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Rolling Stone's"Best Prog-Rock Albums of All Time" |
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KingCrInuYasha
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Topic: Rolling Stone's"Best Prog-Rock Albums of All Time"Posted: August 03 2012 at 11:26 |
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Huh. It kind of sounds like what Wetton-era King Crimson would've played had Robert Fripp not closed the shop in 1974. As for the other nine choices: It's not the worst list I've seen, but I have my disagreements with the readers who voted in that list (and the magazine for making it): 1. Ranking 2112 higher than Hemispheres and Moving Pictures. I think the latter two works were greater accomplishments for the band, Hemispheres perfecting their prog sound and Moving Pictures showing that it is possible for a prog band to successfully incorporate new-wave styled sounds into their music. 2. Ranking In The Court Of The Crimson King higher than Red. Once again, good albums, but Red, in my book, was the greater accomplishment. Very few groups were making music like this at the time. I've said this before, the fact that Red came out during the time of the Osmonds and Casey Kasem's Top 40 just boggles the mind. 3. How did Selling England By The Pound and 2112 become nominees in the first place? Last time I read the New Rolling Stone Album Guide, those works weren't viewed too favorably. 4. No Thick As A Brick, Godbluff, ELP (debut), etc. |
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He looks at this world and wants it all... so he strikes, like Thunderball!
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dtguitarfan
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Posted: August 03 2012 at 13:23 |
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There are works by DT that I have listened to countless times and am still trying to figure out the structures of. So yes, it is a deeply intellectual experience for me. Tell you what - why don't you tell me what YOU find intellectual and I will piss on it in turn and tell you it's not intellectual in any way. Let's have a pissing contest, why don't we? Silly prog snobs. ![]() |
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thellama73
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Posted: August 03 2012 at 13:25 |
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That sounds like fun. I'll start. I find Bach intellectual (sometimes too much so.) |
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darkshade
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Jazz Rock/Fusion Team Joined: November 19 2005 Location: New Jersey Online Status: Offline Posts: 10100 |
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Posted: August 03 2012 at 13:27 |
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I'm sure he was looking for a prog band as an answer ![]() |
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My Last.fm
Jazz-rock conspiracy? Zappa and Miles played at the same festivals in the summer of '69 right BEFORE Hot Rats AND Bitches Brew were recorded. |
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dtguitarfan
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Posted: August 03 2012 at 13:30 |
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Hmph, Bach? He's not intellectual! Blah blah blah Mahler blah blah Shostakovich blah blah Rachmaninoff blah blah blah and therefore Bach sucks. There - wasn't that fun? ![]() (note: Bach is awesome, I was just doing my Prog Snob impression in a classical music context) |
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thellama73
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Posted: August 03 2012 at 13:44 |
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Your arguments are very compelling. |
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HarbouringTheSoul
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Posted: August 03 2012 at 13:50 |
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Geez, didn't I explicitly say that good music doesn't have to be intellectual? Most of the music I like isn't intellectual in any way. |
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Logan
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Posted: August 03 2012 at 14:43 |
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To me intellectual music is designed to appeal more to the intellect than the emotions. It's more about thinking than feeling. I would say that academic music generally is more intellecual than rock/metal forms of music, but of course a lot of Western art music (classical music to use the general term) does appeal to the emotions in very direct manner. I love music that makes me feel emotional, but classical music can make me feel too emotional (Delibes' Lachme, Tallis, Schubert, Prokofiev, Beethoven, Rachmaninov. Miaskovsky etc. can bring tears to my eyes).
Speaking of a composer who has a link to a school I have worked for, I think Murray Schafer's compositional apprach to music is more intellectual than Dream Theater's. I think that "modern" composers such as Stockhausen, Xenakis, Penderecki, Berio and Ligeti are more intellectual in their approach (some might say that the music simply appeals more to pseudo-sophisticos than the genuinely sophisticated audience that Dream Theater has). If talking Prog, well I just don't think Prog commonly intellectual, and I am a fairly visceral listener. Intellectual also equals high-brow, and what is the most sophisticated and erudite music that Dream Theater has done? Speaking PA materials, Aranis is not that structurally, harmonically or rhythmically complex , but this still sounds more sophisticated to me (partially due to the instrumentation and that it's more like western art music) than this Dream Theater track from the same year. More intellectual; that depends. I don't consider either of these to be intellectual (chose an Aranis track that I would think some would find more easy-listening, though long). Or, for fun, how about the openings of these compared since they are rather similar? Edited by Logan - August 03 2012 at 14:47 |
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Ambient Hurricanes
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Posted: August 03 2012 at 17:03 |
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Not even close, I must have done a terrible job of explaining . You just have to listen to get the idea yourself, come back and tell us what you think when you do .On the intellectual debate: if, by "intellectual," you mean that the music and lyrics are intelligently composed and are musically and thematically thought-provoking, then yes, I would say that DT is intellectual (some might disagree). On the other hand, if by "intellectual" you mean that it's super artsy and high brow and, as Logan said, designed specifically to appeal to the intellect ("eye music" if you will), then DT isn't very intellectual. They're pretty complex as far as metal bands go, but not "intellectual" in the same way that Bach is, where the music is composed with strict rules of counterpoint, theme, and subject, full of word painting and symbolism and designed to appeal to the mind. That doesn't diminish the quality of DT's music; as HarboringtheSoul said, "intellectual" in this sense isn't synonymous with "good." It depends how you define the word; the first meaning I mentioned deals with whether the music is intelligent or not, the second deals with the more extreme connotations of the word "intellectual."
