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Is Progressive Rock truly pretentious? |
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Dayvenkirq
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Topic: Is Progressive Rock truly pretentious?Posted: April 24 2012 at 12:59 |
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OK. Didn't know that. Big deal. And since we are just focusing on the 70's criticism of prog, then let it be as you said it, 'cause I was born in '91.
Edited by Dayvenkirq - April 24 2012 at 13:01 |
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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DiamondDog
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Posted: April 25 2012 at 17:02 |
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Yes sir, it sure is, or at least can be at times. But if the guys didn't do what they do wouldn't it be boring - and we would still be in the caves with the other monkeys.
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theadolescentprogger
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Posted: April 25 2012 at 17:12 |
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Pretentious is attempting to impress by affecting greater importance, talent, culture, etc., than is actually possessed.
Progressive rock musicians can walk their talk. So no, it isn't.
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Nick Dilley
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Posted: April 27 2012 at 16:51 |
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agreed. I think when prog goes bad, it it often because of pretentiousness. But, that just means its one of the failings of the artist or composition. |
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Progging the Rock, Rocking the Prog.
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RyanElliott
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Posted: April 29 2012 at 05:37 |
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pretentiousadjectiveattempting to impress by affecting greater importance, talent, culture, etc., than is actually possessed
This is involved in all sorts of music and genres including prog but usually, it leads to the worst results. The best albums I've ever listened to, I don't believe were ever intended to be pretentious so they could better themselves over other artists. The great albums out there are great albums because the artists were inspired by several reasons to write them. The best prog albums have been written because of the inspiration to search for new sounds through experimentation, different lyrical observations, the enjoyment of creating a musical journey etc. |
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Dayvenkirq
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Posted: April 29 2012 at 12:10 |
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^ Good one. Clear and concise.
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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RoyFairbank
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Posted: April 29 2012 at 12:46 |
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To use the word pretentious is pretentious.
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KingCrInuYasha
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Posted: April 30 2012 at 16:46 |
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^ Assuming the person is using it just for the sake of using it.
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He looks at this world and wants it all... so he strikes, like Thunderball!
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Josef_K
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Posted: May 13 2012 at 10:41 |
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My personal opinion is that too many tend to think that as soon as it's intellectual or complex it must be pretentious. If your theme or whatever you are trying to express is complex that doesn't make you a pretentious artist. Now, if you think the point of making good music is playing fast, I would say you are pretentious, however I would argue that none of the prog performers I like think this way (I'd rather speak about metal guitarists here...).
Faster playing from for an example Rick Wakeman is to a great extent there because it has a purpose and contributes to the music as a whole, not just to show off his skills. So I would say no, based on what I know at least :D
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colorofmoney91
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Posted: May 13 2012 at 20:07 |
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As with just about everything, some people are very pretentious and some are totally not pretentious.
ELP = pretentious Kansas = not pretentious It goes on a band by band basis, I think. Kvlt black metal is about as pretentious as prog, as a whole.
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jude111
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Posted: May 26 2012 at 20:41 |
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Granted, they're Americans and presumably from the prairies or the cornfield plains or some other place equally terrifying (perhaps somewhere in or near Kansas? where people really drive in pick-up trucks just like in the movies, and you can see cows and tornadoes and trailer parks and shotguns and girls just like Maryanne in "Gilligan's Island"). One wouldn't expect them to try to do rock versions of Mussorgsky or Dvorak (one wouldn't expect them to hear of them, either, being that they're Americans and all), but they might try to do an American version of pretentious, like adding country fiddles to prog rock or something crazy like that, before coming back to the church.
