Listen To: Frogg Cage - The Bateless Edge |
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avestin
Special Collaborator Honorary Collaborator Joined: September 18 2005 Status: Offline Points: 12625 |
Topic: Listen To: Frogg Cage - The Bateless Edge Posted: September 15 2010 at 19:06 |
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So far, this is my favourite release this year (I've heard only about 200 releases from this year, and there are some other great releases but this one is above all others so far)
You can stream the entire album here Bateless Edge Frogg Café Here are the PA reviews for this album:
From the state of New York come the marvellously diverse Frogg Cafe. Formerly a Zappa
cover band, they released their eponymous debut in 2002. Bateless Edge released last
month is their 4th studio album proper, and easily their most ambitious effort to date.
The album consists of eight tracks spanning 77 minutes, so there are no off the cuff pop
tunes here matey! The highly personal lyrical themes touch on child adoption and the 9/11
tragedy, the latter is also apparent from the artwork. This is done sensitively where it could
so easily have been seen as mawkish to those of us detached by thousands of miles, not
to mention our countrymen regularly returning home in boxes from Afghanistan as a
consequence - anyhow, that's not a debate for these pages.
The first track Terra Sancta deals directly with 9/11 and is lyrically very moving. Musically it's
a great piece of orchestral ensemble playing, which at times in the main theme if
comparisons have to be made reminds me of Kashmir, in that it carries a similar sense of
foreboding. There's a great guitar break about 8 minutes in backed by scat piano, the main
theme returning at the end but in a more optimistic vein. A great arrangement and an
awesome start to the album.
Following this is an instrumental Move Over I'm Driving, which after the intense first track calms things down a little. There appear to be no added musicians on this track, but the group themselves give another fine show of ensemble playing. Some nice time signature shifts and arpeggio violin work flows smoothly into subtle jazz guitar noodling and trumpet blowin'and is a fine piece of work. There sure are some highly competent musos in this band.... Next up is Pasta Fazeuhl. Fans will know that a lot of the band's more improvised work ends up being named after types of pasta, and this one invents a new Teutonic strain. Get your local Italian restaurant to patent it lads! This one apparently started life way back in 2003 after seeing Magma play live and is described as "not in the style of Magma....(but) in the spirit (of).." The band stamp their own jazz-classical style on this "tribute", if that's the right word. Less angular than Magma, who I have always struggled with to be honest, this excursion into weirdness has a touch of Sun Ra in there somewhere too, which is no bad thing. Around 5 minutes in the cacophony halts abruptly, and a cyclical bass riff is slowly built on by violin, guitar, drums and gradually builds into a very strange sometimes almost Crimsoid section, in who knows what time signature! Weird but good. On first hearing I found this one hard work, but repeated listens have made me appreciate just what great players FC are. Now we have the centre piece of the album - Under Wuhu Sun - a 20 minute epic split into 3 parts. Another highly personal lyric from Andrew Sussman based on "Wuhu Diary: On Taking My Daughter Back To Her Home Town In China" by Emily Prager, and on his own family's experiences in their trials and tribulations adopting their daughter from China. Starting with a slow theme, the sad emotive song of the first part is followed by a nice guitar break that lifts the mood while still remaining introspective. The instrumental second part opens with a chugging riff, followed by a slower quieter but still intricate piece of ensemble playing and forms a bridge to the concluding third part. The opening of the final section is the most Zappaesque instrumentally, but still retains the by now recognisable Frogg Cafe style. A nice clarinet followed by trombone (I think) solo comes in at around the 3 minute mark leading to a nice bubblingly fluid guitar noodle - mmmmm, nice! I've only had the opportunity to listen to this track a few times but it's already in danger of becoming my favourite piece by the band. Following this is From The Fence, the only track with lyrics not by Andrew Sussman. This time writing duties are taken by Nick Leito, and they are more ambiguous than his band mate's. The song could be interpreted in a number of ways, suffice to say the protagonist seems to be unable to make up his mind which way to turn. Whether personally, politically, emotionally I can't say, I'll leave that up to you. This is also the straightest "song" on the album, not that it suffers in any way for it. Quite uplifting, it must be in a major key (don't hold me to that)! The final track Belgian Boogie Board was originally written for 2 clarinets and 2 electric basses and has now had all manner of extraneous instrumentation added and fair belts along with joyous mischief for its 10 minutes. All in all this is a highly ambitious work and is deserving of far more attention than it will
inevitably receive. How on earth the band find time to write the songs and complex
orchestral arrangements, and oversee the recording in tandem with their day jobs and the
usual stuff of daily life, families etc, is beyond me. If their was any justice they should be
able to at least make a living from this astounding music.
