Prog Recommendations/Featured albums - The Red Masque

I have received a promo copy of this new album by The Red Masque from Lynnette and I'll be posting a review of it soon enough but I wanted to start this thread about the album as they deserve the support and attention of music lovers and progressive and avant-rock fans.

This is more heavy than the previous album http://www.progarchives.com/album.asp?id=15499 - Feathers For Flesh ( http://www.progarchives.com/Review.asp?id=157881 - my review ), much more intense and dense. There's a distinct zeuhlish sound that is evident from the bass sound, the drumming and occasionally from Lynnette's wonderful vocals.

The musicianship is excellent, the mood is haunting and eerie; overall this is quite the ride! An album to listen to late at night...

THE RED MASQUE / Fossil Eyes

CREDITS

Brandon Lord Ross | bass, moog, hammond, keyboards, tibetan bell, echo theremin, voices Vonorn | drums & percussion, keyboards, bass, electric guitar, accordion, vocals Andrew Kowal | electric & 12 string guitars, violin, remote control, lighter, voices Lynnette Shelley | vocals, tree harp, thunder tube, percussion & sundries

Song List

01. The Spider is the Web (6.48)
02. Carbon 14 (6.48)
03. Gliese 138 (1.33)
04. Das Snail (7.12)
05. The Worm (1.19)
06. Carbon 13 (4.10)
07. Lost in the Petrified Forest (1.37)
08. The Hive (2.45)
09. Polyphemus (6.01)
10. Metamorphosis (2.19)
11. The Anti-Man (Not Afraid) (12.43)

Songs 1, 2, 4, 9 by Ross, Shelley & Vonorn Song 6 by Kowal, Ross, Shelley, Vonorn Song 11 by Ross, Shelley, Vonorn & Kiarash Emami Song 3 by Kowal & The Red Masque Songs 5, 8 by Ross & The Red Masque Song 7 by Shelley & The Red Masque Song 10 by Vonorn

FOSSIL EYES was produced by Vonorn, and engineered by Vonorn. Additional engineering by Jeff Woloszyn of Buddha Zen Recording Studio. All lyrics by Lynnette Shelley, except "The Anti-Man" by Brandon Ross, Lynnette Shelley and Vonorn. Recorded at Vonorn Productions, Piscataway, NJ and Buddha Zen Recording Studio, Philadelphia, PA.

DEDICATED TO: Donald Ross and Michael Kowal, RIP.

THANK YOU: For everyone's assistance, patience and good will during difficult years, The Red Masque thank you for your support. We especially wish to thank David Kerman, and Paul and Debbie Sears.

Artwork and design by Lynnette Shelley (designbyredeye.com). Photography by Matthew J. Romano (mattromanophoto.com)

theredmasque.com
myspace.com/myredmasque
mailto:[email protected] - [email protected]

I think (and hope) you'll enjoy it all three of you (Aaron, Friede and Jean).

On another note, Bump;

Anyone else into this fine and talented band?

http://www.progarchives.com/album.asp?id=18562 - RED MASQUE, THE — Fossil Eyes
Review by http://www.progarchives.com/Collaborators.asp?id=4595 - avestin (Assaf Vestin)
Special Collaborator

— First review of this album —

3%20stars The soundtrack to a horror story

The Red Masque – the name alone conjures up in my mind images of mystery tales and horror stories a-la Edgar Alan Poe and H.P. Lovecraft. The foursome that makes up The Red Masque fills my imaginary world with sounds that fit these very well with their dark, heavy, thumping and bizarre sound world. With two albums (which I love) and one EP to their record they continue their musical path with this new offering entitled Fossil Eyes. This time around, there are more songs than on Feathers For Flesh and those are shorter, but no less effective or impressive. In fact, one might listen to this as a one continuous song separated into several shorter parts as the mood and sounds persist throughout this release and due to the natural sense of flow that links the songs very well together. Zeuhlish bass, nightmarish throbbing sound (in a good way!), desperate evocative cries, heavy guitar riffs; these are still here and even more emphasized than before.