Okay, sorry, just kdding around. :-) As someone else asked, albeit in a slightly different context, "What's the matter with Kansas?" Edited by jude111 - May 26 2012 at 21:03 |
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jude111
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Posted: May 26 2012 at 21:05 |
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I'm fond of this picture of Wakeman:
![]() To be honest, though, what with the flats in the background, I wonder if there isn't a bit of a "nudge nudge wink wink" going on, more along the lines of the knowing Bowie at the time? Edited by jude111 - May 26 2012 at 21:10 |
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jude111
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Posted: May 26 2012 at 21:24 |
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Has anyone else noticed how nation-centric rock journalism tended to be? American music magazines for the most part promoted American bands. (And let's not forget, prog was mainly a European phenomenon.) I remember reading American reviews of The Smiths - those rare times when they were even reviewed - and being trashed or at best dismissed by American reviewers. Or look how the Anglo-Saxon world has never really given props to Serge Gainsbourg (by the way, he probably belongs here, if for no other reason than 'HISTOIRE DE MELODY NELSON"). (But I digress...)
I'm a huge fan of Pink Floyd, and reading through old reviews, I noticed: Floyd was reviewed enthusiastically by the English press. (Both UMMAGUMMA and ATOM HEART MOTHER were lauded as masterpieces at the time by an enthusiastic British music press.) However when the American press began to take notice of Floyd, the Americans dismissed and disparaged them. The British press then dutifully followed suit and mimicked the American rock press. One can see the entire political landscape and American-British relations just by following the reviews of Pink Floyd! Fascinating... Edited by jude111 - May 26 2012 at 21:31 |
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rogerthat
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Posted: May 26 2012 at 22:50 |
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^^^ I think American music journalism and critique has another problem apart being, possibly, nation centric. They are obsessed with formats; in fact, formats are the holy grail for them. When some musicians don't slot perfectly in the existing formats, they dismiss them as pretentious/overambitious, etc. European rock music in the 60s and 70s was all about breaking free from formats. It is not just prog rock from Britain, American radio didn't embrace a much more accessible artist like Minnie Riperton either simply because they didn't know whether to call it rock or R&B.
Edited by rogerthat - May 26 2012 at 22:50 |
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Dayvenkirq
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Posted: May 27 2012 at 00:40 |
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Why would anybody do Dylan when they can be themselves? Why does anybody have to be Dylan?
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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jude111
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Posted: May 27 2012 at 00:45 |
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Edited by jude111 - May 27 2012 at 00:46 |
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KingCrInuYasha
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Posted: May 28 2012 at 22:45 |
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And yet, if a band the critics liked had those same traits, they would get away with, assuming they didn't do something like, say, make an equivalent of Bob Dylan's Self Portrait. I really don't understand why critics just say that progressive rock isn't their cup of tea, rather than basing their reasons on some ridiculous philosophy of theirs. I mean, if Sgt. Pepper's Lonely Hearts Club Band really is the worst thing to happen to the lives of guys like, say, Punk77, then I congratulate them for having a better life than me.
Because if they don't they're labeled as pretentious. If they do, then they're labeled as poseurs, not unlike punk rock. Embracing progressive rock as bad beacuse it's for phonies, yet following punk means you're most likely a poseur. It's a lose-lose situation: "Look, but don't touch. Touch, but don't taste. Taste, but don't swallow." Edited by KingCrInuYasha - May 28 2012 at 22:46 |
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He looks at this world and wants it all... so he strikes, like Thunderball!
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jude111
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Posted: May 29 2012 at 00:12 |
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Edited by jude111 - May 29 2012 at 00:46 |
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Dayvenkirq
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Posted: May 29 2012 at 00:24 |
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^ We know it's not literal. Nobody said we meant it literally, nor did we imply that.
Edited by Dayvenkirq - May 29 2012 at 00:26 |
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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KingCrInuYasha
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Posted: May 29 2012 at 00:49 |
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My apologies for the misunderstanding. I do have to admit, though, that "Desolation Row" alone outshines anything Kansas ever penned. At least in the lyrics department.
Edited by KingCrInuYasha - May 29 2012 at 00:50 |
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He looks at this world and wants it all... so he strikes, like Thunderball!
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