Phaedra or Rubycon?

 

I was thinking that "Phaedra" might have been the more important of the two, having finally "conquered" the sequencer, and showing it off. That's my understanding a bit, on that, though Dean might elaborate on that a bit more as he knows that physical stuff better.

 

"Rubycon" was, for me, almost a continuation of some of their stuff in "Atem", though it was more melodic this time, than it was "ambient" the first time. The sound effects are still quite vivid in both. I think that by this time they figured out how to make notes and sounds out of the effects, which I would imagine was probably new at the time.