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Topic: Best Melody ever? Posted: August 21 2010 at 23:55
I have put special emphases on those epic moments that basically represent climaxes in songs or albums throughout my prog 'odyssey'.
recently I have come to notice it is those special melodys that bring that out, and have really wondered what some other people think of things along the lines of that.
What instantly comes to mind is that melody that is played on guitar and sung on Shine On You Crazy Diamond and some of the melodies on Most of Mike Oldfield's works. Like Incantations' trumpet solo in Part 1 and some of Amarok.
But what instantly came to mind wasn't necessarily Prog, it was the trombone solo midway through 'Jupiter, The Bringer of Jollity' a song in the suite called 'The Planets' composed by Gustav Holst.
I know most (or some at least) people on here are kind of disconnected from the classical music scene, either deliberatly or not so. But Gustav Holst has a modern, climactic sound, that, if transcripted to rock instrumentation would be held as a masterpiece of prog.
But that center part of Jupiter is quite possibly the greatest moment in music history, hands down.
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Posted: August 22 2010 at 01:26
DisgruntledPorcupine wrote:
The main theme of Octavarium by Dream Theater.
It's an epic majestic bright melody. Not a catchy one though. Examples of catchy melodies: Porcupine Tree's Way Out of Here, which is also the prettiest melody I've heard in prog. Closely followed by Anesthetize (but this song has many melodies, so i guess it isn't fair).
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Posted: August 22 2010 at 01:36
Because (Beatles) comes to mind. The vocal melody of Dream Brother (Jeff Buckley) is very beautiful, Grace too actually. Blue Oyster Cult's Don't Turn Your Back is very haunting too. I would say in both Musical Box and Salmacis the accompaniments are very beautiful but not so much the vocal melody. I like Shringar (Shakti) more than all of these...as an Indian music listener, I find 'our' melodies are far more beautiful and capture the more joyful expressions effortlessly whereas in the Western system, happy melodies somehow come off as a bit cheesy unless done really well.
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Posted: August 24 2010 at 13:27
idoownu wrote:
I have put special emphases on those epic moments that basically represent climaxes in songs or albums throughout my prog 'odyssey'.
recently I have come to notice it is those special melodys that bring that out, and have really wondered what some other people think of things along the lines of that.
What instantly comes to mind is that melody that is played on guitar and sung on Shine On You Crazy Diamond and some of the melodies on Most of Mike Oldfield's works. Like Incantations' trumpet solo in Part 1 and some of Amarok.
But what instantly came to mind wasn't necessarily Prog, it was the trombone solo midway through 'Jupiter, The Bringer of Jollity' a song in the suite called 'The Planets' composed by Gustav Holst.
I know most (or some at least) people on here are kind of disconnected from the classical music scene, either deliberatly or not so. But Gustav Holst has a modern, climactic sound, that, if transcripted to rock instrumentation would be held as a masterpiece of prog.
But that center part of Jupiter is quite possibly the greatest moment in music history, hands down.
...in your opinion. I prefer Mars!
But the best melody ever, for me, is probably the simple yet effective theme from Yes's Ritual (The happy-sounding part in the introduction where Jon sings "da-da-da-da-DA-da-da-da-da-Da-da-da-duh"). It sums up the whole meaning of the song and it isn't even lyrical. That's the power of melody.
I absolutely love those moments in a song where you feel like you're in a journey. When the piano or drum beat change and the melody has something epic and fantastic in it, that you feel like your entire environment has changed and you developed by just a bit by just listening to it.
DisgruntledPorcupine wrote:
The main theme of Octavarium by Dream Theater.
that's exactly what came to my mind as well. but if I have to think of another one I got to point out the part which comes after the second "chorus", at around 6:00 in Pain of Salvation's King of Loss from the album The perfect Element. The epicness lays in the vocal harmonies (oh god, Daniel is such a great singer) with the changing melodies of the guitar and piano, building up emotionally slowly with the violins to the guitar solo.
Speaking of Pink floyd, Us and Them has also a great melody. Also, Opeth's Burden - great melody and a great solo.
"Down here, standing on the brink of not knowing anything, not even me. Few tears, fewer memories, and it's better than anything that I've ever seen" -Ephrat, Better Than Anything
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Posted: August 27 2010 at 20:39
Colours of the Wind... because, c'mon its friggin' Pocahontas :D
That is in fact a lovely tune, but the best melody would be one including an amazing amounts of key changes that sound uncannilly pleasant to the ear and not like a total mind-numbing chaotic show-off(TM) (disclaimer: total mind-numbing chaotic show-off(TM) remains the exlusive property of Keith Noel Emerson and is to be used courtesy of the aformentioned only. Also f**k you Wakeman, I know where you sleep - Keith), but all I can think of right now are Bach's Fugues, or most of Chopin's works.
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