KWIATY NA HAłDZIE

Wojciech Ciuraj is this musician working on Walfad, releasing here his 4th CD under his name on a progrock frame and atmospheric integrations. It distills a singular sound struck by the Polish prog school with typical singing. Intense, bewitching and rhythmic compositions.

'' Czas wyboru '' on prog rock with Hammond and strong percussions bringing Wojciech's voice in Polish; dark atmosphere and tortured solo. '' Linia Korfantego's with a percu-piano letting through a masterful and melancholy tune of great beauty and '' Kontury 'comes to a progressive song, divine voice of Karolina combined with the bass of Claudia; explosive and enjoyable crescendo on the guitar solo of Apostolis. '' Z kamienia i nocy '' for the radio rock track, energized with the addition of Marta's belching sax. '' Znikąd (w zasięgu kościelnych dzwonów) '' more ballad rock with crystal-clear guitar notes on a crescendo jazz-rock percussive hit and the addition of Christopher's moog from ProAge.

'' W objęciach czarnych hałd '' continues by distilling a rock crossover ready to lose you in the twists and turns of its classification. "Pieron" returns to a haunting sound, plaintive then explosive guitar on Wojciech's belching voice very repetitive. '' Bitwa o Górę św. Anny '' even darker with a spleen mandolin, rhythmic tune, phrased voice then digression on the sax and '' Dom stoi tam gdzie stał '' intervenes breaking this atmosphere with the most beautiful progressive title, Karolina's voice reminding me of that of 'Anna d'Albion for her purity; a devilishly damn dreamlike climb. '' Czerwiec 1922 '' and the final chorus of the group Olzanki as the final.

Wojciech has therefore released the last part of his trilogy on the Silesian uprisings by offering concise titles full of prog links on initially rock atmospheres, intimate breaks and contemplative atmospheres; an album stuffed with young blood.