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Musical maschocism - hit me with your rhythm stick |
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Dick Heath
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Jazz-Rock Specialist Joined: April 19 2004 Location: England Online Status: Offline Posts: 10757 |
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Topic: Musical maschocism - hit me with your rhythm stickPosted: October 26 2009 at 08:53 |
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[QUOTE] avoiding possibly unpleasing music [QUOTE]
Catch 22 - until you hear it, how do you know it's unpleasing, but by then you haven't avoided it?
And continuing on the theme of trusting reviews and reviewers,
a) It is clear that at least some folks here can hear punk, rap, reggae without grimacing and indeed see viable forms of prog being created including these elements. In other words not put off by reviewers etc. dismissing these musics.
b) Equally seeing statements in reviews that would suggest hearing an particular or album, you will be in for a rough ride being "difficult music". Horses for courses/art in the eyes/ears of the beholder etc? I remember Q magazine giving a top ten of progessive rock albums over a decade ago, and apologising for not including any of the 'superior but difficult' Van Der Graaf Generator albums in the list - and me failing to see what was "difficult" wrt VdGG?
At a tangent: how do folks define music that is "so bad that it is good" (when to most peope it is just bad), giving you a personal example in the garage pop rock of Randy Avoy and The Green Fuz's Green Fuz?
Edited by Dick Heath - October 26 2009 at 08:56 |
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The best eclectic music on the Web,8-11pm BST/GMT THURS.
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TODDLER
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Joined: August 28 2009 Location: Vineland, N.J. Online Status: Offline Posts: 223 |
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Posted: October 26 2009 at 10:13 |
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I felt an overwhelming desire to investigate prog around 1971. I mostly enjoyed a prog album upon first listen. That is unfortunately a person that I used to be. It's a very sad situation when you dig around endlessly for music and after making the purchase, you end up enjoying 50% of while others are getting that hundred. I try to listen to Univers Zero occasionally and I some solid enjoyment out of that. But how often can that be when the person we are talking about here has been following the band and their music for 30 years? I sometimes listen to Decibel or the music of George Crumb. I've always had a hard time enjoying a wide variety of bands who are obviously influenced by Yes, KC, Genesis, Jethro Tull etc. If it's Anthony Phillips or Steve Hackett sounding like Genesis, it is more than exceptable to me. If it's the 2ND wave of prog bands like Pulsar, Edhels, The Enid, Happy The Man it's exceptable as well. However it takes a special mood for me to relate to the artists mentioned above due to the vast amount of times I've heard their catalogs. I like Karda Estra and early White Willow as far as new music goes. I am sick and tire of the musical formulas that have been used over and over again for decades. Their are a lots of bands that emulate the sound of Univers Zero and many other late 70's period bands and it gets very tired.
I seem to bounce all over Zappa's catalog and that keeps me alive I think. So there are good points in my listening. But I really miss the thrill of being young and exploring prog in those early days. Hatfield and the North and National Health bring back some fond memories. I wish that I never became this way. Being this jaded is a torture for me. |
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debrewguy
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Symphonic Prog and Interviews Teams Joined: April 30 2007 Location: Canada Online Status: Offline Posts: 3293 |
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Posted: October 26 2009 at 18:23 |
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I think you missed my point. It is not the supposed / perceived unpleasantness or familiarity that determines whether I listen to a new album repeatedly. It is whether the first listen makes me want to hear it again, and so on. Simply put - is there something there that makes me come back to it, that grows on me with each repeated listen. UZ delivered that. From the very start, even if it was little by little. Present didn't. Not after the first time, not after the fifth. No reason for me to persist in playing Present ten more times when there is so much great music out there that I know I will find. And yes, some of which you would describe as unpleasant, and some that will be familiar to me. The same requirement is in place - does it have something that brings me back. A favourite album earns repeated plays because I love it. There is no reason why I should stop enjoying it just to insist that 20 listens of X's album will tell me whether I like it or not. Otherwise, you end up spending time forcing yourself to find something to keep playing music you don't yet & probably will not find to your liking, instead of keeping your ears open to other treasures (Magma some day ? ) So, I don't know what will please me ahead of time. But any band that has consistently delivered music I love or like certainly merits my attention and support, eh. Or does that limit our enjoyment ? Example - UZED kept growing on me each time listened to it. I wasn't quite sure what it was the first time. But as I played time & again, it's attraction grew. Pawn Hearts, on the other hand gave me nothing , even after five listens. But World Record did, and so gets played a few times a year. But UZ's oeuvre gets more air time on my CD player(s). Edited by debrewguy - October 26 2009 at 18:26 |
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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debrewguy
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Symphonic Prog and Interviews Teams Joined: April 30 2007 Location: Canada Online Status: Offline Posts: 3293 |
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Posted: October 26 2009 at 18:41 |
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I just had a thought here - last year I rented the Minor Threat DVD. It includes any and all video material that could be found, even stuff when they played in basement clubs or parties. I was curious to see what this band was about. I will eventually get their compilation. And believe me, the sound quality on some of this stuff doesn't "prettify" this raw aggressive music.
