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Looking for strange or off-beat modern films

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Logan View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2019 at 14:27
^ Seen Swiss Army Man and liked it; it definitely fits the topic.

^^ Will have to look into those that DrWu mentioned. There's so much good stuff out there, but it can be difficult to find and watch.

-------------------------

Off from a black comedy/dramedy angle, a couple of horror films I watched and liked not that long ago were Apostle (one I liked much more than many critics, but I'm into folk horror) and The VVitch. And Hereditary was very good, but kind of hard to watch. The Babadook was another that I had really enjoyed.

Edited by Logan - August 16 2019 at 14:29
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: August 16 2019 at 19:16
Hi,

I'm not even sure that I can add to this ... I think that the word "modern" throws me off, since it could easily be said that some of the things I see and review are totally strange or off-beat films ... and in my eyes and vision, there are not many film makers that go past Luis Bunuel and Jean-Luc Godard ... in terms of strangeness and total off the wall weirdness that is really hard to even say something about.

The middle stuff by Luis Bunuel, is really nutz and crazy, and when you see things like Viridiana and its ending, you will go ... wow ... what was that for? But it is, and besides it being crazy, hilarious and amazing ... and later in one of his last films, several other paintings were also alive ... and I'm not sure that we know those kinds of things or even understand them .... or seeing the end of NAZARIN, when a pineapple ends the story ... which had the famous painting of JC laughing that so many churches at the time hated!

Jean-Luc is one of the worst, and hardest film makers, specially for Americans, since his work intentionally makes fun of all film conventions and sometimes he drives you up a wall and get mad. You don't realize the camera movement in a film doing a track left away from the two lovers discussing their relationship and all of a sudden, this camera is hearing other things and it goes quite far and then later comes back ... and it throws you off terribly ... ohhh the relationship is not important ... why did he do that? There is no "sense" in these things, but it is exactly the same thing that we would DO, but since "entertainment" is about the drink we want ... it can't be done or seen, or appreciated ... and this kind of stuff is totally off kilter and crazy, not to mention the odd stuff, like music in the wrong place, and then dialogue over it on purpose, and then ... if that's not enough, you get Godard over it thinking about it!

And worse ... all of a sudden, a cup of coffee gets a little cream and it creates these nice lines in the turning and movement of the spoon and he goes into a philosophical rant about the universe ... and you watch and go ... what? how's this a part of the story in the film? 

That's not the point ... it really is just a story, so to speak, filmed by a child, and as such he goes left and something goes right and then he has something else ... stories in Godard films are an illusion ... to be busted and broken with everything possible in his arsenal.

There is a problem ... most film go'ers can't handle that stuff ... even if Tarantino thinks that he is paying his respects to Godard, and is only giving you 4 seconds worth ... a vapid and terribly frustrating "nothing", for the sake of "nothing" ... well, that's a bit on the Godard side of things, but in an American film? Wasted!

Both Terry Gilliam and the duo of Jeunot et Cairo owe these two a lot ... and if you want to see something weird, try ... the early Bunuel ... see things like THE EXTERMINATING ANGEL, LOS OLVIDADOS, for things that to this day, so few people can relate to and try to figure out ... and yet, they have moments that are simply ... wow!
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 06:15
Your descriptions made me think first of Being John Malkovich and Eternal Sunshine of the Spotless Mind.
I love some other great films that aren't connected that much to the things you have yet written about but should count as "off beat". I love pretty much everything Ashgar Farhadi did. "Halbe Treppe" is one of my favourite German films, it probably exists with English subtitles, however not sure whether it works that well if you're not proficient in German. It's hilarious, but rather in a realistic down to earth way. Another fun German film, fairly well known abroad, is Run Lola Run. Once Upon a Time in Anatolia from Turkey is stunning. I recently watched Roma from Mexico and it was great. Some of my favourite films from the London Film Festival were actually Indian. Maybe the number one film I ever saw at the Film Festival was "Court". I tend to watch pretty realistic things,no monsters, super heroes etc. Not sure whether that's your taste. Talvar was great, too.
From Russia we have Leviathan and How I Ended This Summer. From Brasil City of God. From South Korea Burning and Poetry.
Enough for now...


