Gazpacho

Message Topic Search Topic Options Post Reply Create New Topic Printable Version Translate Topic

This Spanish dish sounding band from Norway has without much fanfare grown to be the biggest prog rock band from Norway. They have been lauded around the world, interviewed by all the big magazines, but ignored in Norway.  
They have just released their new album Missa Atropos and was overdue a ProgArchives Inquisition. I hooked in Jon-Arne for the Gazpacho story.
-------------------------------------------------------------------
Why did you choose this name and where in Norway are you based ?

Gazpacho
– cold vegetable soup – is not what you expect (and isn’t everyone’s
taste for that matter) – soup tends to warm and there is a
required taste to enjoy the soup. Just like our music, we’re an
unlikely bunch of guys striving towards making music that sounds
different to the norm and maybe won’t appeal to a broad audience, you
have to be in a certain mindset to enjoy the music. Hence,
if you follow my logic, the name ‘Gazpacho’. There’s no denying there
is a link to the Marillion song “Gazpacho”, but it has no relation to
the lyrics of the song.. We also thought the name sounded good at the
time. We’re based in and around Oslo, but have
recently had some further distances to travel - some as far as from
Fredrikstad & Kristiansand.

Please give me your (long or brief) thoughts and lowdowns on......

Get It While It's Cold (37°C) from 2002

A demo before Bravo. We sold 100 copies of this just to be able to distribute some music to fans that were catching on to us.

Bravo from 2003

We
worked on our premier for quite a while as we started writing songs
already back in 1996. We still were searching for our own style back
then and experimented with many musical directions, everything from
plain pop to crooner, jazzy kind of stuff. We even had an almost
finished concept album back then by the title of random access memory.
We dropped everything on this as it just wasn’t us.
In the beginning of 2000 we started focusing more and more in a certain
direction, and took one song at a time. Listening back to this album,
we can hear the melodies are still very strong – a very creative bunch I
must say… although perhaps sound-wise a little
outdated. (We still didn't have a drummer back then!). It was an album
that introduced us to the world and I am still proud of the achievement
today.

When Earth Lets Go from 2004

An
album which many claim to have some gems in it albeit altogether a bit
rushed. I can agree to a certain extent – this is an album we
had to get ready for the 2004 support tour with Marillion (we needed to
fund our tour!).. We went from having all the time in the world on
Bravo to deadlines in WELG, and I think the result is very impressive..
Songs such as Dinglers Horses, Snowman, 117,
Substitute for Murder, Put it on the air are still in our live set
today and are very, very strong individual tracks.. We still revisit
some of the other tracks and think “ hey, that’s quite good, we should
do that live some time”… we’ll see.

Firebird from 2005

This
was definitely the opener to our current style. It takes a much darker
direction, and at times is more experimental than previous songs.
Was great to able to work with Steve Rothery on “Do you know what you
are saying” – personally I think it’s up there as one of his grand
solo’s. A lot of strong tracks here as well, immediately what springs to
mind is DYKWYAS, Vulture, Once in a lifetime and
Orion..

Night from 2007

Our
first real concept album… I guess this is the time we gave up the idea
by now of ever having a radio friendly song..:-) We saw that
our strength lies in making atmospheric music – more like film music –
to describe a story. There are a millions of other bands that do “rock”
or “pop” better than us, it was best for us to focus on what we did
well.. So we took a chance (and basically started
caring less of what the outside world thought of us) and wrote "Night".
Starting off with a 17 minute piece Dream of Stone we dive into the
concept of dreaming..
"Night" is a musical description of a dream or a stream of
conciousness. It explores the question of where dreams end and reality
begins and the mind as the tool that has to decide what to believe.
The whole album was in essence written over a weekend at
while Thomas, myself, Ohme and Mikael were set up in Thomas’ cottage –
beautiful view over the fjord and buckets of wine and beer. What a
weekend that was..:-)

Tick Tock from 2009

Continued
the idea of writing music in a cottage. Again the essence of Tick Tock
was written over a weekend. However, this was the track
Tick Tock 1, 2, 3. The walk came later in the studio as we adapted the
concept from Antoine de Saint-Exupery attempt at a long distance flight
from Paris to Saigon. He crashed in the Desert many hours later stranded
with his co pilot Prevot.  This story forms
the basis of the Tick Tock album. Time can both be your enemy and
something you inevitably have no control over.