I also rented the Marillion "Brave" DVD. An album I love. Didn't care much for it. But over the years my approach of a fair but not unlimited repeated listens has allowed me to discover much great music. I'm sure that there is some music that if only I had given the album another listen or ten, that I might have found something there that I loved. But that would have meant that I would have missed out on many albums or groups that I have come to enjoy, because at a certain point, there is only so much time. Indeed, there is more great & good music out there that no one will ever be able to get through in one or more lifetimes. Because there is always new music coming out, old music rediscovered, a few hundred years of music history, a massive catalogue of recorded music even if we just count what has been releases in our generation. Even if you whittle it down to widely defined genre or three, you're still not going to be able to hear everything. So admit the reality that even if you had the time & budget ($$$), you could still give each and every semi-interesting act or album a listen and not get to every one that would actually capture your ear from the get go (unpleasant / mainstream ./ melodious / noise et al other descriptions of your choice) . So you make a choice - I will risk missing out on a few great albums or groups because I want to make absolutely sure that this album is not going to be enjoyable for me before I move on to another. Or, you say, I gave it a fair shot (whatever that means to you) and on to the next possibility. The more you get to hear, the better the chances of coming across something that will keep you coming back regularly over the years. Unless the ultimate goal is not to find music that you enjoy , eh |
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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mono
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Joined: May 12 2005 Location: Paris, France Online Status: Offline Posts: 346 |
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Posted: October 27 2009 at 04:51 |
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After more than a few years of listenning to prog, if this still happens to you (I don't like it the first 5 listens then I adore it...), then you have missed out on something important.
If with some experience, you can't "like with your mind" before really being taken by the music, then I'm not sure prog is the genre for you, or you choose music that doesn't match your taste. This hasn't happened to me since I've listened to Tales (from Yes) 5 years ago... Prog should be as easy to appreciate by progheads than mainstream pop music by... mainstream pop listeners. |
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debrewguy
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Symphonic Prog and Interviews Teams Joined: April 30 2007 Location: Canada Online Status: Offline Posts: 3293 |
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Posted: October 27 2009 at 16:53 |
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please explain .. it seems like you're saying that it's impossible for a true prog fan to dislike any prog album if they really give it a listen ???? the only music that should be easy to appreciate is music that you like or love. How you get to that point is not a mystery - something (they used to say "in the grooves") draws you in, whatever it is. Genres may help narrow the search or guide someone to what they may like. And many a music fan does focus on their preferred genre(s). That some would want to insinuate that there is a problem with someone's tastes or their reasons for listening to music leads me back to an earlier point ... Maybe you need a hug ... Edited by debrewguy - October 27 2009 at 16:58 |
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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A Person
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Joined: November 10 2008 Location: MI, USA Online Status: Offline Posts: 2109 |
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Posted: October 27 2009 at 17:04 |
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Repeatedly listening to an album should be less about forcing yourself to like something and more about finding something in it you like.
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Kashmir75
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Joined: June 25 2009 Online Status: Offline Posts: 121 |
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Posted: October 27 2009 at 18:19 |
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I have found myself 'trying to like' albums before. I force myself to listen to it several times, thinking that a few spins will Stockholm Syndrome it into one of my favourites.
Sometimes, this approach works. Sometimes I just come to the realisation I just plain don't like it.
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Hello, mirror. So glad to see you, my friend. It's been a while...