This is one of those reviews that won't justify the music one iota,but here goes. This latest
album from FROGG CAFE was an automatic buy for me after getting so much enjoyment
from both "Creatures" and "Fortunate Observer Of Time" over the years. I just wasn't
prepared for what they created here. At over 77 minutes i'd usually complain about that ,but
not when every song is so good. They've really changed and added to menue here at the
cafe,sure we get the things we love about this band, but they've really brought in some new
flavours including a dark,avant mood at times.Lots and lots of guests as well to fill out the
sound.Frank Camiola who wasn't on the last album but who's been on all the other studio
albums is back.
"Terra Sancta" is dedicated to the children who lost parents on 9/11. It opens with Indian
slide guitar.We also get tabla in this track.It kicks in with horns around a minute.Vibes
too.How good does this sound ! The instrumental section stops as thunder and rain
arrives.Vocals follow with these words "Any other day a snack in your lunch and a kiss from
mom sends you on your way.Not this day." Nice guitar 5 1/2 minutes in.A change a minute
later as the bass becomes prominant and the piano and guitar play over top.This is great !
Horns 11 minutes in then the guitar lights it up.Vocals are back. "Move Over I'm Driving"
written by Nick Lieto has this thought behind the title."It's not really fair that you can't drive
the taxi yourself once you flag it down". It's jazzy to start out with horns and violin.Bass and
drums add some depth.It settles before 4 minutes as sax plays over top.Violin is back
around 6 minutes,guitar too. "Pasta Fazeuhl" ends with "zeuhl" in the title you may have
noticed. The song began it's life after Frank saw MAGMA play at NearFest in 2003. "It's not
so much in the style of MAGMA per se,but rather in the spirit and energy that the band
exudes,and it's a tribute of sorts,Frogg style". The song builds until it kicks in after a
minute.Vibes after 2 1/2 minutes.A calm follows then things get a little Avant/Garde.Another
calm after 4 1/2 minutes as cello enters in then it builds.Check it out 7 1/2 minutes.Nasty !
Strings only before 9 minutes then it kicks back in after 10 minutes.Killer track. "Under
Wuhu Son" is divided into 3 sections.This song is based on a book and related to Andew(i
beleive) who with his wife had a four year struggle to adopt their daughter from China. First
up is "In The Bright Light" which opens with intricate sounds.A gorgeous intro but i like
when it turns darker and heavier 2 minutes in.Vocals follow as it settles.Man this is
good.Love his vocals.It kicks in before 4 minutes.So good after 5 minutes both lyrically and
instrumentally.Emotion.The guitar 6 minutes in is a nice touch.Horns and vibes after 7
minutes. "Left For Dead" opens with horns blasting with a heavy rhythm section joining
in.Too much ! It settles before 3 minutes.Nice.Chunky bass as it builds.Thunder and rain
end it. "Brace Against The Fall" is the final section.A good rhythm section with horns
eventually leads.The vocals before 1 1/2 minutes are again so good from Nick.They stop
after 3 minutes as horns lead.The guitar before 4 1/2 minutes is sublime.Horns and vibes
a minute later.Amazing ! "From The Fence" settles with vocals before a minute.It's so
uplifting.Check out the thoughtful lyrics too.I just get lost in this one. "Belgium Boogie
Board" is the closing 10 1/2 minute instrumental. It's experimental to start then the strings
and horns rip this mother up.Drums join in and vibes.It turns dark with violin and piano after
2 minutes.Intense.A good rhythm follows then it settles after 4 minutes as sounds come
and go.It turns dark before 7 minutes.This is so good.It's like Chamber music here.It picks
back up before 9 minutes.I like the last gasp of music here after the song has already
ended.Like a monster not willing to die.
