must be really good to make bands screw their fans like that.  

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Direct Link To This Post Posted: April 09 2004 at 19:09

Originally posted by danbo danbo wrote:

"Riding the StormCrow Out"

 <SMILIE>

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Direct Link To This Post Posted: April 09 2004 at 19:34

The first 2 Asia albums were brilliant,although not especially 'proggy', but then Howe left and it went downhill.

I used to like Kansas but I've found over the years that their music hasn't worn well.They were never really in the same league as ELP, Yes or Genesis.'Death Of Mother Nature Suite' was their high point.Later on the mess of a track with the almost ironic title of 'Magnum Opus' typifies just how poor an excuse for a progressive rock band they became.They then drifted into the safe territory of AOR but became 'second division' at that as well. Bands like Boston and Toto were doing it a lot better.

 

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Direct Link To This Post Posted: April 09 2004 at 22:43
 Ha ha! Argue argue! What a topic!
"And, has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!'
He chortled in his joy.
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Direct Link To This Post Posted: April 10 2004 at 04:23
I did suggest getting rid of it but was ignored.I think we have all had our fill of negativity towards prog rock and the bands we love.We all have our favourites and our least favorites in the genre.There's no point in dredging up ill feeling which is all this topic can do.
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Direct Link To This Post Posted: April 10 2004 at 05:46
Originally posted by richardh richardh wrote:

The first 2 Asia albums were brilliant,although not especially 'proggy', but then Howe left and it went downhill.

I used to like Kansas but I've found over the years that their music hasn't worn well.They were never really in the same league as ELP, Yes or Genesis.'Death Of Mother Nature Suite' was their high point.Later on the mess of a track with the almost ironic title of 'Magnum Opus' typifies just how poor an excuse for a progressive rock band they became.They then drifted into the safe territory of AOR but became 'second division' at that as well. Bands like Boston and Toto were doing it a lot better.

 

I can't say that I agree about the first two Asia albums, but the rest of your post is spot on. I think it's a transAtlantic thing. I'm a Brit but it wasn't untill I moved to Amsterdam 14 yrs ago that I realised just how British some bands sound when thrown into sharp cultural relief. Likewise, American ears will perceive Kansas as being in the same league as Yes/Genesis, whilst to British ears they sound like a brave attempt to sound like their mentors, but unable to shake their stadium pop feel. Not all American prog is like this, but it should be remembered that Billy Idol is still considered Punk in the states, whilst it is clear to us Brits that he swapped his punk status for stadium pop celeb the moment his Jumbo Jet left the tarmac at Heathrow.

The last thing I want to do is start a Limey/Yank argument that could damage the "special relationship between our two great nations". Many bands have destroyed themselves by deliberately (shamelessly) trying to appeal to American audiences and failing (It Bites', "Eat Me In St. Louis") (pressure from label bosses). On the other hand Utopia's debut prooves that Americans can make excellent prog and still sound essentially American. Anyway, after what happened to most of the Britprog bands' musical direction in the 80s, I'm not about to start a "we're better than you" slanging match.

Kansas slipped into the corny AOR quagmire many years ago, but Asia chose it as their starting point. As a fan of Weather Report, Return to Forever and other such JazzFusion I must say thats what our transatlantic cousins are REALLY good at! Hourses for courses I reckon.

Now is tomorrow afternoon
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Direct Link To This Post Posted: April 10 2004 at 15:36

Originally posted by raggy raggy wrote:

 ELP were occasionally good but mostly not! Never enjoyed the vocals. Anything good they ever did was cancelled out by the trully awfull Love Beach. What the hell was that about??

Love beach is just different, i like it personally, its IN The Hot Seat which marked the fall of ELP....They break up leaving us with this?????  30 years of top quality music and then this!   it wasn't fair

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Direct Link To This Post Posted: April 10 2004 at 15:54

Longer term members may remember that I asked that question about the occasional weird narrow-mindedness concerning KANSAS.

However I never for a moment, ever dreamed that EMERSON, LAKE AND PALMER would get the same treatment from supposed prog fans!

Go figure  <SMILIE>

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Direct Link To This Post Posted: April 10 2004 at 17:22
Originally posted by philippe philippe wrote:

Originally posted by Stormcrow Stormcrow wrote:

PROOF, Philippe!  We want to see the PROOF!

Enquiring minds want to know!

Ok...but ask me your question, and I will see next...I thought it was clear!

Just to clear some things up, the question was why you think ELP is overrated.

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