A Night At Loreley from 2010

First
ever DVD production. 10 camera’s up in your face while on stage is
something that takes getting used to. This was mostly a request
from fans. A very enjoyable evening when I look back to it. We have at
least an hour of footage from sound checks etc which we might put on you
tube after a while.

and the brand new album Missa Atropos

At
time of writing this is our newest baby and obviously most focus.
There’s always a bit of anticipation before an album comes out – will
our fans like it? Will they “get” what we’re trying to say? Could it
reach out to new fans? I claim this is one of our most dark albums yet,
and it could be because of a certain mindset I was in (I guess not so
happy…J).
We built the musical theme around a story of a man who cuts all ties to
the world and moves to a lighthouse. Here he attempts to write a mass
for Atropos and to taste true solitude. The title is also a wordplay on
misanthropy which is the essence of the concept
and lyrics throughout the album.

What is the
lyrical topics on your albums and how is your creative process from
coming up with a theme/riff/idea to you get it down onto an album ?

The
topics have mainly been covered above. The writing process usually
starts of with a riff, theme worked on between Thomas and myself.
When we feel there is something there, it is then presented to Ohme to
see if there’s any tunes he can produce over the riff. This is when lots
of stuff either gets dropped or continues to the next stage where we
take his tune and rework what we’ve come up
with to support his singing. As you can gather, we believe a strong
melody can do a lot and we’re perfectly willing to change the basic riff
to accompany his melody. The intitial idea always ends up as something
totally different. The advantage we have of
being around for so long is that we know what makes each other tick
(musically speaking..:-)), so we can filter things out very early. Once
we get a track or two going, we start to get a mood and then an idea of
the storyline for the album. We’ve come to understand
that good songs usually come straight away, no point spending hours and
hours on something that just isn’t there. Again, we have a bucket full
of demo’s that will never see sunlight as a result of our process. But,
thanks to this we get albums done and can
claim to have 6 albums (virtually every year) while still holding down
full time jobs. The most important thing is to stay true to yourself. If
you don’t care about what other people think, and enjoy what you
produce, it tends to attract and spill over to
other people anyways.

Would you agree with the description of your music as a blend of Marillion and Radiohead or do you disagree ?

…and
Sigur Ros, Talk Talk, Muse, Kate Bush, Pink Floyd, Jeff Buckley, A-Ha,
Coldplay, Queen, Norwegian folk music, Russian classical music.
I think we can claim we don’t really sound like anyone except like
ourselves and we take pride in that. We’re also open to all kinds of
styles of music when we write and stay true to that. Music itself is
beautiful. We’re starting to hear of bands inspired
and sound a bit like “Gazpacho”.. that is touching to hear that we’re
influencing other bands today.

Gazpacho is a
strange phenomenon in many ways. You are popular around the world and
you rightfully get a lot of attention and praise in magazines like our
ProgArchives, Classic
Rock and it's Present Prog offshoot. Your gigs are well attended and
you play the big Loreley festival. But back in Norway, very few knows
about you and you get no media attention whatsoever as far as I know.
Arsonists, glamour models and murderers has a higher
social status than Gazpacho and other prog rock bands in Norway. What
is your take on this situation ?

We gave Norwegian media a pass after getting absolutely no coverage in 2004. A Norwegian band supports Marillion on a 31 gig,
 2 month European tour. We were playing big venues
with 2000+ attendance every night for a band that was after all fairly
famous back in the eighties.. We asked/informed Norwegian press of this,
in the hope of getting
a little mention somewhere – but instead we see 2 page spreads on some
unknown Norwegian band supporting some unknown German band for 1 concert
 in a little town in Germany… In short, not many
people know of us in Norway as little has been written about us and
little done afterwards to spread the word. (It’s not what you do, but
who you know which gets a mention).
 We have a growing base in Germany and Holland,
and it’s thanks to the dedication of these fans that we get the word of
mouth spread. We do not have the capacity to do promotion ourselves
anymore (we mentioned holding
down full time jobs and family while writing, recording albums and
touring?.. not much spare time left..:-)) so we need help from fans. We
also have the help of German management now to help spread the word
there. Each venue we visit, we double the attendance
next time we come back… that is promising.

What is your experience with the music industry and the internet prog scene?

Jan
Henrik and Thomas work commercially within the music industry, Lars and
Fido work as teachers within music and yours truly works with
marketing in…. medicines (?). 