Edited by Lewian - August 17 2019 at 06:30
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Post Options Post Options   Thanks (0) Thanks(0)   Quote MortSahlFan Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 07:08

They Shoot Horses Don't They

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 09:50
Moshkito, I'm well aware of Buñuel and Godard, and The Exterminating Angel and Los Olvidados did have an effect on me. One reason why I'm looking for more modern films here is because of my familiarity with the classics (and I have done past topics that cover other eras). That said, of course there are many older great films that I must have missed. In this poll, I mentioned lots of my favourite directors and films from each of them:
http://www.progarchives.com/forum/forum_posts.asp?TID=115056

My list then, including films (lots more I could have listed, and some here I like more than others):

Woody Allen - Sleeper, Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask), Casino Royale

Pedro Almodóvar - Talk to Her, All About My Mother, Women on the Verge of a Nervous Breakdown

Robert Altman - The Player, Vincent & Theo, Nashville

Lindsay Anderson - if..., O Lucky Man, This Sporting Life

Paul Thomas Anderson - There Will Be Blood, Punch-Drunk Love, Boogie Nights

Wes Anderson - The Grand Budapest Hotel, The Royal Tenenbaums, The Life Aquatic with Steve Zissou

Theo Angelopoulos - The Travelling Players, Eternity and a Day, Ulysses' Gaze

Michelangelo Antonioni - L'Avventura, La Notte, The Passenger

Denys Arcand - Jesus of Montreal, The Decline of the American Empire, The Barbarian Invasions

Hal Ashby - Harold and Maude, Being There

Ingmar Bergman - Through a Glass Darkly, Wild Strawberries, The Seventh Seal

Bong Joon-ho - The Host, Memories of Murder, Snowpiercer

John Boorman - Zardoz, Deliverance, Excalibur

Robert Bresson - Diary of a Country Priest, Mouchette, The Trial of Joan of Arc

Luis Buñuel - The Discreet Charm of the Bourgeoisie, Belle de Jour, The Exterminating Angel

Chen Kaige - Yellow Earth, Farewell My Concubine, Temptress Moon

Jean Cocteau - Orpheus, Beauty and the Beast

Joel & Ethan Coen - Miller's Crossing, Barton Fink, Fargo or The Big Lebowski)

Francis Ford Coppola - Apocalypse Now, The Godfather, The Godfather: Part 2

David Cronenberg - Dead Ringers, Naked Lunch, Spider (love so much of his)

Atom Egoyan - The Sweet Hereafter, Exotica, Felicia's Journey

Sergei M. Eisenstein - Alexander Nevsky, Battleship Potemkin, Ivan the Terrible

Rainer Werner Fassbinder - World on a Wire (TV miniseries), Fox and His Friends, Despair

Federico Fellini - La Dolce Vita, 8½, Fellini's Satyricon

David Fincher - Se7en, The Curious Case of Benjamin Button, Fight Cub

Terry Gilliam - Brazil, Time Bandits, Twelve Monkeys

Jonathan Glazer - Under the Skin, Sexy Beast

Jean-Luc Godard - Alphaville, Breathless, La Chinoise

Michel Gondry - Eternal Sunshine of the Spotless Mind, The Science of Sleep

Peter Greenaway - Drowning by Numbers, The Cook, the Thief, His Wife & Her Lover, 8 ½ Women

Michael Haneke - Funny Games (1997), Code Unknown, The Piano Teacher

Robin Hardy - The Wicker Man (1973)

Todd Haynes - Far From Heaven, Velvet Goldmine

Werner Herzog - Aguirre, the Wrath of God, Fitzcarraldo, Where the Green Ants Dream

Hirokazu Kore-eda - After Life, Air Doll, Nobody Knows

Alfred Hitchcock - Psycho, The Birds, Vertigo

Agnieszka Holland - Olivier, Olivier, Europa, Europa

Hou Hsiao-hsien - Flowers of Shanghai, Taipei Story, A Time to Live, A Time to Die

Shohei Imamura - Black Rain, Vengeance is Mine, The Insect Woman

Juzo Itami - Tampopo, The Funeral, A Taxing Woman

Jim Jarmusch - Mystery Train, Stranger than Paradise, Night on Earth

Jean-Pierre Jeunet - Delicatessen, The City of Lost Children, Amélie

Terry Jones - Monty Python and the Holy Grail (with Gilliam), Life of Brian, The Meaning of Life

Spike Jonze - Her, Being John Malkovich, Adaptation

Alejandro Jodorowsky - The Holy Mountain, El Topo

Aki Kaurismaki - The Man Without a Past, Juha, Drifting Clouds

Abbas Kiarostami - Taste of Cherry, The Wind Will Carry Us, Where is the Friend's Home?

