Listen to Forgas Band Phenomena
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Topic: Listen to Forgas Band Phenomena
Posted By: avestin
Subject: Listen to Forgas Band Phenomena
Date Posted: December 26 2009 at 17:15
../artist.asp?id=1538 - FORGAS BAND PHENOMENA - ../album.asp?id=21018 - L'axe du Fou
Their PA bio (credit at the end):
Forgas Band Phenomena biography
Patrick Forgas was 18 years
old when he first heard the music that would change his life : the
second SOFT MACHINE album. He would spend the following years
perfecting his drumming technique in several of the bands that
flourished at the time, the early 70's. In 1975, he recorded a demo
tape with Dominique Godin (keyboards and sax) and Didier Thibault
(bass), but the latter, formerly of MOVING GELATINE PLATES (an
excellent French band in the Canterbury vein, which recorded two
acclaimed albums in 1970 and 1971), went on to form a new version of
MGP, taking Godin with him, and leaving Patrick on his own.
Luckily,
the tape caught the attention of the new-born Gratte-Ciel label, and in
1977 he recorded and released his first album "Cocktail", with a cast
of musicians which read like a who's who of the French progressive
scene, with former and future members of MAGMA - Jean-Pierre Fouquey
(keyboards), then only 18 - and the MAGMA offshoot band ZAO - François
Debricon (sax/flute), Patrick Tilleman (violin), and most of all the
virtuoso bass player Gérard Prévost. Most of these musicians went on to
become top session players. Following the uniformly positive reviews of
the album in the press, Forgas formed a touring band, retaining the
services of Laurent Roubach - a guitarist later famous for his guitar
duo albums with Eric Boell - and Tilleman - quickly replaced by Jorge
Pinchevsky of GONG fame, then Jean-Pierre Thirault, the sax player from
LARD FREE and MAHJUN -, adding Eric Bono and Philippe Talet - both
later in the leading French fusion band, ABUS DANGEREUX. Unfortunately,
following the demise of the Gratte-Ciel label, the band had to break up
after just a handful of gigs, opening for WEIDORJE and Didier
Malherbe's BLOOM among others, without recording the projected second
album, of which only a ten-minute medley remains.
Between 1978
and 1988, Forgas almost stopped playing music. He sold his drum kit and
took on various non musical jobs. He nonetheless continued to write,
with the help of a guitar or a keyboard, which led to an abortive
attempt at mainstream pop success (two singles in the mid-eighties) -
albeit with quite funny lyrics! Thanks to the continued healthy sales
of "Cocktail" through the Muséa distribution network, Forgas was
offered a contract in 1988, resulting in the 1990 "comeback" album
"L'Oeil", on which Fouquey, Roubach and Tilleman from "Cocktail", and
Didier Malherbe (of GONG), guested alongside Forgas on vocals, synths...Patrick
Forgas was 18 years old when he first heard the music that would change
his life : the second SOFT MACHINE album. He would spend the following
years perfecting his drumming technique in several of the bands that
flourished at the time, the early 70's. In 1975, he recorded a demo
tape with Dominique Godin (keyboards and sax) and Didier Thibault
(bass), but the latter, formerly of MOVING GELATINE PLATES (an
excellent French band in the Canterbury vein, which recorded two
acclaimed albums in 1970 and 1971), went on to form a new version of
MGP, taking Godin with him, and leaving Patrick on his own.
Luckily,
the tape caught the attention of the new-born Gratte-Ciel label, and in
1977 he recorded and released his first album "Cocktail", with a cast
of musicians which read like a who's who of the French progressive
scene, with former and future members of MAGMA - Jean-Pierre Fouquey
(keyboards), then only 18 - and the MAGMA offshoot band ZAO - François
Debricon (sax/flute), Patrick Tilleman (violin), and most of all the
virtuoso bass player Gérard Prévost. Most of these musicians went on to
become top session players. Following the uniformly positive reviews of
the album in the press, Forgas formed a touring band, retaining the
services of Laurent Roubach - a guitarist later famous for his guitar
duo albums with Eric Boell - and Tilleman - quickly replaced by Jorge
Pinchevsky of GONG fame, then Jean-Pierre Thirault, the sax player from
LARD FREE and MAHJUN -, adding Eric Bono and Philippe Talet - both
later in the leading French fusion band, ABUS DANGEREUX. Unfortunately,
following the demise of the Gratte-Ciel label, the band had to break up
after just a handful of gigs, opening for WEIDORJE and Didier
Malherbe's BLOOM among others, without recording the projected second
album, of which only a ten-minute medley remains.
Between 1978
and 1988, Forgas almost stopped playing music. He sold his drum kit and
took on various non musical jobs. He nonetheless continued to write,
with the help of a guitar or a keyboard, which led to an abortive
attempt at mainstream pop success (two singles in the mid-eighties) -
albeit with quite funny lyrics! Thanks to the continued healthy sales
of "Cocktail" through the Muséa distribution network, Forgas was
offered a contract in 1988, resulting in the 1990 "comeback" album
"L'Oeil", on which Fouquey, Roubach and Tilleman from "Cocktail", and
Didier Malherbe (of GONG), guested alongside Forgas on vocals, synths
and programming.