The first song (and not only it) continues the sound found in the opening of House Of Ash which opened Feathers For Flesh. That tormented sound that makes me feel someone has unlocked the door to hell and all the cries of the damned souls are coming through the open gates. The guitar sounds a lot heavier this time around, almost metal-ic at times. Indeed, the overall atmosphere is very “heavy” and dense. I feel overwhelmed after listening to this as if I’ve overdosed with music; highly intense. It feels to me as if walls of sounds are closing in on me from all sides and I’m in the middle unable to escape them. It reminds me somewhat of the listening experience I have with Tool (it doesn’t sound like them; I just want to point out the effect the music has on me). This style continues in songs like Carbon 14 and Das Snail. The heavy and distorted feel, the bewitching vocals and the eerie mood all create a special ambiance that is found in albums like Guapo’s Five Suns and others of their ilk and add to that a vocalist such as Diamanda Galas and you get an idea of what to expect. To touch on that issue, let me say only that I am at awe with the voice Lynnette possesses. It matches the power of all the other instruments (also thanks to the mixing, but still).

What I respect and like about The Red Masque is that they seem to have created this particular and recognizable sound that while one can (think they) spot their influences and also identify similar bands, it is very much their own. This seemingly chaotic frenzy and anguish; topped with haunting zeuhlish- sounding bass and all-over the place drumming. Twisted would be another word I would use to describe the atmosphere they create. By that I mean, twisted as in a weird horror story where sense and logic are lost and the unnatural world has taken over. The opening song alone gives me this impression with its bone chilling and even “perverse” atmosphere that can easily fit as the soundtrack to an H.P. Lovecraft story (the name will come again here). This, mixed with occasional sense of despair, oozes from most of the songs here. Anger and anguish intertwined. The album also features shorter tracks (1-2 minutes long) which purpose it is (I guess) to create a proper ambience surrounding the songs and creating a connecting and leading thread from one song to the next.

One of the most experimental and bizarre tracks here is The Hive which makes a brilliant use of electronic effects to create exactly what the title suggests; A gorgeous or nightmarish soundscape (depends on how you look at it) which sonically sounds like you’re surrounded with a million electronic bees.

Polyphemus is bewitching. It is an eerie song (keeping up with the rest of the bunch), one that can fit very well into some horror movies (again, not different from the others). A brilliant track, with twists and wonderful playing; Lynnette’s voice appears every now and then, broken down. The middle of the track sees its change to a different pace and mood and also has now Lynnette singing without being cut out but with over-dubs. This is a fabulous track, a great exercise in how to create sonic terror (meant in a good way).

The last song, The Anti-Man, mixes the two prominent characteristics here, those being heaviness (displayed by the heavy guitar riffing and powerful drum performance) and the eeriness (which is the result of the overall sound and song structure as well). It is the only song here that gets near the epic length of past albums tracks. Despite its length it was quite accessible to my ears and soon (-er than the other tracks) became a favourite track here. It ends with a feel of desperation and closure very well executed by the whole band, particularly by the solo guitar going almost berserk.

After all this I must also address what are (possible) flaws in this album. Two possible downsides in this release for some listeners can be that 1) it might be too much intensity at the expense of melody and 2) that it may be hard to distinguish between the different tracks (relating to what I noted at the start of this review). It is “brutal”, which is fine with me and I like it a lot, but some may feel that what characterized their two previous releases is lacking a bit here; that is their wonderful crafting of odd and special melodies. Not to say these are non-existing here but it drowns in the “sea” of intensity, the massive sound of the instruments that seem to overshadow everything else. This is why this album deserves the full attention of the listener and repeated listening. It may be a bit too much to listen to at times (and certainly while in the proper mood) and therefore a feeling that there’s a lack of diversity here may creep through. But one needs to look at this album as a sort of concept album or at least a consider there’s a sound- concept here, which is why there’s a dominancy of this tone throughout the album. For those who know and like the band and for those who like the styles and bands referenced in this review, I easily recommend this album. It is creating out-worldly sounds and conjures up some disturbing and weird images when listening. It is a fantastic listening experience which I will return to listen to (like their previous albums). One more thing, there’s superb performance by all the band members, wonderful playing which makes this even more pleasurable to listen to.