Krzysztof Kieślowski - Dekalog (tv miniseries); Three Colours Trilogy: Blue, White, Red; The Double Life of Veronique

Takeshi Kitano - Fireworks, Kikujiro

Stanley Kubrick - A Clockwork Orange, 2001: A Space Odyssey, The Shining, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Akira Kurosawa - Dodes'ka-den, Rashomon, Ran

Fritz Lang - M, Metropolis, Contempt

Yorgos Lanthimos - Dogtooth, The Lobster, The Killing of a Sacred Deer

Ray Lawrence - Bliss (not in the poll, but I love this film)

Ang Lee - Eat Drink Man Woman; Lust, Caution; Crouching Tiger, Hidden Dragon

Mike Leigh - Naked, Secrets & Lies, Life is Sweet

Jens Lien - The Bothersome Man, Sons of Norway

Sergio Leone - The Good, the Bad and the Ugly, For a Few Dollars More, Once Upon a Time in the West

Ken Loach - Riff-Raff, Raining Stones, Land and Freedom

Bigas Luna - Jamón, Jamón; La teta y la luna; Golden Balls

David Lynch - Mulholland Drive, Blue Velvet, Eraserhead

Terrence Malick - The Tree of Life, Days of Heaven, The Thin Red Line

George Miller - Mad Max and Mad Max II (The Road Warrior)

Hayao Miyazaki - Princess Mononoke, Spirited Away, Howl's Moving Castle

Gaspar Noé - Enter the Void, Irreversible

Yasujirō Ozu - Tokyo Story, Tokyo Twilight, A Story of Floating Weeds

Peter Weir - Gallipoli, Picnic at Hanging Rock, The Year of Living Dangerously, The Truman Show

Park Chan-wook - Oldboy, Lady Vengeance, I'm a Cyborg but That's OK

Wolfgang Petersen - Das Boot, Consequence

He Ping - Red Firecracker, Green Firecracker; Wheat

Satyajit Ray- The World of Apu, Aparajito, Pather Panchali

Jean Renoir - The Rules of the Game, The Grand Illusion, La Chienne

Alan Resnais - Night and Fog, Hiroshia Mon Amour, Last Year at Marienbad

Jacques Rivette - The Nun, Celine and Julie Go Boating, Paris Belongs to Us

Nicolas Roeg - The Man Who Fell to Earth, Don't Look Now, Walkabout

Éric Rohmer- Pauline at the Beach, Claire's Knee, My Night at Maud's

Walter Salles - Central Station, The Motorcycle Diaries, Behind the Sun

John Schlesinger - Sunday Bloody Sunday, Midnight Cowboy, Marathon Man

Martin Scorsese - Taxi Driver, Raging Bull, Alice Doesn't Live Here Anymore

Vittorio De Sica - Umberto D., Bicycle Thieves, Two Women

Volker Schlöndorff - The Tin Drum, The Ogre, The Ninth Day

Ridley Scott - Alien, The Duellists, Blade Runner

Tony Scott - The Hunger

Todd Solondz - Happiness, Welcome to the Dollhouse, Palindromes

Oliver Stone - Natural Born Killers, Salvador, Platoon

Quentin Tarantino - Kill Bill Volumes 1 & 2, Reservoir Dogs, Jackie Brown

Andrei Tarkovsky - Stalker, Andrei Rublev, Solaris

Béla Tarr - Damnation, The Prefab People

Lars von Trier - The Element of Crime, Europa, Melancholia

François Truffaut - Fahrenheit 451, The 400 Blows, Jules et Jim

Tsui Hark - Butterfly Murders, Once Upon a Time in China, Zu: Warriors from the Magic Mountain

Tom Tykwer - Run Lola Run, Winter Sleepers, Heaven

Denis Villeneuve - Maelstrom, Sicario, Arrival (he also directed Blade Runner 2049)

Luchino Visconti - The Damned, The Leopard, Ossessione

Wim Wenders - Paris, Texas; Wings of Desire; Until the End of the World

Michael Winterbottom - Code 46, Wonderland

Robert Wise - The Andromeda Strain (really why I included him), The Haunting, Star Trek: The Motion Picture

Edgar Wright - Hot Fuzz, Shaun of the Dead, The World's End

Wong Kar-wai - In the Mood for Love, 2046, Ashes of Time

Zhang Yimou - Red Sorghum, Ju Dou, Raise the Red Lantern

-----------------------


^ Seen and enjoyed They Shoot Horses, Don't They?

