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Direct Link To This Post Topic: Normal Love - 2007
    Posted: February 17 2008 at 20:53
NORMAL LOVE
 
Avant-rock band from Philadelphia, Normal Love came to life in 2006 and is a five member band consistsing of two guitar, bass, drums and a violin that is responsible for some of the special sound of the band. They play in a chaotic and dissonant style with some calmer passages.
As James Taylor from “All About Jazz” writes about the band: “that straddles the seemingly distant divide between thrash-metal noisecore and 20th Century composition. Their self-titled debut, on boundary busting record label High Two, is a nerve-tingling exposition, as dissonant chords and meandering anti-melodies tug, tear and torture the soul of the listener.” Or as Philip Freemand from “Paper Thin Walls” states, the band’s sound is made up of “The jazz-grind tumble of Flying Luttenbachers, the short/sharp shocks of early Orthrelm, the poke-’n’-twist of DNA, the fiery electric work of avant-jazz violinist Mat Maneri”
In 2007 they released their first album through the High Two label, simply titled “2007”.

Recommended for listeners who like Zs, Ruins, Upsilon Acrux, Ahleuchatistas, Cheval De Frise etc.
 
 
 
http://www.normallove.com/
 
http://www.myspace.com/normallove
 
 
 
NORMAL LOVE — 2007
Review by avestin (Assaf Vestin)
Special Collaborator Zeuhl/RIO/Avant Team

— First review of this album —

4%20stars It’s all over the place…

Is there a connection between the tunes that the instruments are playing here? For the untrained or the unaccustomed ear, the answer would be no; for my ear or rather brain, the answer is yes. Which points out to a crucial issue here; if you’re unused to this sort of music (at times referred to as Math-rock, Avant-rock etc), then you should either avoid this if you find this to be unbearable noise or if you’re interested in getting into this, then look for an easier “way in”.

As my title suggests, the music seems to be all over the place, “spilling” in all directions, instruments playing unrelated and even contradicting parts, at times disharmonious. But here also lies the greatness. How sophisticated and complex this is; how well are they playing this; how well do they compose those composite compositions. Not only are these intricate (Severe Confection) but also intense (The Signal’s Coming From Pittsburgh Part 1). Angular and disjointed, the music is in most cases not flowing easily but one has to be receptive to it in order to absorb and digest the themes in each track. Therefore dismissing it after one or only a few listens as unbearable shows that you’re either unreceptive to this sort of music, or that you’ve not listened (closely) enough.

The playing the musicians show is precise, sharp, bony and pointed. The bass lines are done very well, add a lot to the succinct atmosphere of the music; the violin is a great addition to this sort of style and lineup. It adds another layer of portrayed emotions that is usually not easily conveyed in this approach. At the same time it reinforces the abrasive and cold characteristics of this music, while also adding a new ingredient transforming somewhat the sound into a more frisky and eerie than usual.

Not all in here is done at the same pace and in the same fashion and technique. There progressive elements are not only shown in the style that they play but also in the ability to shift within each track from the main theme to explore other musical ideas, other patterns and sounds. Therefore it is not a monotonous ride that becomes dull and shallow after a while, making you lose focus and attention. On the contrary, they know well how to keep the listeners awareness and interest; moreover they also manage to keep a good deal of variety between the tracks themselves so it is not all same-same through out the album.

This album is a fine piece of explorative and experimental rock that does not lack creativeness and a spark of originality. This is recommended for those into this type of music and also to those open to try a different approach to music. If this is how their first album sounds like, I can’t wait for the follow-up release. Point of reference would be Upsilon Acrux, Cheval De Frise, Zs, Ruins et al.

Posted Sunday, February 17, 2008, 13:45 EST
Review Permanent link | Submit a review for this album

 
 
Normal Love

Amnon D. Freidlin - guitar
Evan Lipson - bass
Eli Litwin - drums
Alex Nagle - guitar
Carlos Santiago Jr. - violin

Recorded by Marc Alan Goodman at Studio G
Mastered by Colin Marston
Design by Joe  Lentini

  1. Severe Confection (by Dustin Hurt)
  2. The Signal is Coming from Pittsburgh… [Part One] (by Evan Lipson)
  3. The Signal is Coming from Pittsburgh… [Part Two] (by Evan Lispon)
  4. Ndugo (by Amnon Freidlin)
  5. The Final Sarcophagus of Darkness (by Eli Litwin)
  6. Hooks (by Alex Nagle)

      Normal Love formed in 2006 and quickly became one of the most talked-about bands in its hometown of Philadelphia. The instrumental quintet is comprised of amplified violin, two electric guitars, electric bass, and drums. Normal Love’s music generally has a loud and brutal approach with compositional influences ranging from African minimalism to serialism to death metal, though rarely within the same piece.Normal Love’s self-titled debut album features recordings of six compositions.While most instrumental bands refrain from intricacy and rely on improvisation, Normal Love exclusively performs composed music, usually reading sheet music on stage. Four of the band’s members contribute pieces in their own individual styles displaying the band’s diversity of influences and its ability to incorporate them into a unified aesthetic.Bassist Evan Lipson is credited with two tracks, the two-part “The Signal’s Coming from Pittsburgh.”At a total of 14 minutes, “Pittsburgh” has a cinematic quality with its frequently changing textures that range from frenzy to near calm. Amnon Freidlin’s “Ndugo” starts with a simple African rhythm before unfolding into a more chaotic affair. With its relentless double bass drumming, “Final Sarcophagus” successfully integrates Eli Litwin’s experience as a metal drummer with theintricacies that are central to the group’s musical aesthetic. The extreme contrapuntal and rhythmic complexities of Alex Nagle’s “Hooks” conceal a wealth of catchy melodic lines that reveal themselves more with each successive listen.The singular piece that was not written by a member of the band is not a cover. Rather, “Severe Confection” was composed by Dustin Hurt (executive director of both the Relâche new music ensemble and the iconoclastic Bowerbird concert series). Hurt, who is a composer as well as presenter and performer, offered the piece to Normal Love. His composition “Severe Confection” quickly became a staple of Normal Love’s live shows. It is a technically demanding piece that showcases not just Hurt’s skill, but also the band’s precision, aptitude, and musicianship.



Edited by avestin - February 17 2008 at 20:56
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Direct Link To This Post Posted: February 18 2008 at 12:33
tough crowd...
LOL
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Direct Link To This Post Posted: February 18 2008 at 17:37
Thumbs%20Up
 
Sounds interesting. I'll check them out.
Dig me...But don't...Bury me
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Warning: Listening to jazz excessively can cause a laxative effect.
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Direct Link To This Post Posted: June 30 2008 at 22:15
bump
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Direct Link To This Post Posted: November 05 2008 at 20:33
bump - any of the avant-rock fans in PA give this a listen yet?


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Direct Link To This Post Posted: February 28 2009 at 21:55
Originally posted by avestin avestin wrote:

bump - any of the avant-rock fans in PA give this a listen yet?


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Direct Link To This Post Posted: February 28 2009 at 23:05
Relistened to some of the myspace stuff and I can say I enjoyed it more this time.
 
Perhaps its because my enjoyment of "Zs" has increased in the year since I posted here. Tongue
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Warning: Listening to jazz excessively can cause a laxative effect.
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Direct Link To This Post Posted: March 01 2009 at 03:12
ha ha REALLY tough crowd. Im gonna check them out tomarrow when my roomates aren't asleep. sound right up my alley. 
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