THE MANTLE

Agalloch is one of the few bands that makes music that can really move. Sure, there are plenty of bands that make pretty songs, but all too few that can really transport you to another place, and make you feel exactly what the artist wants you to feel. Agalloch is best listened to while walking alone through a snowy forest in the evening. While Agalloch may technically have black metal influence, it shouldn't scare people away, as there is so much more to be heard here.

Although I am a fan of some forms of black metal, it's never really been my thing. However, I can appreciate the objective that black metal aims towards: atmosphere. Classic black metal bands like Emperor never tried to astound audiences with technical-virtuoso playing and shredding; they instead aimed towards creating a haunting sonic atmosphere to give the listeners an emotional resonance. While Agalloch have more to do with folk music than anything else, the attention to atmosphere inherent to black metal is definately seen here. There is almost no skill flaunting here, and everything here would be in the reach of a guitar student's skill to play more or less. However, the way that the simple guitar work is played is beyond compare, and each flowing chord sounds perfect, bringing the listener to an even higher level of musical euphoria.

'The Mantle' is best described as beautifully depressing. There isn't very much of an optimistic sound to be heard here, but more the music of someone that's potentially loved and lost all. These emotions manifest themselves as images of nature in it's purest form.

John Haughm is possibly my favourite lyricist of all time (along with Dani Filth and Daniel Gildenlow.) The lyrics are bleak and emotive without being overly melodramatic. The theme of nature is prevalent in the lyrics as well, which works to give definitive descriptions to the images the band's music tries to create. As a vocalist himself, Haughm definately isn't a technically skilled singer, but that doesn't stop his voice from having a very large (and distinct) presence that compliments the instruments perfectly to the note.

On a personal level, this is music I can listen to when I'm feeling devastated or broken over something, and somehow feel better; simply because I have proof that I am not alone in feeling these emotions. It would be absolutely impossible to write a work like 'The Mantle' without a large amount of sentimental dedication. Through their pure sincerity of voice and perspective, Agalloch has created a beautiful work here, and is something that is yet unparelleled for it's style.

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