THE SIRENS SOUND

COLLAPSE UNDER THE EMPIRE The Sirens Sound is a june 2010 "EP" release (approx. 34 minutes) from Hamburg, Germany duo Martin Grimm and Chris Burda. CUTE's contribution to the Math/Post Rock genre is significant, IMHO, because of the integral and, in this genre, unusual role of keyboards/synths and because both banc members are drummers/percussionists. Their songs are also quite amazing for their very engaging melodic and harmonic constructs. This EP is, again IMHO, their by far their best effort to date--and one of the most enjoyable and pleasurable Math/Post Rock albums I've ever heard. 1. At just under ten minutes, "The Sirens Sound" begins the album with an electronic loop, quickly joined by a heavily treated piano (de-trebled) riff which soon yields to a slow moving synth. The treated piano riff and synth wash alternate with each other until the 3:00 minute mark when drums and guitars slow it down, heavy it out, and take over. The synth buzz eventually rejoins with new guitar arpeggios playing over the top of the rest of the music until the drums and heavy guitar chords suddenly drop out at the 4:30, only to rejoin at the 5:00 mark to build the song into one amazing wall of chaotic, mentally-disturbing sound. Awesome! Then they staccato stop and start the music several times before rejoining in the cacophony of beautiful sound. At 7:30 another hiccup reprieve before the whilrling synth drone climbs to the top and makes you question your sanity. The last minute is a gradual dismantlement of the layers to fade. What a trip! 10/10

2. "Grade Seperation" (sic) begins with organ and bouncy, pop sounding synths and drums before the guitars come crashing in at the 1:00 mark. Some rather SIGUR RÓS sounding interludes make up the quiet breaks between waves of thrashing guitars and cymbols. A bit too repetitive and predictable. 6/10

3. "Violet Skies" follows some pretty standard-sounding rock guitar power chord progressions--almost punk-like at times--mete out a more familiar sound. Unfortunately, this familiarity is also the weakness of the song. 5/10

4. "Beware/lost--Awesome uptempo song with very catchy layered synth melody lines and single string guitar strumming and cymbols leading the way. Vibrating/vibrato bass notes are also very engaging. 9/10

5. "A Different Complexion," the longest song on the album, begins with cowbell and meaty bass before piano, sustained electric guitar notes, treated snare and other percussion noises join and carry the melody and intricate harmonic weave. Except for the cymbol work, it has a definite King Crimson feel to it, and is very hypnotic and pleasant. 9/10

A band definitely worth checking out. All their back catalog--which only begins last year--is outstanding, including Systembreakdown (2009) and Find a Place to Be Safe (Jan 2010). The Sirens Sound is their best. A very emotional and engaging album. Were it longer and not without two weak songs I would rate this with five stars. 4(+) stars.