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Joined: July 20 2009
Location: Tucson, AZ USA
Status: Offline
Points: 6744
Posted: July 13 2012 at 16:36
Smurph wrote:
I love Big Elf haha
Sorry, not to offend! Cheesy prog does have its adherents....I've seen Big Elf twice now, and give them credit for hard work, but....the top-hat, two Mellotrons etc. are a bit much for my own tastes.
Then, there is cheese in prog instrumentation, such as this "unique" bass thing played by Chris Squire. When he dragged this onstage during the concert for GFTO, my buddies and I just started to laugh! It was a real "Spinal Tap" scene!
Joined: December 25 2011
Location: internet
Status: Offline
Points: 2549
Posted: July 13 2012 at 16:39
cstack3 wrote:
Smurph wrote:
I love Big Elf haha
Sorry, not to offend! Cheesy prog does have its adherents....I've seen Big Elf twice now, and give them credit for hard work, but....the top-hat, two Mellotrons etc. are a bit much for my own tastes.
Then, there is cheese in prog instrumentation, such as this "unique" bass thing played by Chris Squire. When he dragged this onstage during the concert for GFTO, my buddies and I just started to laugh! It was a real "Spinal Tap" scene!
Maybe he acutally needs it to reproduce their studio sound on stage.
Joined: July 20 2009
Location: Tucson, AZ USA
Status: Offline
Points: 6744
Posted: July 13 2012 at 16:51
Ambient Hurricanes wrote:
cstack3 wrote:
Smurph wrote:
I love Big Elf haha
Sorry, not to offend! Cheesy prog does have its adherents....I've seen Big Elf twice now, and give them credit for hard work, but....the top-hat, two Mellotrons etc. are a bit much for my own tastes.
Then, there is cheese in prog instrumentation, such as this "unique" bass thing played by Chris Squire. When he dragged this onstage during the concert for GFTO, my buddies and I just started to laugh! It was a real "Spinal Tap" scene!
Maybe he acutally needs it to reproduce their studio sound on stage.
Someone said he used it only on "Awaken," I don't remember him having it onstage for very long.
The man can play a bass made out of cheddar for all I care, he IS amazing! However, seeing him haul that thing out was one of those "What the f*** is THAT??" moments in prog history!!
Joined: February 10 2010
Location: Barcelona Spain
Status: Offline
Points: 5091
Posted: July 14 2012 at 06:13
cstack3 wrote:
Ambient Hurricanes wrote:
cstack3 wrote:
Smurph wrote:
I love Big Elf haha
Sorry, not to offend! Cheesy prog does have its adherents....I've seen Big Elf twice now, and give them credit for hard work, but....the top-hat, two Mellotrons etc. are a bit much for my own tastes.
Then, there is cheese in prog instrumentation, such as this "unique" bass thing played by Chris Squire. When he dragged this onstage during the concert for GFTO, my buddies and I just started to laugh! It was a real "Spinal Tap" scene!
Maybe he acutally needs it to reproduce their studio sound on stage.
Someone said he used it only on "Awaken," I don't remember him having it onstage for very long.
The man can play a bass made out of cheddar for all I care, he IS amazing! However, seeing him haul that thing out was one of those "What the f*** is THAT??" moments in prog history!!
I remember having always seen Chris use the triple neck for Awaken, even in modern shows. On DVD you can see him in Keys To Ascension and Live From The House Of Blues, or here
For sure there is an element of show but he does use the 3 necks for clearly different sounds during the song. His current japanese replica has a fretless at the bottom (it has the fret positions marked so in pictures it may look like fretted, same as the original Wal in this picture you posted which looks fretted as well).
Chris uses the fretless for the opening section, the guitar for the atmospheric part where Jon plays the harp and the middle neck fretted bass for the rest, so I see nothing ridiculous or overblown in that.
A keyboardist can play 3 or more keyboards and it's completely normal, Howe in songs such as And You And I plays the electric hanging on his shoulders and the acoustic and the steel on their stands. Also perfectly respectable I think.
A triple neck is just another way of having those different sound possibilities at hand, the problem is that it's too heavy to play it live for much longer than something like Awaken (even if the replica is much lighter than the original Wal).
Joined: June 04 2012
Location: Virginia
Status: Offline
Points: 1413
Posted: July 14 2012 at 11:12
Perhaps the word 'cheesy' is used a tad too broadly in this discussion. I always thought that cheesy was near-synonymous with the word 'kitsch' that was popular earlier, maybe 20-30 years ago. Both mean, or so I thought, 'An unrefined, or purposefully dumbed-down imitation that lacks originality and is designed to appeal to less discerning tastes'.
Joined: September 03 2006
Location: .
Status: Offline
Points: 9869
Posted: July 14 2012 at 11:45
Argonaught wrote:
Perhaps the word 'cheesy' is used a tad too broadly in this discussion. I always thought that cheesy was near-synonymous with the word 'kitsch' that was popular earlier, maybe 20-30 years ago. Both mean, or so I thought, 'An unrefined, or purposefully dumbed-down imitation that lacks originality and is designed to appeal to less discerning tastes'.
Joined: July 20 2009
Location: Tucson, AZ USA
Status: Offline
Points: 6744
Posted: July 14 2012 at 16:53
Argonaught wrote:
Perhaps the word 'cheesy' is used a tad too broadly in this discussion. I always thought that cheesy was near-synonymous with the word 'kitsch' that was popular earlier, maybe 20-30 years ago. Both mean, or so I thought, 'An unrefined, or purposefully dumbed-down imitation that lacks originality and is designed to appeal to less discerning tastes'.
Risking to provoke a firestorm: Asia?
Thank you for this! Asia is an interesting case study....I was THRILLED when I first heard about the band, as I am a fan of Wetton and Howe especially, appreciative of Palmer and unfamiliar with Downes. Their first LP had some strong material, and the first tour included a bit of "ELP Cheese" (Palmer's revolving drum kit, which he rides whilst banging a large bell over his head with a ribbon held in his teeth!).
I don't consider Asia to be as "cheesy" as they could be, as the artistic integrity was there...they truly did aspire to create a unique, genuine prog sound, and did this very successfully. I was able to tolerate the cheese & would label them as a "very mild prog cheese," perhaps Munster....
However, I'm unfamiliar with later Asia material, so perhaps the cheese got stronger with age?
My own definition of "cheesy prog" would include corny stage gimmicks, outlandish stage costumers ("The Lamb" being pardoned of the cheese label of course!), and just "trying too hard to be prog."
One industry magazine a few years back compared the latest prog to sounding like "music that you would hear when entering the grounds of a Renaissance festival" and I really had to agree with that, at least as far as some of the bands I've heard recently.
You know prog cheese when you smell it! The latest incarnations of Yes are starting to have a rather cheesy aroma to them....
Joined: March 19 2008
Location: Sweden
Status: Offline
Points: 841
Posted: July 14 2012 at 18:21
I thought I knew what cheesy was until I read this thread. I didn't think prog could be cheesy, actually. To me, that word is best represented by an autrocity named Demis Roussos, who contaminated the sound waves in the early seventies. I hope that most of you here haven't heard of him. I'm not going to provide a link to YT since I don't approve of torture in any form or shape.
When I think of cheesy, over the top theatrics don't come to mind. I would sooner associate cheesiness with Neal Morse's vocal delivery, or something like that
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