DISCIPLINE

No wonder that when this record came out, the fans were full of expectations if KC can fare better then their commercially growing contemporaries such as Genesis, Yes (going commercial in 1983). Would it be a decent prog-rock record, pop-oriented effort or simply a flop? KC prove that they are not a stereotype band because they evolve with each new phase. Two new members, this time from America, step in: Andrew Belew on the mic and guitar and the great Tony Levin on the bass. While the singing style of Adrian Belew might be an acquired taste (took me time to get used to it), it retains sense for melody and has an interesting feeling. Tony Levin provides some busy bass line (listen to Frame by Frame). Fripp is a master in his own sense well adapted to the fusion/contemporary rock music of that time.

Songs are overall shorter but still memorable and provide great instrumental interplay between the guitars, bass and the drums. "Elephant Talk" is a typical KC 80's track with a good melody and guitar decoration. "Frame by Frame" features quick guitar fingerprinting and quality vocals even with harmonies. The romantic touch can be felt in "Matte Kudasai" and on the next track, we briefly get close to the Wetton's KC era in the first intensive instrumental play marred by the following spoken word before the instruments take lead again. Bruford really shines here playing no 10 seconds alike. "Thela Hun Ginjeet" is intensive put still feels lightweight and improvisational. "The sheltering sky" is a relaxing moody track with guitar effects and electronic drums. The last track is completely instrumental with creative guitar textures.

Overall, this is a convincing return to the shape by KC.