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Steve Hackett - Time Lapse   CD (album) cover


Steve Hackett


Eclectic Prog

3.79 | 75 ratings

From, the ultimate progressive rock music website

Sean Trane
Special Collaborator
Prog Folk
4 stars For a long time, this was the only live album available, and the album was divided in two parts, coming from two concerts almost a decade apart. The strange thing is that the more recent concert came first, but this is really no problem. With the remastered album came a cover change (for the better IMHO) with a few bonus thingies.

The Nottingham 90 concert is a very different line-up than from the Spectral Morning & Defector days, but a good part of the tracks come from Steve's early discography (impeccably played, especially Please Don't Touch) with only Camino Royale (from Highly Strung) and Depth Charge as "intruders" on top of the delicious Genesis in That Quiet Earth in a rearranged form. Two more tracks from this show are added at the end of the album, but both Spectral Mornings (obviously part of a medley) and Clocks are excellent renditions as well.

The NY 81 show has a whole different feel (the sound is clearer) and the band is more enthusiastic. With both Brother John and Magnus as the mainstays in those days, the group also comprises future Marillion (and ex-Curved Air if memory serves) Ian Mosley and ex-Strawbs bassist Chas Cronk. So we get an all-star line-up starting from the perky and jumpy Jacuzzi and the solemn rendition of The Steppes and its Turkestan influences and the ever-changing Ace Of Wands. However the mood is completely ruined by the atrocious (and very unfortunately-titled) Hope I Don't Wake, which is a horrible AOR (from Cured I think). Thankfully it is short and the next tracks more than make up for it: a rare Red Flower, the majestic Tigermoth (wordless) and an extremely dark Tower Struck Downfrom the debut album.

Quite a good release with the remastered version coming with a small Camino PC-only catalogue, where you can find some 20 tracks (16 from later Hackett album, two Chester Thompson tracks and two Ian McDonald tracks) and some Kim Poor artworks, which makers for a nice bonus, even if completely commercial approach.

Sean Trane | 4/5 |


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