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Is Progressive Rock truly pretentious? |
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stacyj
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Joined: May 22 2012 Location: Sanford,NC. Online Status: Offline Posts: 75 |
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Topic: Is Progressive Rock truly pretentious?Posted: May 31 2012 at 21:16 |
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...well,im only on about it cause,
"if you think that its pretentious,youve been taken for a ride,
look across the mirror sonny,before you chose a side,
it is real......it is raalllll"
"cause its only rock and roll,but i like it"
The key word in all of this? = IT !!!
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ExittheLemming
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Joined: October 19 2007 Online Status: Offline Posts: 6019 |
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Posted: May 31 2012 at 04:29 |
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I think all self expression could be deemed pretentious in as much as it presumes a caring recipient.
Ergo, how to avoid pretension? Easy, assume that no-one is remotely interested in what you have to express. Reductio ad absurdum: there is no longer any art. (happy now?) This is a pretentious post.(Admin edit) |
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Dayvenkirq
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Joined: May 25 2011 Location: Sparks, NV, USA Online Status: Offline Posts: 7287 |
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Posted: May 31 2012 at 01:41 |
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^ That's the part where the author's intentions may not be quite clear.
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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Smurph
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Joined: January 11 2012 Location: Columbus&NYC Online Status: Offline Posts: 1884 |
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Posted: May 30 2012 at 23:51 |
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Prog that tries too hard can be pretentious but that's BS stuff like super lame prog metal that just sounds like recycled copies of everything. Or some of this djent stuff is just silly breakdowns for the sake of writing silly breakdowns.
But true prog rock cannot be pretentious because it is exactly the music that naturally flows out of the people that make it. Am I pretentious because when I play I don't want to be bored and I want to stay excited?
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martinprog77
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Posted: May 30 2012 at 22:20 |
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first you have to know [ even some prog fans don't know it ] what is progresive rock ?
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there are no second chances. Never give a day away. Always live for today. |
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Dayvenkirq
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Posted: May 30 2012 at 19:10 |
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^ So, anything that's pretentious is the real deal? Is that what you are saying? Or just that specific album was the real deal?
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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stacyj
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Joined: May 22 2012 Location: Sanford,NC. Online Status: Offline Posts: 75 |
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Posted: May 30 2012 at 18:49 |
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Naaaaa! I take that phrase,
"that if you think its pretentious,youve been taken for a ride"!
as meaning,what the artist was referring to,
was the real deal! ...um,that make sense?
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Dayvenkirq
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Posted: May 30 2012 at 17:17 |
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Maybe we've been asking the wrong question all along. ? How does one know (not think, know) what is pretentious?
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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The_Jester
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Posted: May 30 2012 at 17:09 |
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Many prog band did the music they did just because it was fun like Jethro Tull. I don't think it is pretentious.
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areazione
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Posted: May 30 2012 at 13:04 |
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Prog rock, at least the real core of it, is truly pretentious by construction. Otherwise it would have not been created from the very first day. As Miles Davis played, So What?
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Umbra profunda sumus, ne nos vexetis, inepti; non vos, sed doctos tam grave quaerit opus
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KingCrInuYasha
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Posted: May 29 2012 at 01:06 |
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Yeah, that's the one. I keep forgetting that's why Dylan made the album in the first place. |
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He looks at this world and wants it all... so he strikes, like Thunderball!
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jude111
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Posted: May 29 2012 at 00:52 |
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KingCrInuYasha
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Posted: May 29 2012 at 00:49 |
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My apologies for the misunderstanding. I do have to admit, though, that "Desolation Row" alone outshines anything Kansas ever penned. At least in the lyrics department.
Edited by KingCrInuYasha - May 29 2012 at 00:50 |
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He looks at this world and wants it all... so he strikes, like Thunderball!
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Dayvenkirq
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Posted: May 29 2012 at 00:24 |
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^ We know it's not literal. Nobody said we meant it literally, nor did we imply that.
Edited by Dayvenkirq - May 29 2012 at 00:26 |
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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jude111
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Posted: May 29 2012 at 00:12 |
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Edited by jude111 - May 29 2012 at 00:46 |
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KingCrInuYasha
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Posted: May 28 2012 at 22:45 |
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And yet, if a band the critics liked had those same traits, they would get away with, assuming they didn't do something like, say, make an equivalent of Bob Dylan's Self Portrait. I really don't understand why critics just say that progressive rock isn't their cup of tea, rather than basing their reasons on some ridiculous philosophy of theirs. I mean, if Sgt. Pepper's Lonely Hearts Club Band really is the worst thing to happen to the lives of guys like, say, Punk77, then I congratulate them for having a better life than me.
Because if they don't they're labeled as pretentious. If they do, then they're labeled as poseurs, not unlike punk rock. Embracing progressive rock as bad beacuse it's for phonies, yet following punk means you're most likely a poseur. It's a lose-lose situation: "Look, but don't touch. Touch, but don't taste. Taste, but don't swallow." Edited by KingCrInuYasha - May 28 2012 at 22:46 |
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He looks at this world and wants it all... so he strikes, like Thunderball!
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jude111
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Posted: May 27 2012 at 00:45 |
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Edited by jude111 - May 27 2012 at 00:46 |
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Dayvenkirq
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Posted: May 27 2012 at 00:40 |
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Why would anybody do Dylan when they can be themselves? Why does anybody have to be Dylan?
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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rogerthat
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Posted: May 26 2012 at 22:50 |
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^^^ I think American music journalism and critique has another problem apart being, possibly, nation centric. They are obsessed with formats; in fact, formats are the holy grail for them. When some musicians don't slot perfectly in the existing formats, they dismiss them as pretentious/overambitious, etc. European rock music in the 60s and 70s was all about breaking free from formats. It is not just prog rock from Britain, American radio didn't embrace a much more accessible artist like Minnie Riperton either simply because they didn't know whether to call it rock or R&B.
Edited by rogerthat - May 26 2012 at 22:50 |
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jude111
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Posted: May 26 2012 at 21:24 |
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Has anyone else noticed how nation-centric rock journalism tended to be? American music magazines for the most part promoted American bands. (And let's not forget, prog was mainly a European phenomenon.) I remember reading American reviews of The Smiths - those rare times when they were even reviewed - and being trashed or at best dismissed by American reviewers. Or look how the Anglo-Saxon world has never really given props to Serge Gainsbourg (by the way, he probably belongs here, if for no other reason than 'HISTOIRE DE MELODY NELSON"). (But I digress...)
I'm a huge fan of Pink Floyd, and reading through old reviews, I noticed: Floyd was reviewed enthusiastically by the English press. (Both UMMAGUMMA and ATOM HEART MOTHER were lauded as masterpieces at the time by an enthusiastic British music press.) However when the American press began to take notice of Floyd, the Americans dismissed and disparaged them. The British press then dutifully followed suit and mimicked the American rock press. One can see the entire political landscape and American-British relations just by following the reviews of Pink Floyd! Fascinating... Edited by jude111 - May 26 2012 at 21:31 |
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