Is there an internet prog scene?..:-)

Is any of your members involved in any other bands or projects ?

Lars
is involved in some experimental stuff, Mikael has a local band he
plays with from his local village, Fido does some sound engineering.

What is your plans for the rest of this year and next year ?

This
year is Missa’s year. We focus on trying to spread the word of the
album during the autumn. We then go on a European tour in the end
of January, beginning of February to promote Missa Atropos. We’re most
likely going to visit the same cities as the last tour but the addition
of Poland this time. I also hear that we have to upgrade capacity in
some venues as there are more people attending.
Excellent to hear. After the tour I guess it's back to the cottage..:-)

Anything you want to add to this interview ?

Hope to see you on tour. Buy one of our albums, turn off the lights, get a candle going with some red wine and just listen.
I hope it takes you on some kind of journey. 

Thank you to Jon-Arne for this interview

Their PA profile is here and their homepage is here

Author	Message Topic Search Topic Options Post Reply Create New Topic Printable Version Translate Topic
toroddfuglesteg Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Retired Joined: March 04 2008 Location: Retirement Home Status: Offline Points: 3658	Topic: Gazpacho Posted: September 04 2010 at 09:50
	This Spanish dish sounding band from Norway has without much fanfare grown to be the biggest prog rock band from Norway. They have been lauded around the world, interviewed by all the big magazines, but ignored in Norway. They have just released their new album Missa Atropos and was overdue a ProgArchives Inquisition. I hooked in Jon-Arne for the Gazpacho story. ------------------------------------------------------------------- Why did you choose this name and where in Norway are you based ? Gazpacho – cold vegetable soup – is not what you expect (and isn’t everyone’s taste for that matter) – soup tends to warm and there is a required taste to enjoy the soup. Just like our music, we’re an unlikely bunch of guys striving towards making music that sounds different to the norm and maybe won’t appeal to a broad audience, you have to be in a certain mindset to enjoy the music. Hence, if you follow my logic, the name ‘Gazpacho’. There’s no denying there is a link to the Marillion song “Gazpacho”, but it has no relation to the lyrics of the song.. We also thought the name sounded good at the time. We’re based in and around Oslo, but have recently had some further distances to travel - some as far as from Fredrikstad & Kristiansand. Please give me your (long or brief) thoughts and lowdowns on...... Get It While It's Cold (37°C) from 2002 A demo before Bravo. We sold 100 copies of this just to be able to distribute some music to fans that were catching on to us. Bravo from 2003 We worked on our premier for quite a while as we started writing songs already back in 1996. We still were searching for our own style back then and experimented with many musical directions, everything from plain pop to crooner, jazzy kind of stuff. We even had an almost finished concept album back then by the title of random access memory. We dropped everything on this as it just wasn’t us. In the beginning of 2000 we started focusing more and more in a certain direction, and took one song at a time. Listening back to this album, we can hear the melodies are still very strong – a very creative bunch I must say… although perhaps sound-wise a little outdated. (We still didn't have a drummer back then!). It was an album that introduced us to the world and I am still proud of the achievement today. When Earth Lets Go from 2004 An album which many claim to have some gems in it albeit altogether a bit rushed. I can agree to a certain extent – this is an album we had to get ready for the 2004 support tour with Marillion (we needed to fund our tour!).. We went from having all the time in the world on Bravo to deadlines in WELG, and I think the result is very impressive.. Songs such as Dinglers Horses, Snowman, 117, Substitute for Murder, Put it on the air are still in our live set today and are very, very strong individual tracks.. We still revisit some of the other tracks and think “ hey, that’s quite good, we should do that live some time”… we’ll see. Firebird from 2005 This was definitely the opener to our current style. It takes a much darker direction, and at times is more experimental than previous songs. Was great to able to work with Steve Rothery on “Do you know what you are saying” – personally I think it’s up there as one of his grand solo’s. A lot of strong tracks here as well, immediately what springs to mind is DYKWYAS, Vulture, Once in a lifetime and Orion.. Night from 2007 Our first real concept album… I guess this is the time we gave up the idea by now of ever having a radio friendly song..:-) We saw that our strength lies in making atmospheric music – more like film music – to describe a story. There are a millions of other bands that do “rock” or “pop” better than us, it was best for us to focus on what we did well.. So we took a chance (and basically started caring less of what the outside world thought of us) and wrote "Night". Starting off with a 17 minute piece Dream of Stone we dive into the concept of dreaming.. "Night" is a musical description of a dream or a stream of conciousness. It explores the question of where dreams end and reality begins and the mind as the tool that has to decide what to believe. The whole album was in essence written over a weekend at while Thomas, myself, Ohme and Mikael were set up in Thomas’ cottage – beautiful view over the fjord and buckets of wine and beer. What a weekend that was..:-) Tick Tock from 2009 Continued the idea of writing music in a cottage. Again the essence of Tick Tock was written over a weekend. However, this was the track Tick Tock 1, 2, 3. The walk came later in the studio as we adapted the concept from Antoine de Saint-Exupery attempt at a long distance flight from Paris to Saigon. He crashed in the Desert many hours later stranded with his co pilot Prevot. This story forms the basis of the Tick Tock album. Time can both be your enemy and something you inevitably have no control over. A Night At Loreley from 2010 First ever DVD production. 