For PA rating, 3.5 stars

http://www.progarchives.com/forum/forum_posts.asp?TID=28343 - Report this review (#172745) | Posted Saturday, May 31, 2008, 22:19 EST
http://www.progarchives.com/Review.asp?id=172745 - Review Permanent link | http://www.progarchives.com/album.asp?id=18562#postAReview - Submit a review for this album

Thanks for taking the time to listen to our new album and post your thoughts.

Also for those interested here is the official announcement about the new album:

The Red Masque’s new album Fossil Eyes to be released late June through RER USA
The Red Masque have signed with progressive label http://www.rerusa.com/ - RER USA (www.rerusa.com) and will be releasing their new album, Fossil Eyes, in late June 2008 through RER USA's own label Ad Hoc Records. RER USA was founded in 2003 by David Kerman as the exclusive North American distributor of the English label, ReR Megacorp, a twenty five year old company that defines the vanguard of experimental, progressive, interesting and genre-defying music. The Red Masque expect to have the new album available at the North East Art Rock Festival ( http://www.nearfest.com/ - NEARFest ) from June 20-22 at the RER USA vending booth for purchase. Member of the band will be on hand to sign copies. Fossil Eyes will be available through RER USA's webstore by late June. More details forthcoming....

We will also have some show announcements and other news in the next week or so, and we have recently updated our website with a much needed overhaul. Please stop by and visit! www.theredmasque.com

Thank you,
The Red Masque

The Red Masque | theredmasque.com | myspace.com/myredmasque

I just wanted to let you guys/gals know, that if you are showing up to Nearfest, we are giving out free videos (while supplies last) to the first people who purchase a copy of the new album. Info below. And yes, we will be playing a gig Wednesday in Philly. Hope to see some of you there :)

NEW ALBUM AT NEARFEST!

The Red Masque will be premiering their new album, Fossil Eyes on the 20^th, starting with a debut at the North East Art Rock Festival (NEAR Fest, http://www.nearfest.com). The band is currently signed with RER USA and the album is part of RER USA’s AdHoc label. The CD will be available at the RER USA vending table in the Black Box room of the venue. Members of the band will be by the vending room in order to autograph copies of Fossil Eyes, or greet fans. After the festival, the album will be available for purchase through the RER USA website. Other distributors, including Squidco, will be announced soon.

FREE VIDEO!

The band is also collaborating with filmmaker David Pym on a video for "The Spider is the Web," the first song on Fossil Eyes, and will have some free promotional copies of the video to pass out at the fest. The video features animations by Pym based off of illustrations by vocalist Lynnette Shelley. These videos will be available in a limited quantity and available for FREE to the first people who buy copies of the album at Nearfest (until supplies of the DVD run out). After the festival is over, the band will make the video available online, most likely through Youtube.com. Details TBA.

SHOW THIS WEDNESDAY!

The Red Masque will be performing at the Black Lodge in Philadelphia with Texas Zeuhl Band, Corima, on June 18th. For more info about this event, please visit our schedule page at http://www.theredmasque.com/shows.html - http://www.theredmasque.com/shows.html . For those of you who may be attending NEAR Fest in Bethlehem a little later that week, and are arriving into town early, Philadelphia is an hour and 10 minute drive from Bethlehem, and it might be a nice chance to see two unconventional progressive acts in an intimate venue.

http://sonicfrontiers.net/blog/?p=121 - http://sonicfrontiers.net/blog/?p=121

Is this one worth buying?

Being that there aren't many Philly prog bands and not many really well known ones. Echolyn is not from Philadelphia but outside up in the burbs like I am

As you could guess I know them too and actually better than TRM. I never had beer with TRM.