Without a doubt this will be right at the top of my list for best 2010 release.This must be
heard to be believed
FROGG CAFÉ Bateless Edge is an exciting find for me because its sounds and instrumentation choices are rather unique and
unusual: Brass with tuned percussives and Zappa-Frippish guitar leads?! Ultimately, however, like it's comparable genre-mate
ECHOLYN, the music never quite attains consistent heights of glory, cohesion, and accessibility.
The album has, for me, four highlights of admirable height, however: The opening song, "Terra Sancta," with its highly engaging electric guitar riff and powerfully chaotic and frenetic electric guitar solo (8/10); "Move Over I'm Driving" which recreates the JEAN-LUC PONTY-FREDDIE HUBBARD-WEATHER REPORT-MOTHERS OF INVENTION album that never occurred (7/10); "Pasta Fazeuhl" which fuses so many unusual musical styles into one song that it defies categorization (fusion-fusion?!) (7/10), and; "From the Fence" a more traditional song of almost ballad feel, beautiful lyrics and singing, interlaced with some awesome hooks from violin, CHICAGO-like brass section, trombone and trumpet soli. Actually, all in all this song has a very CHICAGO-ECHOLYN hybrid feel/sound to it (8/10). The rest of the album (one 10 ½ minute song and a 24-minute, three-song suite representative of the process of adopting a Chinese child) fail to engage and/or entice me. Overall an album of very interesting music and songwriting from very talented and adventurous musicians. I will continue to listen and look for FROGG CAFÈ music because it makes me pay attention and smile. 4 stars. Try it! You'll (probably) like (some of) it!
To say the very least, Bateless Edge is an interesting album. The music contained on it
ranges from Eclectic prog to Jazz fusion, from crossover prog to RIO/Avant type music - which,
indeed, makes it seems slightly unfocused. But this is not much of a problem, since, in a Zappaesque
kind of way, this band is good at all these seperate styles! All of this combines for an amazing
musical experience through the Magma-inspired avant-garde ostinatos of "Pasta Fazeuhl" through the
Crossover Prog verses of "In the Bright Light" and the Jazz Fusion stylings of "Move Over I'm
Driving". Each of these seperate compositions brings something to the table.
The horn playing on this album is very virtuostic - especially the very Zappaesque runs of notes and the strange time signatures of certain parts. There aren't any shredding guitar solos, but the guitar is very well handled for what it is, and stand-out instrumental moments include the upright bass part on "In the Bright Light", the guitar solo of "Terra Sancta" and the marimba/xylophone playing across the album. Most of the melodies are extremely beautiful - "Terra Sancta" and "In the Bright Light" are just downright catchy whereas "Pasta Fazeuhl" and "Belgian Boogy Board" are beautiful soundscapes. None of the songs are bad. There's no filler on this album. Just great music. In conclusion, this is an album which uniquely blends jazz horns and mallet percussion with avant themes and disharmony with beautiful melodies and skillfull instrument playing into a hodge-podge masterpiece. ***** songs; "Terra Sancta", "Under Wuhu Son: In the Bright Light", "Under Wuhu Son: Left for Dead", "Belgian Boogie Board" **** songs; "Move Over, I'm Driving", "Under Wuhu Son: Brace Against the Fall", "From the Fence", "Pasta Fazeuhl" Final rating, 4.4/5 Edited by avestin - September 15 2010 at 19:07 |
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The Truth
Collaborator Honorary Collaborator Joined: April 19 2009 Location: Kansas Status: Offline Points: 21795 |
Posted: September 15 2010 at 20:38 | |
Amazing album, review upcoming.
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SaltyJon
Special Collaborator Honorary Collaborator Joined: February 08 2008 Location: Location Status: Offline Points: 28772 |
Posted: September 15 2010 at 20:45 | |
Ooh, I'll have to check this one out, thanks for the heads up!