Following encouragement from various magazines
and musicians (among whom none other than his old inspirator Robert
Wyatt), Forgas started work on a third album, "Art D'Echo", inspired by
the French surrealist movement of the 1920's, and writer André Breton
in particular. Once again, he hired the talents of several guests, this
time including old cohorts Debricon and Thirault, as well as new
friends. Although it was recorded in the same "amateur" conditions, in
Forgas' very small music room (so small, actually, that no more than
two musicians can be inside at the same time!), the sound quality was
much better. And a special track, "Poltergeist", marked Forgas's first
drum playing in years.
The idea of forming a new live band
rapidly followed, and the next three years were spent looking for the
suitable musicians and rehearsing a new repertoire, centered on two
epic compositions, "Rumeurs" (later retitled "Roue Libre" and "Sérum De
Vérité"). A shorter track, "Déclic", was added in time for the
recording sessions in March 1997. "Roue Libre" was released on Cosmos
Music in December 1997, and was promoted by a series of gigs in and
around Paris. Following more personnel changes, FORGAS BAND PHENOMENA
went back into the studio in January 1999 to record the follow-up,
"Extra-Lucide", which was released in December 1999.
The band
then went on a long hiatus, re-emerging stronger than ever in 2004 and
releasing the live CD "Soleil 12" on Cuneiform Records the following
year. It consisted for a large part of re-worked version of the two
suites originally intended for the 1978 album, "Coup De Théâtre" and a
new version of "Pieuvre A La Pluie", plus two recent compositions,
"Soleil 12" and "Eclipse". Patrick went on to compose material for a
new CD in 2005-06, which after the obligatory road-testing was recorded
in the summer of 2008, just before the band embarked on a memorable
trip to South Korea. "L'Axe Du Fou" is slated for release in January
2009, again on Cuneiform.
Rodrigo Alburez
Edited by Snow Dog javascript:showFullBio%28%29; - read more
I'd like to focus this thread on this album: ../album.asp?id=21018">
not rated
../album.asp?id=21018 - L'axe du Fou
2009
Here are some reviews: http://www.allaboutjazz.com/php/article.php?id=31784 - John Kelman at AAJ http://www.jazzreview.com/cd/review-20465.html - Susan Frances at Jazz Review
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Replies:
Posted By: lucas
Date Posted: December 26 2009 at 17:33
I have Patrick Forgas' 'synchroncité' album which is more ambient oriented. I like this album and would like him to release more albums in this direction.
------------- "Magma was the very first gothic rock band" (Didier Lockwood)
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Posted By: avestin
Date Posted: December 26 2009 at 18:16
lucas wrote:
I have Patrick Forgas' 'synchroncité' album which is more ambient oriented. I like this album and would like him to release more albums in this direction.
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I don't know this album, I'll look into this, thanks! 
------------- http://hangingsounds.blogspot.com/" rel="nofollow - Hanging Sounds
http://www.progarchives.com/ProgRockShopping.asp" rel="nofollow - PA Index of prog music vendors
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Posted By: Raff
Date Posted: December 26 2009 at 18:26
I got L'Axe du Fou last week from Cuneiform, and I really liked what I heard - though of course I will have to listen to the album with some more concentration, rather that when I am cooking or doing some other form of housework . On the other hand, I've got to know Forgas' debut album, Cocktail, really well (finished my review of it earlier this week) - a must for Canterbury fans.
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Posted By: Evolutionary Sleeper
Date Posted: December 26 2009 at 18:27
Been meaning to check this band out for quite some time. There's just been other things to buy. lol
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Posted By: avestin
Date Posted: December 26 2009 at 18:28
Raff wrote:
I got L'Axe du Fou last week from Cuneiform, and I really liked what I heard - though of course I will have to listen to the album with some more concentration, rather that when I am cooking or doing some other form of housework .
On the other hand, I've got to know Forgas' debut album, Cocktail, really well (finished my review of it earlier this week) - a must for Canterbury fans.
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I'll definitely try and track that one up, thanks Raff!
------------- http://hangingsounds.blogspot.com/" rel="nofollow - Hanging Sounds
http://www.progarchives.com/ProgRockShopping.asp" rel="nofollow - PA Index of prog music vendors
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Posted By: lucas
Date Posted: December 27 2009 at 08:55
avestin wrote:
lucas wrote:
I have Patrick Forgas' 'synchroncité' album which is more ambient oriented. I like this album and would like him to release more albums in this direction.
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I don't know this album, I'll look into this, thanks! 
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http://www.progarchives.com/album.asp?id=5879 - http://www.progarchives.com/album.asp?id=5879
Just don't expect jazz-rock.
------------- "Magma was the very first gothic rock band" (Didier Lockwood)
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