Dolulus / Gnohgnuhgnlus

Three noticeable ingredients are the extensive use of what sounds like tuned LFO (cf "...Bienvenue" hereunder), flanged resonances played as notes (cf  "Bhôô" 1'01"-1'20"), and the use of programmed pitch-bending as way to work on sound colors and edit spicy solos / appoggiaturas. One can often find those features on later partly-programmed partly human-performed tracks involving Dolulus's programmer (cf Gnohgnuhgnlus and Improvs... ). 

Mostly nurtured by  all "major" prog + avant bands, and some classic orchestral work by 1998, this project went to places that could meet the avant / experimental niche tag policy.

Enjoy two photos: the place where Dolulus was all programmed and, almost done with soon-to-be-called Dolulus, Jean-Marie Tschanz on May 1th, 1998. 

I find it tidier to have it linked to Dolulus as the same project since it's just another way to similar music , except that I don't think the team would call it "progressive electronic", since it has much fewer electronic sounds.

Should I prepare another bio for Gnohgnuhgnlus... or should the Dolulus page become Dolulus / Gnohgnuhgnlus progressive electronic / other tags – is now the point (isn't it ?... ).

Thanks again for the efforts in management.