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TheGazzardian
Prog Reviewer Joined: August 11 2009 Location: Canada Status: Offline Points: 8442 |
Posted: September 15 2010 at 20:47 | |
I heard Frogg Cafe for the first time earlier this year when I got their Creatures album. I am definitely going to be picking this one up in the very near future, perhaps with my next CD purchase if I am lucky. Unfortunately, I don't go through music quite as fast as you Avestin () and am still working my way through a backlog, so that might be in a while.
I actually think I've given this spiel in about five different cases in the past little while, so I imagine as soon as my current backlog is cleared, another will emerge...
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Man With Hat
Collaborator Jazz-Rock/Fusion/Canterbury Team Joined: March 12 2005 Location: Neurotica Status: Offline Points: 166178 |
Posted: September 15 2010 at 20:51 | |
Yes!
An excellent disc. Insane that you can here this album completely for free. Completely worth it.
I'll be the first one to say I was underwhelmed with their last studio album, and even that live album is pretty sweet, its nothing as good as BE. A step up in everyway from any of their previous efforts. Nice and complex, avanty and jazzy...honestly I can't think of a way to improve the album at this point.
Unfortunately for BE, it was released in 2010 where there are many more good albums than 09. Honestly for me, its #2 so far at this point, with Nels Cline's Initiate topping it. And this next quartet by AltRock certainly contains alot of heavy hitters.
But that takes nothing away from the awesomeness of BE. It will certainly be in my top 5 this year and I'm stoked for where they will go next. Definitely a 5 star album. Hopefully one day I'll be able to review it.
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Dig me...But don't...Bury me
I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect. |
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TheGazzardian
Prog Reviewer Joined: August 11 2009 Location: Canada Status: Offline Points: 8442 |
Posted: September 15 2010 at 22:17 | |
You must be listening to better albums than me.
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Man With Hat
Collaborator Jazz-Rock/Fusion/Canterbury Team Joined: March 12 2005 Location: Neurotica Status: Offline Points: 166178 |
Posted: September 15 2010 at 22:33 | |
Maybe you listened to better albums from 09 than me.
And admittedly, this was a bit of a prediction. I mentioned the AltRock quartet, which honestly could all be top five material if done right. Ulver is also suppose to release a new this year. I've heard some great things about the new Spock's Beard. Comus are supposed to have a new one out. Jean Louis as well. And there are a couple more leftovers that were "suppose" to be out in 09 that I've still heard nothing about for coming out in '10, so wishful thinking perhaps on my part. There are also a couple of strong contenders out there (like the aforementioned Intiate) and Jaga Jazzist's latest. Korai Orom also put one out this year which I need to track down. Univers Zero album is also top notch.
What I should have said, is that there are alot more bullets for BE to dodge than anything from last year (which I'm not saying was bad...just for me BE beats every album I've heard from 09). Mostly in context of the number one album spot. I'm 90% confident that BE will make top five, just where is alot more uncertain.
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Dig me...But don't...Bury me
I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect. |
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The Doctor
Special Collaborator Honorary Collaborator Joined: June 23 2005 Location: The Tardis Status: Offline Points: 8543 |
Posted: September 15 2010 at 22:57 | |
Have to say I love this album. I only have one other one from them, Fortunate Observer of Time and that one blew me away. Bateless Edge is even better. Definitely a great starting point for the unitiated and for the unitiatied, you don't know what you're missing. These guys rock (in an odd time signature, jazzy and counterpointy sort of way).
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I can understand your anger at me, but what did the horse I rode in on ever do to you?
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TheGazzardian
Prog Reviewer Joined: August 11 2009 Location: Canada Status: Offline Points: 8442 |
Posted: September 15 2010 at 23:29 | |
I'm excited for that one too. (Insert my previous spiel about backlogs here...I should just put it in my signature, would save me much exposition) |
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Man With Hat
Collaborator Jazz-Rock/Fusion/Canterbury Team Joined: March 12 2005 Location: Neurotica Status: Offline Points: 166178 |
Posted: September 16 2010 at 00:18 | |
Haha. Yeah. I hear you there. I have a sizeable pile of stuff I haven't listened too. I make some slight progress but then...new orders are placed.
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Dig me...But don't...Bury me
I'm running still, I shall until, one day, I hope that I'll arrive Warning: Listening to jazz excessively can cause a laxative effect. |
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