10 camera’s up in your face while on stage is something that takes getting used to. This was mostly a request from fans. A very enjoyable evening when I look back to it. We have at least an hour of footage from sound checks etc which we might put on you tube after a while. and the brand new album Missa Atropos At time of writing this is our newest baby and obviously most focus. There’s always a bit of anticipation before an album comes out – will our fans like it? Will they “get” what we’re trying to say? Could it reach out to new fans? I claim this is one of our most dark albums yet, and it could be because of a certain mindset I was in (I guess not so happy…J). We built the musical theme around a story of a man who cuts all ties to the world and moves to a lighthouse. Here he attempts to write a mass for Atropos and to taste true solitude. The title is also a wordplay on misanthropy which is the essence of the concept and lyrics throughout the album. What is the lyrical topics on your albums and how is your creative process from coming up with a theme/riff/idea to you get it down onto an album ? The topics have mainly been covered above. The writing process usually starts of with a riff, theme worked on between Thomas and myself. When we feel there is something there, it is then presented to Ohme to see if there’s any tunes he can produce over the riff. This is when lots of stuff either gets dropped or continues to the next stage where we take his tune and rework what we’ve come up with to support his singing. As you can gather, we believe a strong melody can do a lot and we’re perfectly willing to change the basic riff to accompany his melody. The intitial idea always ends up as something totally different. The advantage we have of being around for so long is that we know what makes each other tick (musically speaking..:-)), so we can filter things out very early. Once we get a track or two going, we start to get a mood and then an idea of the storyline for the album. We’ve come to understand that good songs usually come straight away, no point spending hours and hours on something that just isn’t there. Again, we have a bucket full of demo’s that will never see sunlight as a result of our process. But, thanks to this we get albums done and can claim to have 6 albums (virtually every year) while still holding down full time jobs. The most important thing is to stay true to yourself. If you don’t care about what other people think, and enjoy what you produce, it tends to attract and spill over to other people anyways. Would you agree with the description of your music as a blend of Marillion and Radiohead or do you disagree ? …and Sigur Ros, Talk Talk, Muse, Kate Bush, Pink Floyd, Jeff Buckley, A-Ha, Coldplay, Queen, Norwegian folk music, Russian classical music. I think we can claim we don’t really sound like anyone except like ourselves and we take pride in that. We’re also open to all kinds of styles of music when we write and stay true to that. Music itself is beautiful. We’re starting to hear of bands inspired and sound a bit like “Gazpacho”.. that is touching to hear that we’re influencing other bands today. Gazpacho is a strange phenomenon in many ways. You are popular around the world and you rightfully get a lot of attention and praise in magazines like our ProgArchives, Classic Rock and it's Present Prog offshoot. Your gigs are well attended and you play the big Loreley festival. But back in Norway, very few knows about you and you get no media attention whatsoever as far as I know. Arsonists, glamour models and murderers has a higher social status than Gazpacho and other prog rock bands in Norway. What is your take on this situation ? We gave Norwegian media a pass after getting absolutely no coverage in 2004. A Norwegian band supports Marillion on a 31 gig, 2 month European tour. We were playing big venues with 2000+ attendance every night for a band that was after all fairly famous back in the eighties.. We asked/informed Norwegian press of this, in the hope of getting a little mention somewhere – but instead we see 2 page spreads on some unknown Norwegian band supporting some unknown German band for 1 concert in a little town in Germany… In short, not many people know of us in Norway as little has been written about us and little done afterwards to spread the word. (It’s not what you do, but who you know which gets a mention). We have a growing base in Germany and Holland, and it’s thanks to the dedication of these fans that we get the word of mouth spread. We do not have the capacity to do promotion ourselves anymore (we mentioned holding down full time jobs and family while writing, recording albums and touring?.. not much spare time left..:-)) so we need help from fans. We also have the help of German management now to help spread the word there. Each venue we visit, we double the attendance next time we come back… that is promising. What is your experience with the music industry and the internet prog scene? Jan Henrik and Thomas work commercially within the music industry, Lars and Fido work as teachers within music and yours truly works with marketing in…. medicines (?). Is there an internet prog scene?..:-) Is any of your members involved in any other bands or projects ? Lars is involved in some experimental stuff, Mikael has a local band he plays with from his local village, Fido does some sound engineering. What is your plans for the rest of this year and next year ? This year is Missa’s year. We focus on trying to spread the word of the album during the autumn. We then go on a European tour in the end of January, beginning of February to promote Missa Atropos. We’re most likely going to visit the same cities as the last tour but the addition of Poland this time. I also hear that we have to upgrade capacity in some venues as there are more people attending. Excellent to hear. After the tour I guess it's back to the cottage..:-) Anything you want to add to this interview ? Hope to see you on tour. Buy one of our albums, turn off the lights, get a candle going with some red wine and just listen. I hope it takes you on some kind of journey. Thank you to Jon-Arne for this interview Their PA profile is here and their homepage is here