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Progosopher
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Joined: May 12 2009 Location: Northern Cal Online Status: Offline Posts: 481 |
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Posted: October 27 2009 at 18:21 |
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[/QUOTE]
I think you missed my point. It is not the supposed / perceived unpleasantness or familiarity that determines whether I listen to a new album repeatedly. It is whether the first listen makes me want to hear it again, and so on. Simply put - is there something there that makes me come back to it, that grows on me with each repeated listen. UZ delivered that. From the very start, even if it was little by little. Present didn't. Not after the first time, not after the fifth. No reason for me to persist in playing Present ten more times when there is so much great music out there that I know I will find. And yes, some of which you would describe as unpleasant, and some that will be familiar to me. The same requirement is in place - does it have something that brings me back. A favourite album earns repeated plays because I love it. There is no reason why I should stop enjoying it just to insist that 20 listens of X's album will tell me whether I like it or not. Otherwise, you end up spending time forcing yourself to find something to keep playing music you don't yet & probably will not find to your liking, instead of keeping your ears open to other treasures (Magma some day ? ) So, I don't know what will please me ahead of time. But any band that has consistently delivered music I love or like certainly merits my attention and support, eh. Or does that limit our enjoyment ? Example - UZED kept growing on me each time listened to it. I wasn't quite sure what it was the first time. But as I played time & again, it's attraction grew. Pawn Hearts, on the other hand gave me nothing , even after five listens. But World Record did, and so gets played a few times a year. But UZ's oeuvre gets more air time on my CD player(s). [/QUOTE] I think we're pretty much on the same page on this issue, we just say things differently. Or perhaps I am not being clear on my own points. I too, will only continue to listen to new music, whether from a familiar artist or not, if I find something worthwhile there. I may like it instantly, or not, but if my interest is aroused, I will listen more. For example, I am a big Vangelis fan, but don't enjoy all his output. Invisible Connections is a terrible album, Heaven and Hell is a great one. Beauborg is challenging. I can honestly say I do not enjoy it, so I do not listen to it often, in fact it has been years. But it is intriguing, and there was a period of time when I got into the album, where I had a sense of what Vangelis was trying to achieve. Tastes change as well. I used to hate jazz, now I love it.
So, I don't know what will please me ahead of time.
We never can. Even a favorite may turn the tables on us and not give us what we expect or even something we won't enjoy. In order to find out, though, we have to give at least one listen.
But any band that has consistently delivered music I love or like certainly merits my attention and support, eh. Or does that limit our enjoyment ?
Not our enjoyment, but it could limit the scope of our listening.
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You can't develop a better appreciation of the art merely by reading a book about it. If you want to understand music better, you can do nothing more important than listen to it. - Aaron Copland
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debrewguy
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Symphonic Prog and Interviews Teams Joined: April 30 2007 Location: Canada Online Status: Offline Posts: 3293 |
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Posted: October 28 2009 at 21:24 |
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agreed on all points except the last.
If a group is able to consistently deliver music that i enjoy, I keep picking up each new release. I don't see that as limiting. It is just a case of those acts having a track record of putting out music that I will like or love (i.e. get regular play over the years). Which is my only goal - to find music that I will enjoy. I've found something that keeps me coming back. Some acts change over the years, some don't. That doesn't mean that I don't try new bands. I have the same goal in mind when I make those purchases - finding music I will enjoy. Those "searches" are guided by reviews, samples (streaming, myspace, radio , friends recommendations - anything but paid advertisements no matter where they're found). So Los Lobos gets my money withing a week of an album's release. Rush, I now would check out the music before I buy. A highly rated album by a group that I do not know, but in a genre that I've had luck with, I'll take a chance on . Outside my comfort zone (knowledge wise), I regularly check out samples often to see if anything catches my ear. Univers Zero was one of those. H era Marillion was due to some great reviews from people at PA that I respect (albums like Brave). The Drive By Truckers are one act that I buy everything they put out. Half the time, a new release doesn't catch on right away. But over time, there's only been one release (A Blessing & A Curse) that hasn't really gotten much play. And I still play it once every few months, cause there's something there that draws me back, topped with my experience of the other albums gradually becoming favourites over time. Not by forcing myself. I did that with Rush's output from Power Windows to Presto. Gave up, sold / traded them all. Borrowed & gave one listen to Counterparts, Roll the Bones, Test for Echo. Took a chance on Vapor Trails. Bought Snakes because of VP. Now back to ignoring future releases ![]() SO I still end up with a fair share of old & reliable, new & unknown et al. But then, I've got a great local Second hand indie record shop. A great local music store with knowledgeable staff. In a town with a decent & active music scene. Add to that alternative mags like Exclaim, sites like PA, music newsletters like Bob Lefsetz', and I've got many sources to tap into. Too many really. So I make choices. And I still prefer to have ten albums that I like or love, with one or two bummers, than 5 that I'm working on, 3 that I love, and two that I use as coasters. |
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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mono
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Joined: May 12 2005 Location: Paris, France Online Status: Offline Posts: 346 |
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Posted: November 02 2009 at 05:03 |
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Apprecitation is not liking, it's more "valuing" (maybe in French "appréciation" is more accurate). I am saying that for a proghead, this "phenomenon" should not happen anymore, i.e. you should know in a few listens if the album you are trying interests you or not. Unless what you're hearing is absolutely original in all ways, you should be able to appreciate it without having to force yourself through many feelingless listens. |
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mystic fred
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Honorary Collaborator Joined: March 13 2006 Location: Londinium Online Status: Online Posts: 3856 |
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Posted: November 03 2009 at 08:23 |
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Trout Mask Replica - i tried...