^^ Love Being John Malkovich, Eternal Sunshine of the Spotless Mind and Run Lola Run (Lola rennt), I saw those in the cinema when they came out here. I wrote a review of Run Lola Run when it came it on video, which I ended with "Rennt Lola rennt, rennt it today." Once Upon a Time in Anatolia I've seen, and was very impressed with it. I also liked City of God. Others I have not seen, and will be looking into, thanks.

I like a wide variety of things, from surreal mind-benders, sci-fi, fantasy and horror, to kitchen sink realism. I watch a lot of subtitled films, and a lot of films that gets labelled art house cinema. I will definitely look for "Halbe Treppe". Speaking of Indian films, at the multiplex cinema closest to me, at least half of the films are Indian as that area has a huge Punjabi population, and I have wanted to try some of those, but I think the ones that would interest me would more likely be at the Art House cinemas, and at the Vancouver International Film Festival, in Vancouver proper.

Thanks for all the recommendations and mentions of so many great films.

Edited by Logan - August 17 2019 at 10:11
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 10:33
Much of what I like most are realistic psychological films, not sure whether that's your cup of tea, but if it is, I add Festen by Vinterberg (first Danish Dogma film) and Force Majeure from Sweden.  Also that's what Ashgar Farhadi does, maybe start with "About Elly" or "A Separation". Most episodes from Wild Tales (Argentina) are very worthwhile. That one is actually very funny. Otherwise your list is far too long for even checking whether what I recommend is already on it... but I'd probably agree with you on the vast majority of those. The Italian version of City of God by the way is Gomorra, very similar quality in my view.

(Thanks for making me collect some of the best films I've seen in the last 20 years or so here. Had forgotten a number of titles and now they're all back...)



Edited by Lewian - August 17 2019 at 10:48
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Howard the Duck Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 11:06
MacGyver can do a super guitar solo with a broom and an elastic band. Can you do better?

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Logan Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 11:40
^ Noted, thank you.

Originally posted by Lewian Lewian wrote:

Much of what I like most are realistic psychological films, not sure whether that's your cup of tea, but if it is, I add Festen by Vinterberg (first Danish Dogma film) and Force Majeure from Sweden.  Also that's what Ashgar Farhadi does, maybe start with "About Elly" or "A Separation". Most episodes from Wild Tales (Argentina) are very worthwhile. That one is actually very funny. Otherwise your list is far too long for even checking whether what I recommend is already on it... but I'd probably agree with you on the vast majority of those. The Italian version of City of God by the way is Gomorra, very similar quality in my view.

(Thanks for making me collect some of the best films I've seen in the last 20 years or so here. Had forgotten a number of titles and now they're all back...)



Sorry about the list being so long which I copy-pasted from a director's topic poll of mine (for those who didn't click on the link or see that topic before), I guess I sometimes have too much time on my hands. Laundry/ grocery type lists do tend to make for boring reading, and I doubt that topic really excited anyone (I sometimes do get excited when I see polls mentioning my favourites, especially when I can discuss those choices with the topic starter). I used to read a lot of books on film studies, and the most boring textbook of them for me incorporated very long lists in the text again and again. Examples are important, but it was done excessively in every chapter and broke up the flow.

I've seen Festen. By the way, when I was taking a film course at about the turn of the millennium, I was disappointed that my professor was totally unfamiliar with Dogme 95. I probably learnt about that first, though, because I was a regular reader of the Sight & Sound magazine (from the BFI).

Force Majeure is one that I have meant to see. I like topics that jog me memory. Thanks for all the ones you've mentioned and ones to look into (I do also hope that some off my topics have got someone to check out something that I know and like).

I'm definitely into realistic psychological films (a psych component/angle is what really interests with many films, shows and novels).
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 18:57
While I'm at it: Import Export by Ulrich Seidl and Underground by Emir Kusturica.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote The Dark Elf Quote  Post ReplyReply Direct Link To This Post Posted: August 17 2019 at 22:38
"Hunger" about IRA hunger-striker Bobby Sands was a great piece of modern film-making. Michael Fassbender was splendid in the lead role. The film is notable for a 17 minute-long unbroken dialogue scene between Sands and a priest in prison...