TheGazzardian Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Prog Reviewer Joined: August 11 2009 Location: Canada Status: Offline Points: 8443	Posted: September 04 2010 at 11:28
	Great interview Torodd! I love Gazpacho, they're one of my favorite bands of the modern scene, really great music. I'm looking forward to their new release

Rune2000 Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Special Collaborator Honorary Collaborator Joined: May 23 2004 Location: STHLM, Sweden Status: Offline Points: 1833	Posted: September 04 2010 at 11:43
	Great interview. The conceptual aspect of the new album sounded really appealing to me so I will definitely be picking up this release. Not to mention the fact that Gazpacho had already managed to impress on me with their previous two albums. This comes from a converted fan who originally didn't see much potential while experiencing the band's live performance while supporting Marillion on their Marbles tour.

memowakeman Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Special Collaborator Honorary Collaborator Joined: May 19 2005 Location: Mexico City Status: Offline Points: 13032	Posted: September 04 2010 at 13:27
	Excellent interview. One very interesting band!
	Follow me on twitter @memowakeman

omardiyejon Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: April 14 2010 Location: Turkey Status: Offline Points: 177	Posted: September 04 2010 at 19:30
	gazpacho is a band that i started to admire with 'night'. wow, what a meeting that was :) and i am eagerly waiting for missa antropos, thanks for the interview!
	http://www.normalisr.com/?username=omardiyejon

Basíleia Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: April 22 2009 Location: The Netherlands Status: Offline Points: 283	Posted: September 07 2010 at 11:19
	I am looking forward to hearing Missa Antropos! The concept sounds great.
	Liefde heerse op Aarde Liebe herrsche auf Erden Love reign on Earth Amor regat Tellurem Que l'amour règne sur la Terre

Jörgemeister Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Senior Member Joined: February 10 2008 Location: Nauticus Status: Offline Points: 2296	Posted: December 22 2010 at 12:40
	Missa Atropos is awesome, thanks for the interview.

CCVP Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Prog Reviewer Joined: September 15 2007 Location: Vitória, Brasil Status: Offline Points: 7971	Posted: December 28 2010 at 13:22
	interesting interview from an awesome band. Everything they did since Night is great, to say the least.


AtomicCrimsonRush Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Special Collaborator Honorary Collaborator Joined: July 02 2008 Location: Australia Status: Offline Points: 14256	Posted: January 08 2011 at 03:20
	I heard them recently on compilation album and liked what I heard.


areazione Members Profile Send Private Message Find Members Posts Add to Buddy List Reviewer page Forum Groupie Joined: July 12 2008 Location: Italy Status: Offline Points: 47	Posted: January 08 2011 at 17:45
	Well done. I truly love Gazpacho; they make me feel comfortable with my unconsciousness. As much as Paatos do. It's a deep shame that my local musicshop hardly sells their cd's.
	Umbra profunda sumus, ne nos vexetis, inepti; non vos, sed doctos tam grave quaerit opus