Van der Graff Generator...i really tried
Canterbury scene...honest, i tried
Soft Machine...i really really tried !
Innagaddadavida....i tries sooo hard - nothing
that Nico lp with the banana.....nope!
Grateful Dead, Love, Jeff Beck...sorry, nothing at all....
Pendragon, Frost and Tinyfish....sorry, i really tried, - had the t shirt and everything
Post Rock....hmmmmm....some of it i may keep
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Fred says...Vinyl is cool
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Dick Heath
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Jazz-Rock Specialist Joined: April 19 2004 Location: England Online Status: Offline Posts: 10757 |
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Posted: November 03 2009 at 10:38 |
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that Nico lp with the banana.....nope!
Sounds like Velvet Underground with Nico guesting?
I would go with 3 or so of those bands. Tried since the early 70's to get into the Dead, even via the jazz rock of Jazz Is Dead, without being turned on. Iron Butterfly had the misfortune of appearing with a number of innovative bands in London in the late 60's, and so sounded dated and even limited in their long windedness (besides Cream did the long stuff so much better some time before) - and similarly the best thing about Quicksilver Messager Service's Happy Trails, is the LP sleeve, whilst the reworking of Bo Diddley's Who Do You Love to a side long epic was really overblown IMHO.
But as I wrote above, there is so much out there, including a lot lurking in the archives largely neglected, that I've learnt not to feel compelled to listen and listen again to a record, although the pundits tell me it's the best thing since slice bread - in fact especially when pundit tell me...
But Love, Soft Machine, VdGG I loved since the days I first heard them 40 or so years ago.
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The best eclectic music on the Web,8-11pm BST/GMT THURS.
CLICK ON: http://www.lborosu.org.uk/media/lcr/live.php Host by PA's Dick Heath. |
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SonicDeath10
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Joined: November 06 2006 Location: United States Online Status: Offline Posts: 272 |
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Posted: November 03 2009 at 21:48 |
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"Mars Volta is weird eh? Listen to THIS!" They usually get very upset.
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"Good evening hippies." Bobby Boy
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jammun
Prog Reviewer
Joined: July 14 2007 Location: United States Online Status: Offline Posts: 1757 |
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Posted: November 05 2009 at 18:56 |
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I've said this a few times: I listen to Yes' Tales at least once a year, and have done so now for arrgh 35 years. I keep hoping something will finally click. Hasn't yet, but as long as I have the CD in my collection well I'll keep trying, probably just because. It's not a bad album, and It causes no deep psychic pain to give it a listen every year or so. There's some nice music there, so I listen, I put it away, and I try again next year. |
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It's always night, or we wouldn't need light. -- T. Monk
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gottagetintogetout
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Joined: November 10 2009 Location: Tulsa, OK, USA Online Status: Offline Posts: 100 |
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Posted: November 13 2009 at 23:44 |
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I agree with A Person that you shouldn't force yourself to listen to albums, but only listen to it again so you can find things that you can like in it. One band that doesn't make much sense to me is Gong, because I think they are too silly. But after some advice, I can understand why people would enjoy it, but I won't waste my time if I can tell that I will never get that kind of enjoyment from the band.
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Me? I'm just a lawn-mower. You can tell me by the way I walk.
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debrewguy
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Symphonic Prog and Interviews Teams Joined: April 30 2007 Location: Canada Online Status: Offline Posts: 3293 |
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Posted: November 15 2009 at 16:22 |
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the funny thing about Gong is that I quite like Khan's Space Shanty, and one of Gong's later more straightforward jazz rock albums (name ???)
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"Here I am talking to some of the smartest people in the world and I didn't even notice,” Lieutenant Columbo, episode The Bye-Bye Sky-High I.Q. Murder Case.
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Slartibartfast
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Crossover Team Joined: April 29 2006 Location: Atlantais, GA Online Status: Offline Posts: 9483 |
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Posted: November 16 2009 at 09:10 |
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You are of course speaking about Daevid Allenses' Gong. The silliness is part of the charm. If you prefer your music more serious, you might want to try some of Pierre Moerlen's Gongses. Edited by Slartibartfast - November 16 2009 at 09:10 |
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A penny for my thoughts and yet I have to put my two cents in. What the hell is wrong with this equation?
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