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"The hero's journey is the journey from strength to weakness."
- John Green |
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rogerthat
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Posted: August 03 2012 at 21:30 |
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Straight answer to a straight question, people. If you have heard some metal before, then it's basically a blend of Rush, Metallica and Dixie Dregs. There are other related influences like Yes, Queensryche, Al Di Meola among many others but this is the basic idea. Start with Images and Words and if you like that, maybe go for Scenes from a Memory.
Edited by rogerthat - August 03 2012 at 21:31 |
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rogerthat
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Posted: August 03 2012 at 21:36 |
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Er, don't bother. The guy just needs a pretext to launch into his favourite crib. He initiated it, as usual, by talking more about how much PA hates DT and less about what DT sounds like or what would be a good place to start with the band...and subsequently, plays victim. Very convenient.
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Mirror Image
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Posted: August 03 2012 at 22:52 |
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Who gives a sh*t about The Rolling Stone anyway? I sure as hell don't. There isn't such a thing as a definitive progressive rock list because NOBODY will every agree on the same bands and recordings. Total waste of time and money. This is just another example of a magazine that's ran completely out of ideas.
Edited by Mirror Image - August 03 2012 at 22:52 |
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The T
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Posted: August 03 2012 at 23:11 |
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I like DT a lot (I used to be a fanboy even) but intellectual? Really? Muscular, sometimes I would rather say.
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rogerthat
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Posted: August 03 2012 at 23:23 |
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Muscular, dazzling, breathless and spectacular with reference to those DT moments that I like.
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darkshade
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Posted: August 03 2012 at 23:31 |
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DT definitely like to flex their muscles, and John Petrucci has a lot of them these days
![]() One only needs to listen to Octavarium, Metropolis, and A Change of Seasons to understand how unworthy YOU are. ![]() |
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My Last.fm
Jazz-rock conspiracy? Zappa and Miles played at the same festivals in the summer of '69 right BEFORE Hot Rats AND Bitches Brew were recorded. |
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Dayvenkirq
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Posted: August 04 2012 at 01:16 |
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^ Are we discussing Petrucci or DT, or are we talking about the RS list?
One more thing to say about the list on my part: I still can't put my finger on the very details of how the list came about.
Edited by Dayvenkirq - August 04 2012 at 01:17 |
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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thellama73
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Posted: August 04 2012 at 01:22 |
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Rolling Stone decided to poll their readers, then decided that their readers' votes shouldn't count and made the rest of the list up themselves. |
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Dayvenkirq
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Posted: August 04 2012 at 01:30 |
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Weren't viewed too favorably by RS, not the readers they took part in the poll.
No, I mean how did the RS come up with the list on their own? "Faced with the difficult decision of scrubbing out all their votes or having six of the 10 spots taken up by Dream T, we opted to lump them all in at number one (though one particular album the group released in 1999 did get the vast majority of their votes)." And then what?
Edited by Dayvenkirq - August 04 2012 at 01:36 |
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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rogerthat
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Posted: August 04 2012 at 01:37 |
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I guess the other albums that got the highest votes were picked. Except, of course, that they forgot to exclude multiple selections of KC, Rush and Genesis by the same yardstick. |
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Dayvenkirq
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Posted: August 04 2012 at 02:58 |
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OK, how about this: if we had to come up with a list of our own (or if you had to come up with a list of your own) using the one-per-band concept, then what bands would be on it and with what albums? I got Yes, KC, PF, Rush, Genesis (the leading ones), ELP, JT, Camel, Caravan, Soft Machine, Magma, Dream Theater, ... s%^t, that's more than ten. Help me out here, guys. And keep in mind that it may be pretty difficult to pick between "The Lamb", "Foxtrot", and "Selling". I guess what I'm trying to say is that the list will blow in any case as long as it is top ten, not 15 or whatever.
Edited by Dayvenkirq - August 04 2012 at 02:59 |
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"Composing itself, in a way, is a simplifying process, just trying to pick some (strands?) out [of] the clamour in the head." - Robert Wyatt.
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