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Post Options Post Options   Thanks (0) Thanks(0)   Quote cstack3 Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2019 at 01:27
Anything by Werner Herzog.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Kotro Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2019 at 02:08
Sound Of My Voice (probably my favourite movie from the 21st century)
Another Earth
The Handmaiden
The Duke of Burgundy
Mandy 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote moshkito Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2019 at 08:22
Hi,

I went through the menus on my website for reviews, and here is a small listing of some things ... these, for the most part, are not exactly well known films, and I trimmed my list from the films that had some Academy Awards or some visible nature or other. In general, I'm not sure that any of these films got a wide release, since so many of them belong in an "art house", and the media (in general) does not reflect, and neither does it respect anything that is not a part of the company's groups and films that they produce and have a vested interest in ... for this reason alone, you will always find the "independent" a much better producer of films, however, this creates a big problem for European distributors ... in the past 10 years, since video stores died, the number of foreign films I can catch has dropped severely with the awful index in places like Netflix that will not search for a film that you asked for ... it will still give you 50 tons of sh*t that you are not interested in!

These are just ... oddball films you could say, though that is not one of my words in my vocabulary in film and in the arts ... I tend to like the oddballs because that is where you find the folks experimenting with the medium, and that is fun to watch and enjoy.

A Woman's Tale
An Angel at My Table
Walkabout
After The Fox
Bad Timing, A Sensual Obsession
Caravaggio
Castaway (the original)
King Lear (Peter Brook's)
Marat/Sade
Orlando
Performance
Prospero's Books
Savage Messiah
The Crying Game
Godard's King Lear
Jean de Florette/Manon of the Spring
Le Fantome de la Liberte
Aguirre, The Wrath of God
Allegro Non Troppo
Little Buddha
The Icicle Thief
32 Short Films About Glenn Gould
Babette's Feast
High Heels
Intervista
Journey of Hope
The Island on Bird Street
Burnt By The Sun
Carmen (Carlos Saura)
El Maestro de Esgrima (Olea)
Basquiat
Henry and June
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Post Options Post Options   Thanks (0) Thanks(0)   Quote dwill123 Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2019 at 10:45
The King of Comedy
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lewian Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2019 at 16:41
I loved Jerry Lewis particularly in Funny Bones. From about the same time there's Tim Burton's very charming Ed Wood film.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Atavachron Quote  Post ReplyReply Direct Link To This Post Posted: August 18 2019 at 17:11
^ the French are right, he's a genius, his solo films from the early 60s are hilarious.   The Bellboy, Ladies Man, The Patsy, Nutty Professor, The Disorderly Orderly, Errand Boy, all great.





Edited by Atavachron - August 18 2019 at 17:15
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Guldbamsen Quote  Post ReplyReply Direct Link To This Post Posted: August 22 2019 at 08:03
I can’t remember whether or not I’ve mentioned these before, but here goes anyway as I think you’d find them all pretty funny.
Anders Thomas Jensen has made 4 films that all are wildly different from one another regarding general storyline, characters and whatnot, but there is a distinct black and wholly Danish kind of humour incorporated into them all that sort of takes a cue from Monty Python and then adds realism on steroids and a modern Pulp Fictionesque form of violence.
Blinkende Lygter (my dad worked on this)
De Grønne s.l.a.g.t.e.r.e. (Had to insert some dots so as to sneak pass the censor thang)
Adams Æbler
Mænd og Høns

Features everything from laissez-faire violence in the most odd (and funny) of places, shooting cows with machine guns, bad tennis player turned drunkard, pie baking, theological ponderings, Take That, cannibalism, blowing Easter eggs Danish style, autism and all around weird conversations.
Mads Mikkelsen and a bunch of other famous Danish actors that now also are fairly known in the big wide world all feature in these films...making them somewhat related in the cast and general ‘feel’ of them all.


Edited by Guldbamsen - August 22 2019 at 08:05
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Post Options Post Options   Thanks (0) Thanks(0)   Quote MortSahlFan Quote  Post ReplyReply Direct Link To This Post Posted: August 22 2019 at 08:18
I don't know many modern movies that fit this... "Wings of Desire", "Dogtooth", "Buffalo '66", "American Beauty"
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